Radio Pitch : Privacy vs Security
The issue of terrorism dominated the first presidential debate. There are two sub topics associated with it : 1. in relation to refugee crisis 2.government spying and I am more interested in the latter issue. I always believed that government should have the complete authority to take the required steps to curb terrorism for the sake of increasing safety but I have met several people from all ages who beg to differ.
Brooklyn Book Festival – Photo Journalism
Smiling Hogshead Ranch; Harvest Fundraiser
Photo Essay on Music Under New York
Class Agenda – October 6, 2016
Updated syllabus: multimedia-reporting-syllabus-johnson
The highlights:
Wednesday October 19 – Radio script due
Wednesday October 26 – Final radio story due, and video pitch due
Wednesday November 9 – Video draft due
Wednesday November 16 – Final video due, pitch for final project due
Wednesday November 30 – Final project draft due
Monday December 12 – Final project due
Introduction to Audio Reporting:

Here are some basics you’ll want to keep in mind as you set out to collect sound:
Choose your environment wisely. Be aware of your surroundings. If you interview someone under a subway track, your recording will be impossible to understand. Pick a relatively quiet space. A little background noise is fine and adds atmosphere – except for music. Music makes editing difficult, so avoid it if at all possible.
Check your batteries beforehand. It’s a real bummer when you start interviewing someone and realize you only have ten minutes of life left on your recorder or phone.
Cell phones off. Yours and theirs. If you’re using your phone to record, make sure it’s set to silent.
Don’t forget your nats. Natural sound is a crucial element of any audio piece. Think about what sounds will most effectively place your listener in the scene. Footsteps, dishes clinking, phones ringing. Don’t be afraid to get in there and get close. Music is fine to use as a nat sound.
Don’t forget your ambi. Ambient sound, also known as “room tone,” is the background noise of wherever you happened to conduct your interview. It could be the chatter of a cafe or it could be what seems like the total quiet of an office or somebody’s living room. You’ll want to record about 90 seconds to two minutes of ambi for every interview you do so that you can run it under your narration.
Headphones in. Monitor your sound while you’re recording so you can make minor adjustments if you’re holding the mic too close or too far away. You also don’t want any background noises to show up surprisingly loud on the recording, when if you’d just been listening you would have known to turn off the air conditioner.
Ask open-ended questions. Yes or no questions won’t give you good long responses filled with usable quotes.
Get close, but not too close. Putting a mic right up against someone’s mouth can result in popping and crackling sounds on the recording. Make sure to test your equipment so you know roughly where to hold your recorder for optimal sound quality.
Keep quiet while they’re talking. Active listening is a fantastic skill for a journalist to have, but if you keep murmuring “Uh-huh,” “Yeah,” and “Sure,” while they’re answering your questions, you won’t be able to use the material. Stick with smiling and nodding.
How to Write a Radio Script
Sample script: islammombasa_johnson_2
Radio version: Raids and rehabilitation: Kenya’s dual fight against Islamic extremism
For radio, you’re writing for the ear, meaning you need to use shorter, simpler sentences than you would if you were writing for print or online.
Pacing is important. You need to keep things moving and let the story “breathe” because listeners get bored if they hear one voice for too long. Actualities (also known as sound bytes or quotes) should be no more than 15-20 seconds each. You can edit and condense them slightly if people are rambling or have lots of “ums,” as long as it doesn’t change the meaning of the quote. Your narration can go a bit longer, but keep it as concise as possible.
The purpose of your narration is to provide background information, set up your sound bytes, and then transition out of them.
Your stories should be three to four minutes long, with actualities (quotes) from two to three different interviews, and at least one or two natural sounds. (You can have multiple quotes from one person but probably not more than two, or mayyyybe three very short ones due to time constraints.)
Finally: Tutorial on Zoom microphones
Radio Pitch- Nicole Sack
Both Senator Hillary Clinton and Donald Trump have not addressed what they plan to do to help with the homeless population. I wanted to interview someone from The Bowery Mission (an organization that helps house and feed the homeless) to talk about the issue and their thoughts on potential legislation they feel could help. Not only are the homeless in a place in their life where they need help,and care but they equally need a government that is constantly fighting to help get them into good homes and jobs. I just want to talk to someone who is working on the solution first hand.
Radio Pitch: Mr. Trump and the Presidency.
I am hoping to discuss and interview people on the accessibility of campaigning for the highest office in this nation. I will focus my aim on Mr. Trump and what it means to represent the nation as a whole. I will center my focus on what people expect to be the qualifications for presidency and compare it with what credentials a president ought to have, if they expect to maintain a successful administration while in the white house.