Amanda Burden Response

“Amanda Burden Wants to Remake New York…” was a somewhat interesting read. However, I found that the profile lacked a lot of personable details. Julie Satow, author of the article, clearly illustrated effort but hadn’t quite hit the mark in my opinion.

In order to describe Amanda’s appearance and surroundings, Julie used a string of adjectives and direct statements. This straight-to-the-point approach did little for the piece and not only seemed forced but also insincere. Throughout the rest of the article, it seemed as though Julie was far more comfortable with facts and statistics than with personal description. Instead of helping readers along by unraveling details about Amanda’s past and present endeavors, she simply stated them one after the other in sequence and separated one part of the story from the other.

Writing a profile piece is a great way to engage readers and tug at their heartstrings. Thus, I believe that a successful profile should have a fair balance between personal interest topics and data. Without personality, sincerity, and flow, it’s a difficult thing to accomplish. And, although Satow makes the effort, she doesn’t quite grasp the personable aspects of Amanda’s life and seems to focus her piece solely on the projects and the business aspect. She struggles to make her writing flow freely and break through the tight constraints of journalistic writing just long enough to accomplish a well written piece.

Even so, I think that even her reporting could use a little work. It follows traditional guidelines but it’s somewhat rigid and lacks a bit of her own personality as well.

Amanda Burden Profile Response

Amanda Burden’s profile provides detailed information about both her personal and professional life, which is communicated through descriptive language.
I appreciate the writer’s description of how Burden was “perched on a seat at the enormous round table that dominates her well-worn second floor office at 22 Reade Street” as this enables the reader to get a complete picture of the scene. The author successfully incorporated these details without distracting the reader from what the main point of the section is discussing.
This article is well balanced with the writer’s inclusion of additional sources. By mentioning “her fans” and subsequently quoting people like the president of the Municipal Art Society of New York, the writer provides a comprehensive perspective of whom Burden is. This enables the reader to interpret not just what Burden or the writer have to say about Burden, but also the thoughts of those who have worked with her. The writer also balances the voice of this article by including what Burden’s “critics” think. Since this is a profile of a person and includes details of her social life,  it would also be interesting to hear from more personal sources, such as friends or family in addition Burden’s professional contacts.
Since our profiles will be shorter than that of Burden, I wonder how much of the article should focus on the work an individual does as opposed to the subject’s personal life. If this article had to meet a shorter word count, for example, I think the writer could safely omit a few details regarding the projects, such as the paragraph discussing how city projects are certified.
It can be difficult to incorporate both personal and professional details in one article. In this profile, however, the writer successfully incorporates the two. This combination is apparent in sentences like, “Ms. Burden, who spends her leisure time walking the city, boating or birding, argues that ‘good design is good economic development, and I know this is true.’” To illustrate the relevance of these personal details, perhaps the reader could mention the High Line earlier in the paragraph, as this project seems to align with her related outdoor interests.
I appreciate the writer’s use of quotation to conclude the article. The quote highlights the work that has been done and also the impact she hopes it will have in the future.

Amanda Burden Response

The lede of this article introduces Amanda M. Burden immediately by a description of her sophisticated physical appearance in contrast to her “drab” physical surroundings. The lede reflects the format of the article. The article goes back and forth between Burden’s supporters and opposers.

Within this profile there’s a conflict story. The story addresses Burden’s important role in rezoning the majority of Manhattan in a short period of time, which was coming to an end. It covers Burden getting personal with the local communities and the “small projects” within them. It also covers Burden’s initiatives on skyscrapers and creating a gentrified New York through rezoning and building restrictions.

The writer’s interviewees are leaders of organizations and local communities. They are accredited sources because of their positions and connections to the actions of Amanda Burden.

The president of the Municipal Art Society of New York praised Burden for her efforts. The art society president called Burden’s work a “renaissance,” reflecting on the beautification of the city created. Following that quote, the writer adds a statement of criticism from the executive director of the Greenwich Village Society for Historic Preservation. The director’s concern was about the dramatic change in cost to live due to the city’s rezoning. These two sources weigh in on the conflict from different perspectives.

After establishing the issue and how some may feel, the writer goes on to describe Burden’s background and upbringing. Burden seemed to have always been a “somebody.” Even that background contrasted to her story of leaving that life to become an urban planner.

As the article continues to go into the experiences others have had with her, it follows the back and forth format. Community board chairmen applauded Burden for exploring their communities at a street level and trying to help the smaller projects. Some oppose Burden’s new development plans for neighborhoods. One of the writer’s sources, Julia Vitullo-Martin, felt that the new developments neglected the “greatness” of New York and its skyscrapers by adding height restrictions on buildings. The writer, again, is juxtaposing different viewpoints.

The writer also adds Burden’s comments throughout the article that defends Burden’s actions. An example of this is when she comments about how the High Line generated jobs and value for developers. The writer also gives Burden the last quotes of the story. The very last being about New York’s neighborhoods:

“I’m hopeful that what we have done is ensure in the next 15, 20 years, as the city grows, the identity of these neighborhoods will remain intact.”

This quote tries to appeal to those in favor of Burden’s efforts and those who want zones and building restrictions to stay the same.