Animated Soviet Propaganda

I would like to turn back a little and continue on the topic of cold war and mass propaganda, this time examining it from the point of view of Russia. It’s pretty obvious that if America had propaganda, where communists seemed evil and manipulative, Soviets must have also used mass media to control their population. I found a great documentary called “Soviet Animated Propaganda” , which depicts a history of all the mind controlling cartoons made by Soyuzmultfilm Studios from 1924 to 1984. Thirteen parts of it are available on youtube.  Here is part one to start with.

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I thought it would be interesting to know how Soviets portrayed Americans in the cold war period. During WWII, media was created to align people against fascism, and during cold war American capitalism took its place. It seems that Soviets stayed on top of their game and criticized every single aspect of American life – the money, racial divisions, war strategies and so on. As Igor Kokarev says in the film, people were persuaded to believe, which they did, that they live in the best country of the world, and that the rest of the world with their money and ideologies is absolutely evil: outsiders are the enemy. As Kokarev notes such strong propaganda was so successful, because Soviet people were artificially isolated from the rest of the world, and lived almost like a “cult”. Children from early years were taught how to view the other countries and how to react to certain situations. All children and adults were given the same mindset, the same resources of knowledge, therefore leaving all on the same page. The government created thousands of propaganda posters, which were hanged on every wall in every institution – from schools, busses, cafeterias to private homes. Those posters “told citizens what to do and how to think and who to blame”. All media was strongly supervised and corrected “very stubbornly” up to the last days of the Soviet Union.

I urge you to watch this documentary even though its long, if you are at all interested in media as a brainwashing device. I found it very interesting, since it goes through most of the propaganda cartoons ever created by USSR. After watching this, I got a strong sense that the Hollywood blacklisting was minor, compared to this large degree control in Soviet Union, where nothing could leak out.

Anti-Communist Propaganda and Anti-Anti-Communist Comedy

When I was young I loved cartoons of all kinds, ranging from Tom and Jerry to Popeye The Sailor Man to Dragonball Z. Through this simple, animated medium I saw continual rivalry, heroism and the power of spinach. A well-made series broke down larger, more complicated concepts in a way a child could understand and did so in an exciting and captivating manner. This being said, it would make sense for any group wishing to promote an agenda to use cartoons to communicate a message to a wide demographic. In the following cartoon, Dr. Utopia’s wonderful formula promises to cure all the ails of the America population.

[kml_flashembed movie="http://www.youtube.com/v/KkXTd9v56LQ" width="600" height="400" wmode="transparent" /]http://www.youtube.com/watch?v=KkXTd9v56LQ

For the farmer it promised a great yield and favorable weather, for the manager massive profit and no strikes, for the politician government control and the ability to choose your salary, and for the worker higher wages and security. All each of these individuals had to do was sign on the dotted line and they would receive their bottle of ISM free of charge. The only person who chooses to question the contract is John Q Public. He discovers that the contract actually offers the signer’s freedom and that of future generations in exchange for ISM. When he tells the others to sample the product, they imagine a world of slave labor in which the government determines all and they have no power to retaliate. Ultimately, Dr. Utopia is run into the distance by the other characters as they hurl ISM bottles at him.

Through the oversimplification of both positions, the cartoon exalts American freedom and government while demonizing the ideals of communism. This is a feature of many of the films of the Cold War era we have read about and seen in class presentations. Furthermore, it continues to be a feature of the modern day media, especially in times of questionable governmental action. It is easy to unite against abstract forces that seem to be the root of all-evil, no matter which ISM they are. The media develops blanket terms that threaten our way of life and anyone who does not unite against the forces is deemed un-American. It is a divisive strategy that, on the surface, serves to give credibility to the actions of any group, especially the government. Recently a friend of mine directed me to an article I found most disturbing.

http://news.yahoo.com/s/ynews/ynews_ts1253

Simply put, it states that the Texas Board of Education is debating legislation that will alter textbooks in a radically conservative way. Among the proposed changes are decreased emphasis on the influence of the Latino population and the addition of country music as an important cultural influence (hip-hop is to be dropped from the list). More importantly, Texas sets standards for approximately eighty percent of the nation’s textbook market. Potentially this could alter the way children learn, inundating them with false and biased concepts about the nation’s history. In middle school we all learned about the discovery of America by Christopher Columbus. We learned about his three ships and the first Thanksgiving. However, many of us did not learn about his massacre of the Native Americans rivaling that of any conquistador. Early education system tends to have a conservative slant, almost denying the atrocities the United States has committed in its history. It is yet another method to generate blind patriotism in the nation’s citizenry. It is only as I have developed a more cynical, yet pragmatic, view of the world that I have truly realized the half the media sounds like this underneath all the jargon and propaganda.

The Red Scare and the Hollywood Blacklist: For Tuesday

As you’ll see on the calendar page, our viewing for Tuesday is The Front, a 1976 comedy starring Woody Allen about McCarthyism’s impact on the entertainment industry and Trumbo, a 2007 documentary about Dalton Trumbo, a well known screenwriter who was blacklisted but continued to write and and win awards under psuedonyms. Both are available for streaming on Netflix.

Also, please take a look the following films. Together, they’ll give you some additional context for the two films as well as our reading from Whitfield’s The Culture of the Cold War. Most of these are already in our Delicious feed.

“Hollywood ‘Red’ Probe Begins, 1947/10/20 (1947)” A newsreel on the beginning of HUAC’s probe of alleged communist activity and influence in Hollywood.
I Married a Communist(a.k.a. The Woman on Pier 13)(1949). An RKO feature starring Robert Ryan and an exemplary red scare propaganda film along with My Son John and I Was A Communist for the FBI.

“The Hollywood Ten” (1950), a 16mm short critical of McCarthyism and the blacklist. The director, John Berry, was blacklisted after the film’s release and fled to France where he worked until his return to the US in the 1970s.

“Make Mine Freedom” (1948). A propaganda cartoon on the virtues of democracy and what Americans stand to lose if communism should prevail.
“Communism,” a 1952 educational film about the threat of Soviet Communism.