Modern Cold War: A Continuation

So the threat of a cold war is still alive! If The New York Times says so, it must be true. Here’s an interesting article I stumbled upon on my daily perusal of the NYT website:

http://www.nytimes.com/2010/04/16/world/16memo.html?ref=us

Basically, the article says that there is still a cold war going on right now. Except it is called terrorism. Al Qaeda plays the role of the communists. The middle east is today’s Soviet Union. In the past, America “faced an enemy with ‘no scruples about employing any weapon or tactic'” and feared that they would smuggle nuclear weapons into the country. The threat we face today is terrorists concealing dangerous weapons and “killing tens of thousands of Americans.”

So when did the cold war turn into the war against terrorism? After the murder Israeli athletes in the 1972 summer olympics. Nicknamed the “Munich Massacre,” a group of eight Palestinian terrorists broke into where the athletes were staying and kidnapped 11 Israeli athletes. All were killed. (Steven Spielberg’s 2005 Munich depicts this event.)  Alarm was also obviously heightened after the September 11 attacks.

NYT states that “most security experts believe the focus in recent years on destroying of locking up nuclear material is far more effective than sealing American borders” (like they did during the Cold War era). Do you agree? Has it improved? Does the public feel safer because of this?

Animated Soviet Propaganda

I would like to turn back a little and continue on the topic of cold war and mass propaganda, this time examining it from the point of view of Russia. It’s pretty obvious that if America had propaganda, where communists seemed evil and manipulative, Soviets must have also used mass media to control their population. I found a great documentary called “Soviet Animated Propaganda” , which depicts a history of all the mind controlling cartoons made by Soyuzmultfilm Studios from 1924 to 1984. Thirteen parts of it are available on youtube.  Here is part one to start with.

[kml_flashembed movie="http://www.youtube.com/v/KV5sIGm70SE" width="425" height="350" wmode="transparent" /]

I thought it would be interesting to know how Soviets portrayed Americans in the cold war period. During WWII, media was created to align people against fascism, and during cold war American capitalism took its place. It seems that Soviets stayed on top of their game and criticized every single aspect of American life – the money, racial divisions, war strategies and so on. As Igor Kokarev says in the film, people were persuaded to believe, which they did, that they live in the best country of the world, and that the rest of the world with their money and ideologies is absolutely evil: outsiders are the enemy. As Kokarev notes such strong propaganda was so successful, because Soviet people were artificially isolated from the rest of the world, and lived almost like a “cult”. Children from early years were taught how to view the other countries and how to react to certain situations. All children and adults were given the same mindset, the same resources of knowledge, therefore leaving all on the same page. The government created thousands of propaganda posters, which were hanged on every wall in every institution – from schools, busses, cafeterias to private homes. Those posters “told citizens what to do and how to think and who to blame”. All media was strongly supervised and corrected “very stubbornly” up to the last days of the Soviet Union.

I urge you to watch this documentary even though its long, if you are at all interested in media as a brainwashing device. I found it very interesting, since it goes through most of the propaganda cartoons ever created by USSR. After watching this, I got a strong sense that the Hollywood blacklisting was minor, compared to this large degree control in Soviet Union, where nothing could leak out.

Presidential Campaign Ads

In our last class, we watched the famous LBJ “Peace, Little Girl” commerical, where fear was used to collect votes. This was still during the time in the Cold War, when the American people were afraid of a nuclear holocaust. It is intresting to compare this ad with another Presidential  campaign ad, that of (the great) Ronald Reagan.

Remember that the bear is the symbol for Russia.

[kml_flashembed movie="http://www.youtube.com/v/NpwdcmjBgNA" width="425" height="350" wmode="transparent" /]
  It is interesting to see these ads reflected each ones respective time period, within the cold war.  LBJ – fear of the USSR, Reagan – prepared for peace.

Two 1980s Nuclear Nightmares

If you haven’t had your fill of nuclear doomsday narratives, here are two more.

