https://jlc.exposure.co/la-warren
Class Agenda: Monday, Nov. 11
Upcoming Dates
Video pitches will be due this Wednesday, Nov. 13. Your final project will be a reported multimedia project consisting of a 2-3 minute video, a written story of about 500 words, and at least one still photo as lead image.
Rough cuts of your videos will be due on Monday, Dec. 2. The final project will be due on Dec. 11, our last day of class.
Here’s an example of a story with multimedia elements:
Islamic exorcisms used as a ‘cure’ for homosexuality in Indonesia: ‘If I am Muslim, I can’t be gay’
Intro to Video Journalism
With video, we build on the compositional techniques of photography and the structural, storytelling aspects of audio with one obvious additional element: Motion.
How does video storytelling for the web and mobile differ from TV and film?
- Need to be CLOSER to your subject. Web videos are smaller and more compressed.
- 20 percent of online viewers bail on a video within 10 seconds. So you don’t have a lot of time to grab your viewers and make sure they stick around.
How important is audio?
- Good audio is of paramount importance. If you have low-quality video and good audio, the video will still be watchable. If you have gorgeous visuals but terrible audio, it will not.
When is narration necessary?
Sometimes, you can let the subjects of your video tell the story all on their own — as long as you edit with care, presenting what they’ve told you in a way that makes narrative sense. One benefit of non-narrated videos is that they can feel more organic. There’s no disembodied voice stepping in to tell the story, which keeps the focus on the characters in the story.
But sometimes, for clarity’s sake or for stylistic reasons, narration is necessary, or text.
Narrated videos
https://www.nytimes.com/video/world/europe/100000002073002/treasures-from-the-sky.html?
https://www.nytimes.com/video/world/americas/100000005277141/the-last-taushiro.html?”>https://www.nytimes.com/video/world/americas/100000005277141/the-last-taushiro.html?
Text-Narrated videos
These are more and more popular thanks to social media distribution because they automatically start playing as you scroll through your feed and they can be watched without sound.
Non-Narrated videos
https://www.nytimes.com/video/opinion/100000001846077/bronx-obama.html”>https://www.nytimes.com/video/opinion/100000001846077/bronx-obama.html
Shooting Your Video
There are two main components to any video: your interviews and your B-roll. The rules of composition we learned for photography (thirds, colors, patterns, symmetry, etc.) all apply here, but you also need to keep an eye out for motion. Tracking shots involve following the action with your camera, while static shots involve keeping your camera still, but that doesn’t mean there’s no motion involved; you might just be letting the action go in and out of the frame.
What is B-roll? And what difference does it make?
Things to keep in mind while you’re shooting B-roll:
- Shoot more than you think you’ll need.
- Get a variety of shots. Close-up, medium, wide, detail shots, static shots, tracking shots.
- Use a tripod whenever possible. If you don’t have one or you’re shooting in a mobile, chaotic situation, be resourceful about stabilizing your shots.
- Think about your interviews and let them inform your B-roll shooting decisions. Look for shots that illustrate what the person is talking about.
- Hold your shot longer than you think you need to. A good rule of thumb is to hold it for at least 10 seconds (AFTER it’s already steady).
Things to keep in mind when you’re shooting your interviews:
- Frame the shot with your subject on one of the thirds, angled so that they’re looking slightly INTO the frame. Have them look at you, not at the camera, so be mindful of where you are sitting. It’s a bit intense when someone looks directly into the camera.
2. If you’re working with a translator, be mindful that the subject will want to look at them, so make sure they are positioned in the ideal place to draw the person’s gaze.
3. Prioritize good audio.
4. Make sure their face is lit, but not too harshly.
5. Think about composing the shot in a way that allows for some negative space where the Lower Third will eventually go.
The Five-Shot Sequence
When it comes to B-roll, your job is to use these visuals to tell a story in a way that is very clear and keeps the viewer not just interested but oriented: clear on what’s happening. Cutting together a sequence is often an effective way of doing this.
The classic sequence that every budding videographer learns when starting out is the five-shot sequence.
- Close-up on the hands.
- Close-up on the face.
- Medium shot.
- Over the shoulder shot.
