Life of a Sensuous Woman – Ihara Saikaku

In this series of tales a hermit woman reveals to two passionate men, the question of “Why did this woman live the way she did?” is raised. Who or what caused her to live this sensual life? Was it the outside factors, or herself?

In the “Life of a Sensuous Woman”, the old female hermit says “I followed my desires  wherever they went – and I ruined myself. The water will never be clear again. There’s no use regretting it now though (p.596 top).” This realization seems to have come later when this woman has attained a certain epiphany. This water that has been infested with the desires of sensuality seemed to have been awakened by an instance when she was the age of thirteen. The hermit woman says “Whenever I saw women and men lying together, Id feel excited, and when I’d hear them in the dark, my heart pounded (p.595).” This was the spark that set the fire of sensuality into a burning desire. This culture where children are exposed to the sexual influences of society will obviously reap its fruits of disastrous lives.

While this hermit woman was in youth, she had many encounters of love. The fact that she went through many relationships shows how much Japanese culture revolved around passion and sensuality. Also looking at the time when she had an affair with the monk while remaining prisoner, there was one instance where it shows that her lifestyle is nothing unique in that Japanese time period. While the woman was trapped inside of the locked temple, she met another grave looking woman who claims she too, had been living the pledge the hermit woman was experiencing (p.602). This further proves the point of the fault society has in hand.

The reason that the hermit woman was led to this state of sexual worship is because of the society she lived in. If there had been even a stable effort to stop the societal influence of burning passion for sex, there would have been many lives with less unfortunate outcome.

Life of A Sensuous Woman – Ihara Saikaku

By Catharina Berg

In a Life of a Sensuous Woman, by Ihara Saikaku, the author prefaces the first story in the novel with the statement, “A beautiful woman, many ages have agreed, is an ax that cuts down a man’s life” (Saikaku, 593). The author portrays the life route of an old lady and her romantic involvements, beginning as a young, physically attractive woman, and the obstacles found during her attempt to find love during her aging years. The emphasis in the work is strongly set on the aesthetic definition of women, which is portrayed as the essential element in order to satisfy a woman’s desire for love, vitality and eroticism.

One can draw a strong connection between the story-lines “A Stylish Woman Who Brought Disaster” and “Mistress of a Domain Lord”, as the woman is portrayed as a second priority, and a woman to fulfill her husband’s desires for sexual temptation rather than the desire of love. The novel overall emphasizes the conceptual idea of objectification of women, due to advantages of physical attributions, as well as gender roles and men’s dominating position within the society; the men who are higher ranked in form of well-respected positions in society are desired by attractive women, and vice verse. Even though the woman in the story was not grown up in poverty, her family situation was rather from the society’s middle class, the author places an idealistic standard of women, using physical advantages in order to satisfy the desire of a pleasing relationship based on the sake of prosperity rather than love.

The reflection of the novel’s essential context of sexism, power, and wealth could strongly be acknowledged in our contemporary society, in which we live in a world where beautiful women are commonly portrayed as objective prosperity, while the women themselves receive a route to wealth. Life of a Sensuous Woman demonstrates the role of women within the Japanese Edo time period, where the meaning of love is rather defined as contemporary happiness, based on an exchange of beauty and fortune.

 

Ihara Saikaku–Life Of A Sensuous Woman

by Tien Dang

The story is such a great piece of literature that upon reading it I find so many thoughts and ideas for discussion running through my head. However, the one topic that I choose to discuss will be, as the underlying theme of the story is promiscuity, can the cause justify the effect?

The old woman first told the story of her libertine younger years by an account of her affair with a samurai when she was 11, an affair which devastated her, had her family horribly shaken and ended the samurai’s life. Following the event are numerous stories of her having affairs with other man. However, Sakaiku seems to draw the audience’s attention to the woman’s harsh life situations with few or even no choice for her at all. First she was born into a high class family, then lost her privilege and her life just spiraled downwards, to the most despised occupations and lowest social status, with little to no financial or personal security to herself.

It can easily be said that her harsh life situations, as aforementioned, ensnare her into sleeping with so many men for a living, and even for her own sensuous self. However, upon closer inspection I find that her promiscuous youth, though could understandably be initiated first by ignorance and inexperience, is ultimately her own choice.

The woman even admitted to her overindulgent lifestyle when she just went whenever the flow takes her. Over the course of the story, she voluntarily slept with ten thousand men, as she claimed, to satiate her amorous and sensuous self.

Hence, I don’t find the justification for the woman’s promiscuity as a product of the environment very convincing, because ten thousand men are simply to many to blame the vicissitudes of life.

The cause doesn’t justify the effect, apparently, in this case.

Judy Chicago’s “The Dinner Party”

Today in class we looked at Mary Wollstonecraft’s place setting from Judy Chicago’s “The Dinner Party.”

Judy Chicago: The Dinner Party – Detail Mary Wollstonecraft Placesetting

I highly recommend checking it out in person if you get a chance–its pretty awesome to see in person, and its on permanent display at the Brooklyn Museum (admission is suggested donation, so pay-what-you-can).

You can read more about the whole project here: http://www.brooklynmuseum.org/eascfa/dinner_party/home.php

Browse the various place settings (a few of the other writers we’ll read this semester have place settings too): http://www.brooklynmuseum.org/eascfa/dinner_party/place_settings/browse.php

“Crafting the Dinner Party”: https://www.radcliffe.harvard.edu/schlesinger-library/blog/crafting-dinner-party

Dinner Party

On ” A Vindication of the Rights of Woman,” Wollstonecraft

(Post by Nadia Rodriguez)

In A Vindication of the Rights of Woman, Wollstonecraft emphasizes the significance of “order” in women’s educational development to gain equality to men because without it one is simply resting on life experience and, as she states, a “negligent kind of guess-work” to form judgments and assessments that are inherently flawed because of the inadequate method of deduction used. The only education provided to women was one of acquiring traits and mannerisms that would make them suitable wives. As such, their only true value in society is provided by man, weakening their character and maintaining them in a state of subordination. For women to be able to enter the male public sphere, women must first have access to the same knowledge that men are privy to so that they may too use educated methods of logic and reason to deduce and come to informed conclusions.

In the text, Wollstonecraft is not merely stating that aristocratic privilege and patriarchal rule have similarities, but that they are intrinsically one in the same. A hierarchal system which ranks the educated male above all others, and subjugates the female.

However, the author also emphasizes that the value the rich put on artificial refinement and vanity render them helpless and undermine the “foundation of virtue” that she claims is imperative to “influence on general practice”. In other words, because the aristocratic are transfixed on frivolity they cannot have an overall worthy participation and influence on matters common to all. This notion can also be applied to womankind; who in their misfortune have been limited to an education based on such superficial notions in reference to their societal participation.