The Atomic Cafe (1983) is a clever, satirical documentary made up of archive footage from a variety of sources from the late 1940s to the early 1960 addressing every aspect of cold war era nuclear anxiety. Both frightening and darkly funny, it very nicely distills many of the themes in the discussions we’ve had over the last two weeks.


http://video.google.com/videoplay?docid=1126269724766604475&ei=4yuqS-KgHI6mqgL0g7DRBg&q=atomic+cafe&hl=en#

Threads (1984) is a BBC made for TV movie about a nuclear attack on Great Britain. It is, in a sense, a British Day After. It feels decidedly more real than it’s American counterpart broadcast a year earlier. Believe it or not, it is even darker and bleaker. It is widely regarded as the very best, most disturbing and haunting imagining of nuclear war and its aftermath from the 1980s.


http://video.google.com/videoplay?docid=-2023790698427111488&ei=Ay2qS7-lNZPorAL7rNXWBg&q=threads&hl=en#

Dr. Strangelove – O to the M to the G

I really should not have watched Dr. Strangelove immediately before going to sleep. Due to the extreme oddness of the characters and plot, I was left with strange dreams all night long. I cannot explain how much I loved/hated this movie. My bipolar feelings towards the film stem due its weird nature and not from personal inconsistency.
Why I liked it? It was hysterical!!! Excuse me, but the President of the U.S. talking to Dmitry scenes were so entertaining. Of course, Dmitry was depicted as drunk and mildly insane and the U.S. president was calm and collected. Dr. Strangelove was funny as well. I especially love the parts where his run away hand tried to strangle him and when he referred to the president as “Mein Fuehrer.” I enjoyed the Russian ambassador’s absolutely remarkable comment that Russia’s source for thinking America had built a doomsday device was the NY Times. I didn’t even know that joke was relevant to the time period but I guess some things never change.
Why I did not like it? Well, I really don’t get why Peter Sellers had to play three characters. Was this a budget related issue? Was it for comedic purposes? Either way, I didn’t appreciate it. It was annoying to see the same face in nearly every scene. Also, I especially hated the end. So civilization is essentially destroyed, only several thousand will survive, life will need to move underground, but it’s all good because monogamy is no more. I feel like this had nothing to do with the plot of the movie and was such a foolish way to end a good film. This scene managed to kill most of the movie’s allure for me.
Overall, Dr. Strangelove is a good movie. It has a nice message for humanity and is still relevant today. It managed to merge humor and seriousness well. However, certain techniques seemed unsuitable for the movie.

Those “Bull”headed Americans…

After the presentation on Thursday, I was inspired to ask my Ukrainian born mother if she too remembered encountering any pro-communist, anti-American cartoons while she was growing up. She seemed a little dazed by the question, as if she had never even considered before that there were such cartoons. Of course I forgot the name of the cartoon we watched in class and therefore had no hard evidence to present to her. However, I continued to press on. Did she really not remember any propaganda filled cartoons filled with innocent looking, communist dancing/singing happy go lucky creatures facing some horrible, gun blasting, cruel American soldier looking monsters? She affirmed that she did not.
Three possibilities occurred to me. A: My mother really never watched such cartoons. Considering that TV time was limited and my mother was a scholastic over achiever, this is definitely possible. B: My mother has Americanized herself to a point that she actually has forgotten certain memorable animated features of her youth – also possible. Or, C: Russian filmmakers/cartoonists were exceptionally gifted at hiding their true intentions and thus able to make the common public believe that they were in fact watching an innocent cartoon and not partaking in a political ploy to control the masses. For the benefit of this blog entry, I decided to go with C. A & B really don’t leave much to talk about.
Naturally, even my mother had to agree that there was strong political backlash against America during the Cold War years. There were military parades throughout the Soviet Union, sending a message out to the world of “Don’t mess. We got guns.” Stalin would regularly entertain passionate monologues spurring anti-American sentiments on the radio. Americans were usually perceived as ungrateful, uneducated, and ignorant. However, all this did not surprise me. I wanted the real dirty stuff – the cartoons!
In my quest for animated truth, I stumbled upon possibly the most blatantly anti-American media item I have ever encountered.

