Ed Morales argues that Nuyoricans were/are equipped to engage in a project of multiculturalism while preserving their local, human, and urban culture and traditions. These traditions come mostly from the Taino, African and Spanish heritage as well as the many hybridizations of US society. Morales defends that more than assimilating to Hispanic (in its original European sense) or US American culture, Nuyoricans responded and at times contested and added complexity to these identity formations. (Pages 131-132)
The questions that follow address some instances in which Nuyoricans have become central influencers in the development of NYC’s arts and communities at the end of the twentieth century.
ASYNCHRONOUS BLOG POST
In the comment section down below, write a (200-word minimum) response based on ONE of the following prompts (Deadline 11/18 before the class):
Discuss the involvement of Nuyoricans in the creation of Hip Hop.
Morales argues that Benjy Meléndez’s story illustrates the multicultural intersections at the core of Hip Hop. Why? Expand.
Describe the input of Puerto Rican artists to avant-garde visual arts scenes in New York.
Respectfully interact with ONE of your classmates’ responses. Do you agree with their points and interpretations? Do you disagree? What other observations about “Raza Interrupted” do you want to bring into the discussion?