- One additional creative angle.
You won’t always edit things in this exact way when you do a sequence in the real world; sometimes it’ll only be three shots, or it might be ten, and they might be in a different order. But the five-shot sequence is a useful framework for thinking about depicting an activity clearly and engagingly with video.
Next week, you’ll get your hands on the cameras. We’ll practice shooting and editing a five-shot sequence.
Announcement
I’m teaching an Advanced Multimedia Reporting course next semester, which is really an advanced video class if any of you are interested in developing your video skills further. We had so much quality video work come out of that class in the spring that we launched a whole new section on Dollars & Sense called D&Sdocs to feature them.
Radio story
Queens community singers voice their diversity and spirit at Gemini’s Lounge
By Yasmeen Persaud
In the heart of the uproar that is Queens stands Liberty Avenue — a neighborhood which advertises a long stretch of halal carts, roti shops and West-Indian restaurants. Upon the walls on the sides of the buildings, and within the counters of mini pastry shops rests flyers that advertise local singers in the West-Indian dominated neighborhood.
Every Monday night at Gemini’s Lounge, three international singers perform, showcasing their voice to the local community, and wearing proud hats of an ethnic enclave. Their performances represent the epitome of breaking cultural barriers and the diversity of the Queen’s community.
Upon walking into the disco-themed and still-lively atmosphere of Gemini’s Lounge, it’s 4:30 a.m. and karaoke night is only just starting to wind down. Technically, it was supposed to be over a half an hour ago. Pakistani singer Mohammad Javed is singing in Hindi to a mostly West-Indian crowd.
“I am really inspired by the Guyanese people who really really love music, they love music and I just always mingle with them, so I’m inspired by them actually,” Javed said.
Javed credits his Guyanese friends and fellow singers around the neighborhood for his proficiency in singing. Oftentimes, singers of West-Indian descent who sing in languages they didn’t grow up speaking, like Hindi, Punjabi or Bengali, can struggle to find acceptance among audiences around here. But Javed says that shouldn’t be held against them.
“Singing is of talent, you either have it or don’t have it, that doesn’t mean Pakistanis can sing, I know millions who can’t even hold the mic, don’t judge the [Guyanese] people because they’re not from Pakistan. They’re more talented. Even they don’t even do rehearsals, or learn to go somewhere to learn the music, but they’re still so good,” he added.
Guyanese-born singer Mala R. has run into this kind of criticism herself, but she says she feels connected to the music. After all, West-Indian is still fundamentally, Indian.
“Our heritage is in India, our great grandfathers came from India and we still have that culture within us, tradition within us and that language within us, it just comes to some of us naturally,” R. stated.
She describes that Guyanese singers sometimes don’t know the lyrics, and even make up their own pronunciation but still sing because its their passion. She takes pride in her own abilities, and even says that singing catapulted her into other forms of arts.
“We do well in it, like about 50 percent of us do well and the other 50 just for the love of it just sing, they sing the wrong stuff, but they sing for enjoyment and feel alive. There’s so much more you can put to singing, and go higher to the level like the people in India, where we all came from anyway,” she said.
Kalvin Eno is the third international singer who takes the stage at Gemini’s every Monday night. Eno says if West-Indian singers face resistance, it’s nothing to the reaction he gets as a Nigerian-born person singing Bollywood-style music.
“It doesn’t really matter with the color, it’s about interest, if you have interest in something and you believe in something, I’m pretty sure you can do it, I’ve been singing here and a lot of people come out here seeing a black man seeing Indian songs, and secondly I’m not from Guyana, Trinidad, The West-Indies, they’re surprised with seeing someone of my color, and you know, they love it,” Eno stated.
As the night drifts into the calm hours of 5 a.m., the performers allow for audience members and club goers to sing with them as the performance ends, a TV screen in the corner showing lyrics to the latest hits of Bollywood. Despite being from three different backgrounds, the three Queens community singers bring their own spirit to Gemini’s lounge and to the hearts of the world that is Queens.
“I never miss a day here, Even if it’s snowing I’m here, even if it’s raining, I’m here, it’s all about the love, that’s it,” Eno added.

