Romanticism lasted roughly half a century throughout Europe and in the Americas. It covers many different styles and subject matters, most notably the subject of nature, as seen with William Wordsworth. In “Romantic Poets and Their Successors,” the author gives two possible reasons for the shift towards a focus in nature during this time period. The first explanation is that nature’s beauty began to seem more scarce and valuable due to the emergence of factories and industrialization during the Industrial Revolution. This became a way to capture the fading view of nature that the people had. The second explanation for this new embracing of nature was that it was viewed as a break from absolute monarchies. The wildness of nature was seen as a type of freedom of expression that would replace the strict regulations of the time.

Wordsworth’s “Tintern Abbey” opens as the speaker recalls memories from five earlier of the same location. The full title of the poem is “Lines Composed a Few Miles above Tintern Abbey On Revisiting the Banks of the Wye During a Tour, July 13, 1798.” For a poem with such a specific title, Wordsworth does not describe the abbey; the poem is more of a reflection on his own life and memories. Wordsworth tries to describe the feelings which nature have brought him to his sister; he uses repetition when he refers to her as “My dear, dear Friend” (Wordsworth 116) and “My dear, dear Sister” (Wordsworth 121). While “Tintern Abbey” is a much longer poem, “The World Is Too Much with Us” is a sonnet. In this sonnet, Wordsworth says that people are too consumed in material things such as “getting and spending” (Wordsworth 2), and do not appreciate nature. This is an interesting observation for that time period, and it can still be applied today. In line three, Wordsworth capitalizes Nature, seeming to personify it showing its importance.

Compared to William Wordsworth, Rosalia de Castro’s poems are much shorter and seem to have simpler forms. De Castro even says that her form is strange in the opening lines of “You will say about these verses, and it’s true”, “that they have a strange, unusual harmony, / that in them ideas wanly glow” (de Castro 2). She also does not have as strong an emphasis on nature as Wordsworth does, but still has many romantic themes in her poetry. “Her intention, she said, was ‘to evoke all the splendor, and the sudden flashes of beauty, that emanate from every custom and thought of a people who have often been called stupid and sometimes judged insensitive or unfamiliar with refined poetry’” (Norton Anthology 505).