Protect Yo Heart

PYH

If you have walked anywhere in The City over the past year, you probably encountered a piece of “Protect Yo Heart” street art.

I never understood what “Protect Yo Heart” meant, and each time I walked over the phrase etched into the sidewalk, I would stare at it curiously. I would ask friends and people who I happened to be with while passing this street graffiti, and nobody knew what the art was referencing. However, like any good journalist, I had to do the research and figure out what this movement is all about.

The artist responsible for the messages that litter the streets of New York City is named UnCasso, the creative mind behind a clothing line called UnCutt Ink. Now, his efforts are focused on these pavement pastels affectionately dubbed “UnCuttart.”

The idea behind Uncuttart is to make people, as UnCasso puts it, “see things in a simple way and simplify their lives; get rid of all the bullshit.”

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In 2014, UnCasso attended Art Basel Miami, a huge art festival that takes place in December and provides a platform for enormous networking to take place among people of the art world. While in Miami, he began working with a charity who got UnCasso a 25-foot wall to do a mural and present his artwork to the world. He utilized the large wall space to paint Steve Jobs – because he believes Jobs’ impact on this generation was admirable.

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“I like to create art that reflects people who inspire me,” the artist claims. “In life, shit is going to happen the way it’s going to happen. Find the positive outcome and run with it. What are you going to do? Time doesn’t stop for anyone.”

By Casey Mollon

David Bowie and His Lasting Legacy

Much has been made of the preternatural prescience that permeates David Bowie’s final album Blackstar, released this past January 8th – coincidentally the same date as the artist’s 69th birthday and a mere two days before he shuffled off this mortal coil.

Lyrics such as “Something happened on the day he died/Spirit rose a metre and stepped aside” from the title track, and the eerie “Look up here, I’m in heaven” from the song “Lazarus” give fans the impression that Bowie not only knew he was saying goodbye, but wanted to continue communicating with them once he was gone. Bowie kept his terminal liver cancer a secret for 18 months, working diligently on his 25th album and an off-Broadway musical entitled Lazarus that acted as a kind of sequel to the 1976 film “The Man Who Fell to Earth”, which he starred in.

One of the amazing things about an artist like David Bowie is that he was inspired by artistic giants and also served to inspire musical and cultural shape-shifters who would follow in his wake.

For example, Strung Out in Heaven: A Bowie String Quartet Tribute , a six-track EP released on February 5th by musician Amanda Palmer, features collaborations with Anna Calvi, writer (and husband of Palmer) Neil Gaiman, actor/writer/director John Cameron Mitchell (of “Hedwig and the Angry Inch” fame) and Jherek Bischoff, who can also take credit for all the string arrangements on the EP. Each track also features accompanying original artwork from artists around the world.

The simply amazing tribute is available via Bandcamp for a mere $1 – 54 cents of which will go to Bowie’s publisher.  The rest of the proceeds from the first month of sales will fund cancer research wing at Tufts Medical Center in Boston, in honor of Bowie. It’s exciting that these kind of scrappy, spur of the moment projects are gaining momentum and popularity. It’s the kind of forward-thinking originality that Bowie himself strove for throughout his career.

Listen to their version of “Blackstar” via the video below: