Hey everyone! These last couple of weeks have been super hectic for me. But fortunately this Sunday I had some time to myself and got to visit the Whitney Museum. I’ll admit it, I am a sucker for art. I haven’t been to the Whitney for some time, so I was excited to see the new installations and exhibits. Since I had no idea what was on display, I was in for a big surprise. I’m sure that many of you know about this iconic museum, however for a brief overview, The Whitney Museum was founded in 1931 by art patron Gertrude Vanderbilt Whitney (hence, the name). It sits at the very end Manhattan’s High Line, making it a huge tourist attraction for anyone that visits. But aside from its’ great balcony views, the Whitney is filled with gems of history from artists around the world and their deep and enriching works. Even if modern art isn’t your taste, a place like the Whitney is a must-see for anyone stopping in the Meatpacking District.
So let’s start my journey! To be honest, I had absolutely no idea with floor to start on. So I’d thought I’d just work my way from the bottom to the top. Thankfully when I arrived to the Whitney, it was barely even crowded. The perfect opportunity to analyze art without masses of people.

I’ve always been a bit judgemental modern art and its’ scheme of making viewers over analyze it. Sometimes you find the most absolutely craziest things on display in museums. A blank canvas could be displayed in the MoMa but it would apparently have some deep background. I arrived to the 5th floor, entirely devoted to the work of a Brazilian artist named Helio Oiticica. Oiticica is one of the most notable artists of the 20th century for his style of which forces the viewer to engage with some of his works. I was absolutely mind boggled of the installations done by the Whitney for these pieces. I walked bare-feet in sand in order to examine his large-scale work called Eden. Eden takes you into a world where one can engage with your own senses. For example, small tents for relaxation, bins filled with books, palm trees everywhere, even a tent to bathe in. It felt like I was in Lord of the Flies. I was trapped on island as I walked through the pieces, with no touch of reality. It gave me these euphoria of inner peace which truly achieved the main premise of this work.It makes you almost want to sit down and stay there forever.


Then I ventured off the other parts of the floor where I discovered even more simulations by Oiticica. I was lured into a room with a rhythmical drums that could be heard in the distance and a screening of traditional Samba dancers of Brazil. For those of you who might not know what Samba is, it’s a popular genre of Brazilian music with heavy African origin, most notable for its’ fast rhythmical beats. However in this installation, the viewer was encouraged to wear parangolés, or the traditional Samba fabrics worn by dancers. The word is slang in Brazilian for a confusing or aggravating situation. But Oiticica again encouraged the viewer to participate in wearing the garments. So of course, I took the opportunity.

In this case, these fabrics are meant to be a bit confusing for the viewer at first, hence the origin of the name. I noticed the variations of the fabrics, some had abstract words or symbols. After doing some research, I came to learn later on that these layers of the clothing could be only visible if the Samba dancer was dancing. Hence, it became an outlet for those to give subliminal political messages to audiences. Nice work, Brazil.
After that, I somehow ended up laying on a hammock in a pitch black room as Jimi Hendrix’s “Voodoo Chile” played in the background. I found that later on that Oiticica was a huge fan of Hendrix and much of the rock music from the 60s and 70s. It most notable had a big impact on his work in which he integrated the music into these large scale pieces. For what reason? I don’t even know. I highly doubt it was for any artistic reason, but for the fact that it’s really good music. However, I assumed that this type of music was used not just because of the time being, but since it was the pinnacle of avant-garde music, or in simpler terms, psychedelic. Musicians began to give a new sound to rock n’ roll by experimentation with instruments and a bunch other things that I don’t need to explain. That being said, perhaps the breakthrough of this new type of music seemed to resonate with Oiticica’s unusual artwork, therefore being the perfect thing to play in the background. Ultimately, It gave me nostalgia to an era I was never a part of.

Finally, I’m so excited to tell you about my favorite part of the exhibition, the Incomplete History of Protest. From 1940 to the present, the exhibition displays powerful work influenced by from various times of turmoil and political change. It makes you realize how powerful art is. People may not realize this but art is a universal thing that we can all interpret. Way back when it was common for people to be illiterate, art was the universal language so that anyone could understand it. Who said you can’t make a political statement without words or actions? So if you guys want to know a little more about me, I am very passionate about being politically active. I marched this past week in order to raise awareness for the DACA ban. In case you don’t know, Trump has pushed to revoke DACA or Deferred Action for Childhood Arrivals, a program created during the Obama era to allow Dreamers who had entered this country illegally at a young age not threatened for deportation. As a Latina and daughter of immigrants, I’m very passionate about this issue, along with many others that affect my community. However, I like to consider myself an activist not for just my community, but as an inter sectional activist, for any person I believe deserves justice at large. That’s pretty much my whole liberal spiel. As for the art I saw, I was able to embark on a journey of different civil rights movements. From feminism to the AIDS epidemic, I was able to see authentic work of artists bringing light to these issues through their pieces.

I felt like a little kid in a candy store except I was wandering and looking at all these political statements that were so important for their time. It’s quite empowering, to think that there was someone years ago trying to enforce change like what you’re doing now In this day and age with our ever-so polarizing country, I’m glad that exhibits like this one are shedding light to underlying issues in our country. Also, that we as a society can look back on our problematic history to make ourselves aware of our mistakes. And to hopefully not to make them again.
In short, I had a great time at the Whitney. It’s refreshing to do things on your own once in a while and to be able to admire the things that the human mind has given birth to. This was definitely the most fun I had visiting the Whitney, it makes me want to create a museum solely to interactive art because it’s truly so exciting. With that, I’m excited to read your posts and experiences! Thanks for reading, I’ll see you all soon!

-Tiana Ruiz