Radio Story
Wanna to be a successful public speaker? Toastmaster International Club may achieve your goal.
By Tao Zhang
Toastmasters International, the famous leadership and public speaking nonprofit organization, claims over 350,000 members in 143 countries. Most of these people are just trying to get better at public speaking. But in a place as diverse and full of immigrants as the borough of Queens in New York City, regulars at the “Queens Best Toastmasters Club,” have found it to be a great, free resource for improving their spoken English. Tao Zhang went to their weekly Saturday morning meetup in Elmhurst to get the story.
I’m at Elmurst Hospital for the weekly meetup of the local Toastmasters club, and Amelia Abad is in front of everyone delivering a monologue about how she met her husband.
He was also shy and timid, not talk too much. Moreover, is very providential. We were live in the same resident hotel. So we studied together. Some of the courses we had to take in management. And we went to together because we live in the same resident hotel. So you can guess what happened. We live well and we decided to get married.
Toastmaster Ciaran Donohue presides over the club meeting as usual. Six people are on the schedule to speak today, including club president Jesse Cassell. Here’s Jesse.
Good morning for the members and most for coming the guests. Sometimes, challenges are actually blessing in disguise. This man is named Valentine. Mr. Valentine, he was a real gangster, a real criminal. One day, he got a conflict with police officer, a several police officers. And he made his mind, you can’t get me campus, bang! Ah…he laid down but he woke up the other side. Who is agree with him was very well dressed man…”
The various speakers are all competing to see who will be voted best of the week.
To make you committed, that much stronger. And your success that much for accessible. It willing must to try you best. And fail make you committed and much stronger. And you success that much for accessible. Thanks.
Please take one minute to evaluate Jesse’s speech.
That’s Ciaran, longtime member and today’s Toastmaster. He also goes to other meeting in different week. He is an airline account executive. Since he joined toastmaster club, he got more knowledge of speaking. Good for his work and better to promote sales. Now he become a toastmaster to manage the whole meeting in each week. He can see many people fill confidence and logical to covey context on the best way.
For each meeting, there is different toastmasters. We like to, one of supposes that we are very on rule. So this week I have to be a toastmaster. I have been this club for many many years. Probably if add all years come to the club relevant to ten, but I dropped out for couple of years and come back. I have been long time of this club.
What is the motivation that you join to the toastmaster club?
Basically, the motivation I think certainly for most of people I think is self-development. That is underlining motivation. But really practical sense to develop your communication skills. And being able to stand, give presentation, give a speech to the audiences.
Toastmaster international is to make people who come here that obtain the most benefits of public speaking skills, leadership, personal growth, career advancement and confidence. When you join in the club and listen to once, you will realize that speech is another way to know the world.
That’s important for me in my work, important for a lots of us for life. For to giving it, that’s the public speaking motivation.
Do you think join this club effects your work and life?
Absolutely. I think it’s all especially work. In my work I have to get presentations, I have to do sales presentations, I have to do cheer meeting sometimes. So all of that required public speaking. It is not only public speaking, it is also leadership, expect clubs. We take on rules, we give to the projects. So there is other upper speaking club to help self-development. So turns into packaging your life, yes, it does effecting my life.
During one speech, the speaker, Mark Lavergne, notices my recorder and gives me a shout-out.
People are afraid of public speaking. Here is another statistic. We have reporter here. Eight-five percent is percentage of toastmasters in the metropolitan New York area belong to clubs is not exist 20 years ago. Everyone in the room is the part of eight-five percent. This club is not exist 20 years ago.
One of the things they teach here is that humor and wit can be important in connecting with audiences. If you want people more interested in your speech, be funny. Otherwise, people will tune you out like a stereotypical lecturer at a conference.
Every meeting runs four segments. First one is “Project Speech”, including six or seven speeches by different members. Four levels mark on the sheet of the day of schedule which are “Ice breaker”, “Introduction to toastmaster mentoring”, “Connect with storytelling” and “Communicate change”. Each speech follows one evaluator to estimate their speech. The toastmaster will give them one minutes to leave notes then go on the next.
I assume we are taking time out to a minute to time mark speech. Please pass all evaluations to the back. Evaluation is all finish. It is my pleasure to invite to table topic toastmaster evaluator Milton Freitas. [APPLUS] Fellow toastmaster, good morning…
Find another way to end this. It sounds too much like you’re promoting the club. Maybe tell us who was voted the winner and then sign off.
For Baruch College, this is Tao Zhang in Queens, New York.
Chai Time with Ani Sanyal
Chai Time with Ani Sanyal
By Yasmine Mohamed
LOWER EAST SIDE — Natural entrepreneur. For many first-generation Americans, entrepreneurship is thought of to be a fate that is reserved for those with the money-making gene. But is that really the case?
The Business Journals recorded more than 11 million minority-owned businesses in operation nationwide, nearly double the number of 10 years ago. However, although minority-owned businesses are on the rise, most minority entrepreneurs still face challenges that their white counterparts are able to avoid. Including lack of representation, confidence and investor support.
At Kolkata Chai Co., cultural differences are used as a strength instead of a weakness.
Ani Sanyal is the founder of the new cafe, Kolkata Chai Co., located in Manhattan’s East Village. The grand opening of Kolkata Chai Co. took place on September 18th, the turnout was unexpected; the line wrapped around the block.
Ani and his brother Ayan Sanyal aim to transport his customers to the streets of Kolkata, India with authentic spiced tea.
“My background is kind of crazy” Ani says. “I am the product of two immigrant parents from India. And for me, I just knew from a young age that I couldn’t really work for somebody else. I saw my dad got laid off a lot growing up and it was just this thing where I was like, it doesn’t make sense for someone else control your financial family’s future.”
So Ani started his own business, scratch that — businesses. From music to marketing, Ani and his brother do it all. He manages an artist named Anik Khan, runs a creative agency, and started a real estate investment group.
“My brother and I have been running a creative agency for the past five years and, our business was like super busy and like as a way to kind of get away from always being behind a computer my brother just started to experiment with Chai.” Ani says. “We had been to, you know, India, our whole childhood kind of back and forth and so Chai was a big part of our lives, but he just started like cooking it up in his room in his in his apartment started, you know, giving it to friends and family and kind of letting them taste it and then kind of like, just kept rolling from there”
Chai is a way of life in India. you’ll find chaiwallahs on almost every corner. They are vendors who specifically sell the sweet, spicy, milky beverage.
In America, “chai” has become known as a flavor of tea with predominantly cinnamon or cardamom elements. Ani and his brother Ayan noticed that there is a lack of authentic chai in New York, so… they decided to do something about it.
“Some of the most beautiful things in the world we found in Kolkata. And some of the most heartbreaking things in the world we found in Kolkata.” Ani says. “So when it came to like creating a space in New York City, it was like what better way to shed light on a place that’s meant so much to us that a lot of people don’t know about. just reclaiming that narrative of what our culture and what our food and what our people actually are like.”
Ani is motivated by the sacrifices his family has made to come to America, he also wants young people to know that it’s possible to live life on your own terms.
“For me especially, I grew up as like a brown kid in the 90s and it wasn’t cool to like own your culture. I was like “wow” you know, our food smells crazy, or like my mom was like, just like making me dress in all these like crazy outfits and I was like damn ma, this is not it.” Ani says.
“And I just remember being like, never been like super proud of like being where we’re where we were from. It took me like trips back home and just like spending time with my culture to understand how beautiful it really was.”
Ani sounds determined to challenge white-dominated spaces so that the next generation of kids like him don’t feel unwelcome.
“If we don’t start changing the conversation and changing what spaces look like. And take that responsibility ourselves, then things are not going to change, and every space or every venue or every all the infrastructure in this country is going to remain the same.” Ani says. “It’s going to be white-owned it’s going to be a space that we don’t have the ability to influence. Like you go to every co-working space around the country. It all looks the same.”
Another chai place called the Chai Spot opened last year (confirm) in lower manhattan, but Ani he doesn’t see competition. The Chai Spot, another chai place in lower manhattan is one that also sells a similar product; Ani explains why Kolkata Chai stands out from its competitors.