So for those of you who will not watch the full 10 minute cartoon, though I STRONGLY suggest you do since it’s really actually funny, this animated feature tells a most remarkable tale. The story itself is based on a poem by Sergei Mihalkov, a Russian author of children’s literature. Basically, an old rich American woman dies. Her intense greediness and impracticalness leads her to leave a million dollars to her bulldog. (Leona Helmsley anyone?!!!) This dog essentially buys his way into power and becomes a member of Congress. The moral of the story is that in America money can buy everything and government officials don’t require a very high intelligence.
So after my initial crack up at the cartoon, I began to ponder if people took this stuff seriously. Ok, sometimes I too feel certain Congressmen aren’t the brightest of people. After all, my favorite quote is Mark Twain’s “Suppose you were an idiot and suppose you were a member of Congress. But I repeat myself.” But deep down I have respect for the system. However, Russians during the cold war era probably did not. Thus, cartoons such as this one must have left them with a very odd impression of Americans. While back home, we were thinking communists were anti-family, anti-business, etc…, they were thinking we were rich, lazy, and mentally handicapped. We thought we were fighting dangerous villains and they thought they were arguing with developmentally challenged Westerners. No wonder nobody won!

P.S. Before I end off, I would like to let you all know that I found the cartoon we watched in class and showed it to my mother. She had in fact never watched it. Moreover, the dark people we thought were Americans she actually identified as Germans. America was depicted in one scene but very briefly.

Nuclear War Films on the Digital Campus

In addition to the three required films for next week (Fail Safe, Dr. Strangelove and The Day After), two more movies nuclear war themed movies have now been added to the Digital Campus page. These are On the Beach and The Bedford Incident (1965) (which Whitfield briefly discusses). Though I will not hold you responsible for these two movies, I do recommend that you watch them if you have a chance. It will enrich our discussions on Tuesday and Thursday.

If you encounter problems with streaming from the Digital Campus, please let me know in an email so I can report it the folks at the library. Please be as specific in your description of the problem as possible.

Communism and Homosexuality

While viewing the clip shown in class this week dealing with how to spot a communist I was reminded of a family guy clip that I had seen before. This Family Guy clip is very similar to the one shown in class but substitutes communism for homosexuality, showing the viewer how to spot a gay. Knowing that Family Guy spoofs usually have some relevance to real life events I decided to do some research on this and found out that there was a Lavender Scare occurring at the same time as the Red Scare, both being effects of the Cold war. The Lavender Scare refers to the persecution of homosexuals in the 1950’s, and gained its popularity through the association of homosexuality with communism. Around this time homosexuality was seen as a mental illness and because they had this “mental illness” gays and lesbians were seen as being susceptible to blackmail. McCarthy, who was very prominent in the Red Scare was also prominent in the Lavender scare. He and many others believed that because of their susceptibility to black mail homosexuals would be easy prey for communists and those in the federal government would be forced to give them secret information on the U.S. government. Just as with the Red Scare, the Lavender scare resulted in various accusations, investigations, and firings within the Federal government. Many Americans terrified of communism were easily convinced to back the Lavender scare, and some even began to view homosexuals as a bigger threat to national security then communists themselves. Today; however, many people claim that there were other reasons as to why the Lavender Scare was started other then Communism. One being that the number of Homosexuals in America was on a rise and Lavender Scare was used to put an end to this and preserve Americas masculinity. Others believe it was used by the republican party as a way to take down Harry S. Trumans administration by exposing it as not only communist but homosexual. Like the last post on pornography this shows another example of politicians taking advantage of peoples fearss to push their agendas. I had previously not heard of the lavander scare and i think this Family guy clip was a great way of bringing attention this event which people do not tend to talk about.
[kml_flashembed movie="http://www.youtube.com/v/ffm_TERH2_o" width="425" height="350" wmode="transparent" /]
[kml_flashembed movie="http://www.youtube.com/v/43Vq6j9z8JI" width="425" height="350" wmode="transparent" /]

Pornography Will Make You a Communist!

All this talk about the fear of Communism during the Cold War period has made me very curious about how this fear really influenced society. While browsing around archive.org I came across a video from 1964 called “Perversion for Profit.” The video, in total, is about a half an hour long, and addresses pornography in American culture as something that is weakening society in the fight against Communism. I won’t delve into debating the grandiose claims made in the short film about how various publications were transforming America’s youth into “homosexuals, lesbians, sadists, masochists, and other sex deviants” because I fear that may just turn into a long-winded rant. I would, however, like to examine the true intention behind this film, and also how paranoia and propaganda can influence an entire culture’s perspective. It seems to me certain periods of heightened social stress can give radical groups a perfect window of opportunity.

