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Paragraph 65 – Literary Term

He folded his hands beneath his head and gazed at the dark boards of the ceiling in the dimness beyond the range of the standard lamp. Was it death he was now waiting for? Or a wild ecstasy of the senses? The two seemed to overlap, almost as if the object of this bodily desire […]

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Annotation Paragraph 101

With their respective notes in their hands—the lieutenant’s sword strapped to his side, Reiko’s small dagger thrust into the sash of her white kimono—the two of them stood before the god shelf and silently prayed. Then they put out all the downstairs lights. As he mounted the stairs the lieutenant turned his head and gazed […]

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Paragraph 5 and 16 Annotation

Paragraph 5 “After the suicide, people would take out this photograph and examine it, and sadly reflect that too often there was a curse on these seemingly flawless unions. Perhaps it was no more than imagination, but looking at the picture after the tragedy it almost seemed as if the two young people before the […]

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Paragraph 23 Annotation

“Reiko bowed deeply, but her husband made no response. As he had already unfastened his sword and was about to remove his greatcoat, Reiko moved around behind to assist. The coat, which was cold and damp and had lost the odor of horse dung it normally exuded when exposed to the sun, weighed heavily upon […]

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Simultaneity (Paragraph 122)

“The moment the lieutenant thrust the sword into his left side and she saw the deathly pallor fall across his face, like an abruptly lowered curtain, Reiko had to struggle to prevent herself from rushing to his side. Whatever happened, she must watch. She must be a witness. That was the duty her husband had […]

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Paragraph 36 Annotation

““I am ready,” she said. “I ask permission to accompany you.” This line stood out to me because it shows the imbalance of power in the relationship between Reiko and her husband. She must ask permission in order to do something she wants to do. “Good We’ll go together. But I want you as a […]

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Paragraph 12 Annotation (Morris Khafif)

“Their lives were lived beneath the solemn protection of the gods and were filled with an intense happiness which set every fiber in their bodies trembling.” Here the love between the lieutenant and his wife is being portrayed with the literary concept of sublime, with their love and passion envoking the strongest emotions

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Paragraph 9 Annotation (Morris Khafif)

” the lieutenant had pushed his wife to the floor almost as soon as he had entered the house. Reiko was equally ardent in her response.” Here Mishima describes the sexual intercourse between the lieutenant and his wife in a way that represents Sadomasochism, or “S&M,” as discussed in class.

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Paragraph 125 Annotation – Dave Cen

“Ever since her marriage her husband’s existence had been her own existence, and every breath of his had been a breath drawn by herself.”–The reason why Reiko thinks and acts like this is because, at least partially, she thinks she’s supposed to act in this way. It’s all “in accordance with the Education Rescript’s injunction that ‘husband […]

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Paragraph 18 Annotation

Reiko grew comfortable with the thought of her own death through her knowledge of the fact that her husband could potentially die from his position in the military. The fact that she knew her husband could one day experience “anguish” and “distress” allowed her to accept the same for herself as his wife.

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Source: https://blogs.baruch.cuny.edu/patriotism/?page_id=37&paged=2