“2 Jobs at Sugar Factory…” response

I thought the reporting of this story was great. The writer does a good job at expressing the character of Shelton and making the reader feel like they know him. She really gets him to open up about how he feels about the exhibit ending and about all of the memories he had at the old factory. It’s clear that Yee took the time not just to talk and learn about Shelton’s life as a Domino factory worker, but she also made sure to give the reader a good picture of his life as a child, his family, and what his life is like today. The graph about his mother and stepfather was very interesting and well-written, and it shows that Yee was not afraid to ask even the most potentially sensitive questions.

I also enjoyed the way Yee chronicled Shelton’s time at the factory, from how he heard about the job, to the exact date when he started working there, to when and why he left Domino. In doing this, it gives us a bigger sense of how important the factory was to Shelton and to others who worked there. “Night shifts, day shifts, weekend shifts, holidays shifts, 60 or 70 hours a week for 20 years, all feeling like 2,000 degrees.” With this line and others like it, the writer gives the reader a clear understanding of how much time Shelton and his fellow workers spent working there and why it remains an important part of Shelton’s life.

Yee successfully conveys the idea that this was not merely just a job that Robert Shelton and others had, but an entire life that still remains with each of the people who passed though the factory.

2 Jobs at Sugar Factory Response

An article in The New York Times entitled “2 Jobs at Sugar Factory, and a Lump in the Throat” gives a profile of a man who reminisces about the many memories he had about an historical sugar factory in Brooklyn. Vivian Lee gives a very enticing title for the article, as well as an intriguing lead. The lead of the story sets the tone for the article, which is a sense of longing for the past and for the sugar factory to remain. Unfortunately, this is not the case, because the sugar factory no longer stood in the center of Williamsburg, Brooklyn because of the new residential units that were built.

The design of the piece is very tangible because Lee makes you use all your senses while you’re reading. For example, she states, “His world is dimly lit, pungent with the burned-marshmallow smell of fermentation, as if old syrup were coating your every breath.” This one line makes you imagine how Mr.Shelton must have felt while working in the factory. You can smell the burned-marshmallow scent and you can taste the syrup. Lee does a superb job at making the reader get a feel of what Robert’s everyday life must have been like in the factory. From the long hours, to the constant perspiration that dripped from his glands as he turned dark sugar into white, Shelton was a hard worker that put his blood and sweat into his work and we got this message from reading this article.

Through the journey Vivian Lee takes us on, we learn about the history of the sugar factory, how Mr. Shelton got the job, the struggles he went through while working, and the closing of an historical factory that meant so much to one man. If I were to relate this article to today, I think it still remains relevant as the United States is primarily made of workers over the age of 50. Many of these workers have become accustomed to their workplaces and once their work comes to an end, many feel like they’ve lost a part of them. It’s a difficult time in one’s life, but as Mr. Shelton has shown, we can only look back at the memorable times we shared and continue to look to the future.

2 Jobs at Sugar Factory, Vivian Lee

Vivian Lee wrote an exemplary profile on Robert Shelton, a former employee of the Domino Sugar factory located in the Williamsburg section of Brooklyn, New York.  The article was written as the the plant was set to close its doors permanently. Mr. Shelton returned to the site for the first time in 10 years to work as a volunteer at a temporary art show.

I enjoyed how Lee analyzed the generational change in industrial Williamsburg.  Factories like Domino Sugar once stood and operated in the heart of the city providing many like Mr. Shelton with jobs and opportunities.  The former site of the Domino Sugar factory has now become an attraction for the young and hip appreciators of art who have flocked to see a glimpse of Kara Walker’s, “A Sublety,” a large sphinx that symbolizes a black woman in the south. It honors the lives of the African Americans  slaves that were apart of the sugar trade in the 19th century.

Lee’s tone throughout the article reflects Mr. Shelton’s nostalgic trip through his former, “Sugar House.” It detailed the longs days, nights, weekends, and holidays that he spent in the factory for twenty years.  It also detailed his departure which still weighs heavy on Mr. Shelton.  Change is inevitable and its effects are felt by all. There is a plan in place to build high-rise condominiums on the former site of the Domino Sugar factory, a trend that is becoming increasingly popular in changing neighborhoods.  Mr. Shelton will only have his memories once the factory stands no more.

Sugar Factory Article Response

In the article 2 Jobs at Sugar Factory, and a Lump in the Throat, the author chronicles the story of one particular Robert Shelton and his experience working at the Domino sugar factory. However, as one reads on, the story becomes less and less about Robert Shelton and more about the sugar factory and its history. Nowadays, it is slated to close, long after Domino moved out of the area. And yet, the factory remains important enough for the mayor to visit, and that is due to the contribution of the factory to the art world, housing a sugar statue depicting an African American slave woman as a tribute to the slaves that built the sugar trade in the 1800s.

It is worth noting however, that despite the factory’s importance to those who like art, the author acknowledges that it is merely another factory that is closing in the area to make way for new buildings, like many others before it. If nothing else, the fact that there is acknowledgment that at the end of the day the factory is merely a factory is important, indicating that even though culturally the building might have some significance, to the average person it is another building that will be replaced and nothing more. Even Robert Shelton realizes this at the end of the article, that short of being incredibly rich and or influential, nothing can stop the progress of time.

Amanda Burden Profile Response

Amanda Burden’s profile provides detailed information about both her personal and professional life, which is communicated through descriptive language.
I appreciate the writer’s description of how Burden was “perched on a seat at the enormous round table that dominates her well-worn second floor office at 22 Reade Street” as this enables the reader to get a complete picture of the scene. The author successfully incorporated these details without distracting the reader from what the main point of the section is discussing.
This article is well balanced with the writer’s inclusion of additional sources. By mentioning “her fans” and subsequently quoting people like the president of the Municipal Art Society of New York, the writer provides a comprehensive perspective of whom Burden is. This enables the reader to interpret not just what Burden or the writer have to say about Burden, but also the thoughts of those who have worked with her. The writer also balances the voice of this article by including what Burden’s “critics” think. Since this is a profile of a person and includes details of her social life,  it would also be interesting to hear from more personal sources, such as friends or family in addition Burden’s professional contacts.
Since our profiles will be shorter than that of Burden, I wonder how much of the article should focus on the work an individual does as opposed to the subject’s personal life. If this article had to meet a shorter word count, for example, I think the writer could safely omit a few details regarding the projects, such as the paragraph discussing how city projects are certified.
It can be difficult to incorporate both personal and professional details in one article. In this profile, however, the writer successfully incorporates the two. This combination is apparent in sentences like, “Ms. Burden, who spends her leisure time walking the city, boating or birding, argues that ‘good design is good economic development, and I know this is true.’” To illustrate the relevance of these personal details, perhaps the reader could mention the High Line earlier in the paragraph, as this project seems to align with her related outdoor interests.
I appreciate the writer’s use of quotation to conclude the article. The quote highlights the work that has been done and also the impact she hopes it will have in the future.