I think it can be argued that groups who are against certain ideals, ways of life, and “types” of people take advantage of social distress. If a society is constantly bombarded with messages warning them that the life they know could be gone in an instant, they are far more susceptible to believe almost anything they hear. During this time period in particular, I think people were less critical and therefore less likely to consider the real intention behind the images and ideas that were being fed to them. During the Cold War period the media was able to propagandize most of what Americans were seeing, and, in turn, mold the public exactly how they wanted. I thought it was really interesting that this video used images so heavily, and even quoted a passage from one of the risqué “pocket books.” Displaying these censored images, in my opinion, seems like it would only pique the interest of viewers unfamiliar with the world of pornography.

Much of this video is connected to the societal taboo that sex holds. Sex outside of marriage is frowned upon, and anyone who even looks at any of these materials, according to this film, will become forever perverse and unnatural. This sends a very clear message that sex is not to be enjoyed or experimented with, but rather is serves the purpose of procreation as it is spelled out in the proper “Judeo-Christian tradition” mentioned in the clip. We have discussed how sex has always created fear and anxiety within society, and it is interesting to see that people can be so uncomfortable with and afraid of sexuality that they will go to such lengths as to create a half an hour of film filled with statistics and questionably credible claims about its dangers.

I think I found it most interesting that the alleged purpose of this film is to discuss how “moral decay” is weakening the American public to the threat of Communism, but this concept is only mentioned a few times. Overall, the film seems to be targeting homosexuals and openly sexual people. Near the end of the film the narrator urges the public to keep their standards high and reform the corruption in society. It also sort of advertises the interest group, and suggests that viewers should start groups in their neighborhoods. At this point, it becomes far more evident that the film is not so much about the threat of Communism as it is a tool to spread the ideals of the group producing it.

The Cold War Through Music

The Cold War lasted approximately from 1947 to 1991 and it was a period of high tension and political conflict between the USSR and the US. There was not any physical fighting, but there was conflict behind the scenes: military alliances, espionage, propaganda, the nuclear arms race, and a race for technological innovations. 

I came across this song by Sting from his debut solo album, The Dream of Blue Turtles called Russians. In it, he sings of the consequences of the Cold War and of what we could do to save the world from the escalating shows of power. 

[kml_flashembed movie=”http://www.youtube.com/v/4rk78eCIx4E” width=”425″ height=”350″ wmode=”transparent” /]

The lyrics are: 

In Europe and America, there’s a growing feeling of hysteria
Conditioned to respond to all the threats
In the rhetorical speeches of the Soviets
Mr. Khrushchev said we will bury you
I don’t subscribe to this point of view
It’d be such an ignorant thing to do
If the Russians love their children too

How can I save my little boy from Oppenheimer’s deadly toy
There is no monopoly of common sense
On either side of the political fence
We share the same biology
Regardless of ideology
Believe me when I say to you
I hope the Russians love their children too

There is no historical precedent
To put the words in the mouth of the president
There’s no such thing as a winnable war
It’s a lie we don’t believe anymore
Mr. Reagan says we will protect you
I don’t subscribe to this point of view
Believe me when I say to you
I hope the Russians love their children too

We share the same biology
Regardless of ideology
What might save us me and you
Is if the Russians love their children too 

Source: http://www.lyrics007.com/Sting%20&%20Police%20Lyrics/Russians%20Lyrics.html

Please take the time to read the lyrics. Each line is really very meaningful. The song’s lyrics and Sting’s mournful voice really portray the despair of the situation. He wants the everyone to get along to ensure that a future will exist for generations to come.  The last four lines are really poignant. Sting says, we are all human beings; you and I are made of one and the same. Why can’t we just get along and live in peace and harmony?

I think Sting’s debut of this song was very taboo, but I applaud him for being courageous enough to come out with this radical song. People were very frightened by the prospect of another World War and there was a lot of hatred towards foreigners. They were anti-Russian, anti-Communist, and anti-foreigner. Sting tries to soothe people by singing about the innocence of sons and daughters, trying to convince them to unite peacefully for their sake. 

