Emily Dickinson/Jane Eyre Analysis: Amber Makda
Emily Dickinson’s poem, “‘Hope’ Is The Thing With Feathers,” can be applied to the scene in chapter twelve of Jane Eyre, in which Jane is at the top of the Thornfield mansion, contemplating her place in society and life. In the poem, Dickinson metaphorically compares hope to a bird. This bird never stops singing, no matter what obstacle it faces, and its courageous spirit gives inspiration to and resonates with many different people. In relation to this specific scene in the novel, the bird is represented by feminism and Jane’s desire for equality on social and financial grounds. Jane remains optimistic and upbeat about her desire for equality, longing for the day that her progressive concerns will be recognized and upheld. Feminism gives Jane the sense of liberation and freedom she so desires, in a world that only seems to oppress, restrict, and confines her based on gender roles and expectations. The setting of the poem also parallels with Victorian England, the time period in which Jane Eyre takes place. In the poem, the bird is “abashed” by a storm, in a “chill” land and “strange” sea; this can serve as a metaphor to the conditions in which Jane’s feminism existed– the very idea that women were entitled to feel, think, and act in the same way as men do, wasn’t even a concept yet to anyone other than “radical” women in society. While women of her time were limited to the domestic sphere, treated as property, and not expected to think for themselves, Jane defied and challenged these norms with her resilient belief in feminism.