About Mihaela Roberts

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Roberts Mihaela: Gift Bag Analysis

The theme of my gift bag is to improve someone’s vision with a pair of Warby Parker glasses. This eyewear brand has partnered with the Vision Spring Organization to help people with eye problems in the developing world. Every time somebody purchases a pair of Warby Parker eyeglasses, one pair will be given to a person in need. My tagline is: Kind Eyes.

Design Approach

Considering the fact that his company creates inexpensive, but stylish eyewear, I wanted to design a bag with a modern, edgier look that would appeal to my main target audiences: urban sophisticates and young professionals.

I’ve tried to have a concise message since I wanted to have a lot of negative space on the bag, allowing it to blend in harmoniously with the die-cuts. As typefaces, I used only ScalaSans with two variations: regular and bold. The 1 color model was used throughout my design.

From the beginning of my sketching process, I wanted to focus on die-cuts as the major design elements. Cutting the die-cuts in the shape of eyeglasses was extremely challenging. Also, visualizing the folding and the putting of all the parts together was a long, interesting mind puzzle. To create the illusion of clear lenses, I used laminating sheets and plastic around the die-cuts and for my handles. I also wrapped the tagline in that transparent material.

I’ve definitely learned a lot from doing this project. I have a better understanding of how a 3D design should be placed on a page in Indesign, using bleeds and crop marks as indicators of what should be printed and what should be cut after printing. What you see on the screen is slightly different from what gets forwarded to the printing press. I’ve always had some difficulties trying to visualize something that needs to be cut and folded, so I’m glad that I had to do this project.

 

 

 

 

Roberts Mihaela – Invitation

Design Analysis

The first step of this project, designing the thumbnails was easier than reproducing them in    the digital design. I had to partially rethink the design in Indesign since it was very challenging for me to imagine how it would properly fold after completion. I misjudged the dimensions of my document a few times because I really had a hard time choosing the right paper size by looking at the invitation on the screen. Finally, I opted for the simplest version of the thumbnails – the envelope shape since it only has two folds. Repeating the first three images from the front of the envelope to inside of the first fold at a different scale, established continuity and a soft touch to it. My intention was to not make it too cluttered, so I tried to create a balance between images and text. Throughout the design process, I got rid of some extra text.

Typefaces

I used just one sans serif typeface, Avenir under different variations: medium, bold, and italic. Since the design is not elegant, I thought that a simple sans serif font would flow with the rhythm of the images.

Paper

The ideal paper that I would like to print the invitation on would be Mohawk, Softwhite Feltweave, 80t/118gsm. This canvas-like, tactile fabric would make the images look soft and warm. Since paper color is between white and ivory, it would complement the duotone images.

I’ve learned a lot from this project. For the fist time, I had to think of a design from a duo perspective: front and back of a page. Learning how to use guides, fold marks, and crop marks would definitely serve me a lot in the future projects.

Postcard Analysis – Mihaela Roberts

This assignment definitely gave me considerable insight into the use of color, understanding differences between a grayscale image and a colored image in CMYK mode. In addition, it was a great opportunity to review some Indesign essentials such as the bleed of a page and the use of the hollow arrow tool. It was a challenging but enjoyable project to bring to completion. Creating harmony between the typographical elements and the color design is not an easy task; I feel that I need to acquire more technical skills in Indesign to enhance that aspect.

The 1-color mode was my favorite one. I experimented a lot with the image size, cropping it or mixing small fragments of the same picture to get an edgier look. When blending typefaces and colors, I tried to pay more attention to typography than usual. My postcards are about The Ruins Of Pompeii, so I wanted to use adequate typefaces to relate to those ancient times. I used only serif typefaces: Palatino, Timeless, and Bodoni.

With the color-2 model, I incorporated into my design extra background elements and new color variations.The duotone process helped me pick better colors, playing more with the saturation of an image and the overall color mix. Bembo, Timeless, and Callula I used as typefaces.

The 4-color model was the most challenging one. I wasn’t happy with my color choices. Even though it consists of 4 colors, it’s blending modes aren’t as nice as those offered by the other 2 models. For typefaces, I chose FF Scala and Bodoni.

Tinting  colors and trying to create major differences in scale among letters I found to be the most compelling design elements.