Obamaism- taking away our freedoms

After Thursday’s class discussion, I got thinking about socialism and Obama.  Being politically conservative myself (dare I publish that?), I heard all the talk about Obama being a socialist and turning this country into a Communist state.  I won’t say that there is zero truth in that, but I do recognize it as typical conservative anti-Obama propaganda (aka Obama trash talk).

I decided to do a couple of Google searches on “Obama” and “socialist”, expecting quite a number of wacky websites to pop up…which it did.  On one of them ( http://obamaism.blogspot.com/ if you’re interested) I found a couple of videos which eventually led me to this:

Interestingly, this video was not made for the McCain campaign.  It was made before anyone even knew who Obama was…in fact, before he was even born.  It was made in 1948 by Harding College, a conservative Christian college in Arkansas.  In 1948, they saw the spreading Communism as a threat to the “American way” and the values we share.  They responded by creating this captivating cartoon to convince the American people to think critically about the way of life they have now and how it can change for the worse with the introduction of Communism.

(As an interesting sidenote, one of the main proofs they use as an American capitalistic success is the thriving automobile industry in the US that has created many jobs and boosted the economy at large.  60 years later, the US government had to save the ailing industry and until today it’s seen as a main drag on the economy.)

The Red Scare and the Hollywood Blacklist: For Tuesday

As you’ll see on the calendar page, our viewing for Tuesday is The Front, a 1976 comedy starring Woody Allen about McCarthyism’s impact on the entertainment industry and Trumbo, a 2007 documentary about Dalton Trumbo, a well known screenwriter who was blacklisted but continued to write and and win awards under psuedonyms. Both are available for streaming on Netflix.

Also, please take a look the following films. Together, they’ll give you some additional context for the two films as well as our reading from Whitfield’s The Culture of the Cold War. Most of these are already in our Delicious feed.

“Hollywood ‘Red’ Probe Begins, 1947/10/20 (1947)” A newsreel on the beginning of HUAC’s probe of alleged communist activity and influence in Hollywood.
I Married a Communist(a.k.a. The Woman on Pier 13)(1949). An RKO feature starring Robert Ryan and an exemplary red scare propaganda film along with My Son John and I Was A Communist for the FBI.

“The Hollywood Ten” (1950), a 16mm short critical of McCarthyism and the blacklist. The director, John Berry, was blacklisted after the film’s release and fled to France where he worked until his return to the US in the 1970s.

“Make Mine Freedom” (1948). A propaganda cartoon on the virtues of democracy and what Americans stand to lose if communism should prevail.
“Communism,” a 1952 educational film about the threat of Soviet Communism.

A Quick Update

As I mentioned in class, the schedule for presentations and required viewings is now available for download here. Take a look at that when you have a chance. Also, the next two readings are now available as well: the Melley article on brainwashing for Thursday and chapter 6 of Whitfield’s Culture of the Cold War. You’ll notice on the updated calendar that next week is going to look a little different from what I described to you last week.

Since Swank will not be ready in time to post to the Digital Campus the movies I had intended for you to watch, I had to improvise a little given what is available on Netflix. Rather than watching the two 1950s anti-communist movies as planned (let’s face it, they’re more interesting than entertaining, especially to contemporary audiences), I’m going to switch things around and ask you to watch the 1962 version of The Manchurian Candidate for Thursday. If you can find the time to watch the 2004 version, you should. Both are available on the Digital Campus and are linked to on the calendar page.

Since we can’t get primary material, we’ll go for the secondary. For the following Tuesday, please watch The Front, a 1976 comedy with Woody Allen about blacklisted writers and Trumbo, a 2007 documentary about Dalton Trumbo, a screenwriter who was blacklisted and wrote many films under psuedonyms — one even won an Oscar. Both are available for streaming on Netflix. I’ll also post some links to a few shorts from the Prelinger archive. Most of these are already on our delicious page, so take a look. For that Thursday, 7 Days in May should be available on the Digital Campus site. Once that’s set, it should be smooth sailing for the remainder of the semester.