Author Archives: JSylvor

Posts: 25 (archived below)
Comments: 19

Tolstoy, “The Death of Ivan Ilyich”

1. Why do you think Tolstoy begins his story with the announcement of Ivan Ilyich’s death, rather than organizing it chronologically?
2. “The Death of Ivan Ilyich” is full of French words. What purpose do they serve?
3. How does Ivan Ilyich’s family react to his illness? What do their reactions tell us about them?
4. On his deathbed, Ivan asks, “Why, and for what purpose, is there all this horror?” Does the text provide an answer to this weighty question?
5. Compare the attitude toward death we see in Ivan Ilyich’s family and social milieu to that of our own society. How do we treat illness and death?

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Harriet Jacobs, Incidents in the Life of a Slave Girl

1. Who do you think Jacobs envisions as the audience for her autobiography? How can you tell?
2. What does Jacobs add to the understanding of the experience of slavery we gleaned from Frederick Douglass?
3. How does Jacobs attempt to control her own destiny?
4. What is “the loophole of retreat?”

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Frederick Douglass, Narrative of the Life of Frederick Douglass, An American Slave

1. What is the significance of the information Douglass provides about the early years of his life?
2. What does he mean, on p.238, when he describes the first whipping he witnessed as, “the blood-stained gate”?
3. What have you learned from reading this narrative that you didn’t already know about slavery in America?
4. Explain the significance of literacy for Douglass?
5. How does Douglass feel about Southern Christianity? Why?

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Percy Bysshe Shelley

1. In Shelley’s “A Defence of Poetry,” he states that “poets are the unacknowledged legislators of the World.” What do you think he means by this?

2. Compare Shelley’s attitude toward nature with that of Wordsworth. What do these two Romantic poets seem to share and where do they differ in their relationships with the natural world?

3. “If Winter comes, can Spring be far behind?,” the concluding line of “Ode to the West Wind” is one of Shelley’s most frequently quoted lines. What do you think it means?

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William Wordsworth

–In what sense does “Tintern Abbey” offer readers a “religion of nature”? What are some of the specific ways in which nature works as a substitute for traditional religion?
–Why do you think Wordsworth gives “Tintern Abbey” such a precise and detailed sub-title? What is the significance of this poem’s full title?
–In the final portion of “Tintern Abbey,” the speaker turns to his “dear friend.” Who is this friend and what role does he/she play in the poem?
–“Composed upon Westminster Bridge” and “The World Is Too Much with Us” are both sonnets. Why do you think a poet might choose to work with such a highly structured form?
–Describe some of the ways in which Wordsworth’s poetry conforms to some of the features of Romanticism that we’ve discussed. What evidence can you find to illustrate this?

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William Blake, Songs of Innocence and Experience

1. Blake describes innocence and experience as “the two contrary states of the human soul.” What do you think he means by this?
2. Compare the mode of creation described in “The Lamb” with that of “The Tyger.” How are they similar? How are they different?
3. In “London” the speaker says he hears “mind-forged manacles” (line 8) What do you think that phrase means?
4. What differences do you see between the two “Chimney Sweeper” poems?
5. The introductory poem to Songs of Innocence refers to a poet/singer/piper who composes “…happy songs,/Every child may joy to hear.” To what extent does this line describe the poems in Songs of Innocence?

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Wollstonecraft Reading for Monday, 2/25

There appears to be a problem accessing the reading for Monday.  The excerpt from Mary Wollstonecraft’s book  A Vindication of the Rights of Woman that I assigned you is part of a larger electronic resource created specifically as an accompaniment to Great Works courses and administered by the Newman Library here at Baruch.  I have been in touch with the library and am waiting to see if they can straighten out the problem and get the resource back on line.

However, assuming that that doesn’t happen in time for you to access the reading and prepare for Monday’s class, do not despair!  I will bring hard copies of the reading to class on Monday, and we will work through it together!

Don’t forget to read over the assignment for your first essay (posted above under the “Assignments” tab) before coming to class on Monday!

See you on Monday!

Professor Sylvor

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Essay #1

You can find information about your first formal essay for this course (due on Sunday, March 10th) under the “Assignments” tab at the top of this page. Please read through the essay prompt and the general guidelines carefully before Monday’s class. We will be discussing the assignment in class.

Have a great weekend!

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Mary Wollstonecraft, A Vindication of the Rights of Woman

1. What aspects of women’s lives does Wollstonecraft seem interested in changing? Why?

2. Wollstonecraft quotes Pope’s famous line “Whatever is, is right.” How does she interpret this line? Does she agree with Pope?

3. Do you think women are still raised to be “pleasing”? Why or why not?

4. What does Wollstonecraft have to say about marriage? In her view, what would allow a woman to be a good wife and mother?

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Rousseau, The Confessions

1.  What is the narrator’s purpose in writing these “confessions”?  How do you know?

2.  For Rousseau, what is the relationship between feeling and thinking?

3.  How does Rousseau describe his childhood?  What significance can we draw from this description

4. Why do you think Rousseau chooses to include the anecdote about stealing from his employer?

5. Using your own language, how would you describe the narrator, given his self-presentation in The Confessions?

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