“I don’t think there’s competition.” Ani says, “We created a new category, how I see it, you have coffee shops you have all these things, but you don’t have places that serve authentic Chai exclusively that understands young millennial diasporic culture, there’s no place doing that.”
Noran Omar, a customer at Kolkata Chai, sits nearby writing a paper. I ask her what she thinks of the place.
To be honest, this place gives me such brown vibes, and I love it. Do you know what I mean? I mean the music, the scents, the ambiance it just takes me back to my cultural roots which I miss very much.
The brothers are anticipating future investments through content and collaborations. While mostly based in the Greater New York City area, Kolkata Chai Co. is anticipating expanding with pop-ups in L.A. and other markets in an effort to use chai as a means of connecting people across different generations and cultures.
Radio Story: Marry for the Green Card
Marriage fraud in united states has been happening for decades. A non us citizen marries a us citizen to get green card in exchange for money. And the amount for this fraud varies from $50,000 to $70,000.
Recently 100 people have been charged in Texas marriage fraud scheme to get Green Cards.
Muhammad Afzal spoke to a young woman in Long Island with the similar story.
Right Now, I am in Hicksville, a city of Long Island with huge south Asian community. The stores, restaurants, and the markets represent beautiful culture of south Asian countries. I’m on my way to meet a girl, who is 19 and only arrived in America six months ago from India.
I had to change her name at her request. So, Sash came to America with big ambitions, she wanted to start her college right away, and has been a bright student in India. Her certificates and awards from high school in her room shows her achievements.
“It was great at the start, I loved it. I met my parents after 5 years. I also came with the mindset of helping them financially. So, we could be a little happy family again”
But her parents are still not American citizen. So, they had different plans for her.
“They applied for an asylum, but the problem is, it still hasn’t been approved and doesn’t seem like, it will be any time soon”
So, they found an easy and the fastest way to get the green card, which was marrying their daughter with an American Citizen.
“It started about a month ago, they were like, O No, it’s time for you to get married. And I was like, but I am still too young, I haven’t even started my college yet. At first, they were trying to make me understand nicely. But then things got rough, they started forcing me too much, it was emotionally draining”.
Sash has still not agreed to marry yet, she is still trying to convince her parents. But this is not the story of just one girl. I met a woman who has been married for 5 years for the same reason. But most marriages in South Asian communities are not for the money, there is not money exchange. If a girl or a boy marries someone, they do it for the life, even if the purpose is to get the green card.
“I was married 5 years ago, have 2 kids now. I wasn’t married specifically for green card, or we didn’t give any money to my husband, but the goal was to come to united states”.
She was doing her bachelors back home, when her parents to decided to marry her abroad hoping for her better life.
“I was a bit reluctant at first, because I didn’t know the guy much, we talked for few months over the phone, I liked him, so I said yes, i am very happy with him”.
Marriages like these cannot be proven wrong, because there is no money exchange. But, is it morally right or wrong is the question to ask?
Thanks for watching. This is CNN Morning News.
I am Muhammad Afzal. Have a Great Day!
Radio story: The open border conference
With rising political oppression in countries like Venezuela thousands of immigrants or caravanning to the United States border seeking political asylum. During 2018 over 800,000 immigrants were apprehended at the U.S southwest border. Many of which have traveled thousands of miles to flee political or religious oppression, gang violence and forced labor. However, the hopes of those seeking political asylum are dampened by a new wave of U.S government policies. Over 76000 Children were apprehend, separated from their families and placed in detention facilities in 2018 by U.S Customs and Border Protection Officers. Where many are still being held without access to their parents.
As President Donald Trump steps-up border security based on the campaign promises on which he built his political career. His immigration reform policy includes massive deportation of illegal immigrants and building a wall. The president has described immigrants as rapists and criminals and referred to their countries as quote shithole countries. His critics say his hateful rhetoric has had deadly consequences in the form of mass shootings like the one at a Walmart in El Paso where a white nationalist targeted Hispanic immigrants. As a result, many immigrants are living in fear. However, there many groups advocating for the rights of immigrants. There are new types of advocate groups known as border abolitionists who believes in a world without borders. One such group are the organizers of The Open Border Conference.
The Open Border Conference is organized by the free migration project which is a Philadelphia based organization that advocates for the free migration of people across international boundaries. The conference is in its second year and is held at The New School in Manhattan. The first Conference was held in Washington D.C. Conference are held to provides an opportunity for advocates and activists to have open discussion about open borders and immigration issues. Open border conferences are one day events held in a different location each year and is by supported donation received from members and attendees. The conference is still in a stage of infancy, so organizers have not yet found a permanent home. Whether or not the conference finds a permanent home, organizers are determined to ensure it continues. In light, of current federal laws that prevents illegal immigrants from getting assistance from citizens Steven believe that groups might be the best way to go. Given that people like Scott Warren Is doing time in prison for helping an immigrant.
Organizers and patrons alike share, one radical view that all borders are inherently unjust. Therefore, the world should be free of borders and people should be allowed to move freely anywhere in the world. Steven Sacco one of the organizers and member of the board of free migration project believes that all borders hurts families and all borders separate children from families. This is why he finds what’s happening to children at the US border so disgusting and refers to it as an act of terrorism. Injustice like these, border abolitionist beliefs can only be addressed by eliminating all borders. To reduce the suffering faced by most immigrants Steven recommends immigrants should all join a group in the United States that advocates for their rights. He believes it is fundamentally important that conferences like The Open Border Conference be held to enhance awareness of immigration problems. While Steven did not divulge the location of the next conference, he did confirm that planning is on its way for the next conference.
https://soundcloud.com/user-900905446/open-border-conference
The Musical Influence of the Harlem Renaissance: Then and Now
This February marks the 100th Anniversary of the Harlem Renaissance—an explosion of black American cultural pride, artistry and intellect that came out of Harlem in the 1920s. After migrating from southern states that continued to treat them like slaves, many black Americans felt empowered when they arrived in the iconic New York City neighborhood. Many game-changing works of literature, art, music and theater came out of the era. And when it comes to the music of the Harlem Renaissance, we’re of course talking about jazz. That legacy is still very much alive in Harlem in new jazz musicians, hip-hop music and modern-day blues bands.
I’m about a hundred blocks south of Harlem, at the Community Service Society’s Full Participation Arts Is A Human Right Conference. The spacious church has about forty people in the audience, including photographers and different people from the community as they wait for the conference to start. This second annual conference highlights the excellence of black musicians, singers, poets and speakers who are addressing concerns, as well as solutions for strengthening the black community. I am here with performance poet, author, educator and public speaker Mo Beasley, who says the Harlem Renaissance has always meant a great deal to him.
“When I was younger, it let me know that we had been doing amazing things as human beings first and artist,” he says. “A Harlem Renaissance writer like Zora Neale Hurston firmed my existence. I attended Howard University and we delved into that era. And the wealth of art that came out of it. There in Howard University, they taught me that art defines our existence. We, artist of African descent, had to make sure we articulate our existence like Zora did, like Countee Cullen did, like Langston did.”
Day two of the conference brings more musicians to the church’s stage, including the Apache Brown Band, a blues band that occasionally performs with Beasley. Jazz originated from slave work songs on plantations, which were later combined with African Rhythms, blues and ragtime to produce its unique sound. I am in downtown Brooklyn with lead singer, Apache Brown, on a chilly, sunny October afternoon before his band rehearsal. Still excited from the conference, Brown says the jazz music of the Harlem Renaissance reflected a different era than jazz’s “grandchild” hip-hop does now.
“I would say back then, I think, during the Renaissance, musicians started to kind of wanted to show more of an intellectual way of musicality,” says Brown. “Today in Harlem, in hip-hop, we may have regressed. You can say what you want to say, it doesn’t even have to sound a certain way. I think it’s great but… I don’t think it has the same kind of technicalities, the same thought and energy as some of the jazz stuff did back then.”
Jazz certainly captured the musical vibes of the Harlem Renaissance. What better place for my next stop than Harlem’s iconic jazz club and restaurant, Minton’s Playhouse. Minton’s Playhouse was founded in 1938 by saxophonist Henry Minton. Since its opening, Minton’s has attracted a very diverse crowd who enjoy live entertainment from jazz bands, including JC Hopkins Biggish Band; they play at Minton’s every Saturday night. When the band finishes, I hang back to speak with Grammy-nominated producer, songwriter and bandleader, JC Hopkins. He says there were some greats from the Renaissance era, no doubt, but that jazz is not dead.
“When you think about the Harlem Renaissance, it cuts a wide spot,” says Hopkins. “I think of people like Paul Robeson as being such a brave figure of that time. But now I feel like there’s a lot of musicians coming out of music school… Young musicians of color are reembracing Jazz, where as before, they were walking away from it. Until it all, maybe, kind of sunk in that it’s more than just, like, the music. It’s the sentiments of the songs, the romance, the style, the look…”
Going back to Apache Brown, he says the best way to celebrate the 100th anniversary of the Harlem Renaissance is by supporting the artists of today.
“Display our music, display our art, display our intelligence. We have a lot to offer. We have a lot of talented people in the [black] community. Definitely visit some Jazz clubs, support local musicians,” Brown adds.
Many Renaissance theme-based events and programs have begun since last Fall in Harlem to commemorate the 100th anniversary early next year. The Uptown Cultural Community will continue historic tours, theater, spoken word performances and literature reading programs that will provide various opportunities for Black Americans, especially the younger ones, to reconnect with their own culture.
Baruch Blue Notes
Baruch College is commonly known as a business-oriented school with mostly commuter students. In between the never-ending internships and side hustles, surprisingly, there are some Baruch students who care about music as well. Baruch’s only a capella group, Blue Notes, name inspired by the famous jazz club in New York, is run by students who share a passion for singing. Founded in 2005, Blue Notes is a relatively new a capella on the collegiate a cappella scene. Ayse Kelce is reporting from one of their semiweekly practices.
It is a typical Thursday at Baruch College during club hours. As hundreds of students gather up for their on campus club activities, there is an unusual sound coming from the 9th floor of Newman Vertical Campus, room 135. Under the bright fluorescent light, about a dozen of Baruch Blue Notes members are singing. The president of
the club, Rebecca Dhala, steps out from the circle of performers to talk to Kelce about Blue Notes.
“We sometimes feel like we are a little unsupported. The music departments in other colleges are a lot stronger. But, being the only a cappella group on campus can be a plus, it allows us to get closer with the music professors here at Baruch,” Dhala says.
Dhala is a Music Major with a concentration in Management of Musical Enterprises. Students like her are hard to come by in Baruch, but Blue Notes is full of students with special talents.
Kevin Seise is the owner of the beat in the background in Blue Notes performances. He brings sound diversity to Blue Notes with being the only performer in his own category in an a capella group.
“Originally, I was a beatboxer. But, through the help of practice, I figured out that I am a baritone as well. My time here at Blue Notes has been very enlightening, and it definitely gave me an opportunity here to practice my singing. Now I am ten times more comfortable singing in front of a crowd. Being an a capella in a business school. We do not get enough recognition, ” Seise says.
Blue Notes is allocated a budget of $2,785 by the Baruch College Undergraduate Student Government. $2,430 of the budget goes to Fall and Spring Showcases. The club only has the rest $355 to plan any events on campus or hold General Interest Meetings.
Altynai Eshinibaeva says that they do not get enough funding like the other clubs on campus, even though we are a big. She comments on the lack of recognition they are getting due the business focus of the school.
In addition to 19 current performing members, Baruch’s Blue Notes has two members for marketing purposes. It is the first se
mester that the club has a marketing team. They are hoping to get more recognition on campus.
“There are a lot of a capella groups out there. But the only groups that get noticed are actually the Ivy League groups. Being i
n New York, there are NYU a capella groups, Columbia a capella groups… I feel like we can do more, and the school can do more for us. Especially in a business school, because most times, business and music can u
sually fall into each other in some areas. That correlation exists,” Jonathan Paul Michaelian says, and he is right about the competition.
NYU and Columbia both have nine a capella groups on their campuses. Yet, Blue Notes is gaining more recognition by attending other a cappella groups’ showcases, and using business and marketing strategies, what Baruch is actually famous for, to promote their music.