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Author Archives: Rebecca Ungarino
Posts: 11 (archived below)
Comments: 1
Less Art and More People: SoHo
SoHo-Cast Iron Historic District, as defined by the New York City Landmarks Preservation Commission on August 14, 1973, was bordered by Houston Street to the north, the easternmost portion of West Broadway to the west, Crosby Street to the east and Canal Street to the south.
On May 11, 2010, the Commission extended the neighborhood’s eastern borders to Centre and Lafayette Streets, and included on West Broadway what was once excluded.
The borders of SoHo may have grown, and its buildings extended upward. But the picturesque, albeit narrow cobblestone streets, remain the same size. And the population density has only increased. SoHo is a crowded neighborhood, and there has been both opposition and support as the historic artist’s colony-turned-shopping mecca has evolved into an area more saturated by pedestrians over the past decade.
Bob Gormley, District Manager for Manhattan’s Community Board 2, ascends from the R train subway station at Prince Street on Broadway every day to walk to his office at 3 Washington Square Village. Gormley has held this position since 2006. Before being elected to the board, he worked at the city’s Department of Consumer Affairs. Community Board 2 covers Greenwich Village, SoHo, NoHo, Little Italy, Chinatown, Hudson Square, and Gansevoort Market.
“It’s always crowded down there, and it’s even busier now for the holiday season,” said Gormley, hands clasped atop a conference room table in a Washington Square Village building. He acknowledges that there are an enormous number of street vendors in SoHo, which lend themselves to crowding on the streets. “We’ve been asking the city to make sure that all the food vendors have proper permits … it’s a safety thing.
Gormley, a graduate of CUNY Hunter College and later of Buffalo State Law School, says the competition of street vendors and a “crush” of pedestrians makes for a crowded neighborhood. “We are in no way in opposition of street vendors,” said Gormley, “but we have been asking the city to ensure that street vendors are complying with regulations.”
“They go where their clientele is; the sidewalk,” Gormley added. He is also aware that officers from the 1st Precinct, which encompasses SoHo and its surrounding neighborhoods, have begun to hand out tickets for vendors’ violations in Hudson Square in the past months for not complying with street regulations. Hudson Square is often referred to as “West SoHo.”
Seymour Miles, 63, lives on the Upper West Side and has worked in SoHo since 2007. He is a real estate broker for Corcoran Group Real Estate, whose offices are on Broadway in SoHo.
“Let’s put it this way,” Miles said with a tall Starbucks coffee cup in hand, “I don’t walk on Broadway anymore. Why? Because Broadway sucks.”
Miles, referring to the section of Broadway that cuts through SoHo between Crosby and Mercer Streets, described the small transformation he has seen since he began working in SoHo.
“I think more people are walking on Crosby now,” he said, one leg resting on the other inside Starbucks on the corner of Crosby and Spring Streets. “I think people are realizing how much cooler Crosby is than other streets. There are still small stores on Crosby, not like the big box stores around here.”
Miles was referring to the large chain stores that have moved into SoHo, which was once dominated by independently owned shops and galleries. Among the chains in the neighborhood, a 25,000 square feet-wide Old Navy sits on Broadway between Broome and Spring Streets, a Chipotle Mexican Grill is located on Spring Street between Crosby and Lafayette Streets (at what some would call the very eastern border of SoHo and becomes Little Italy), and an Apple Store occupies the corner of Prince and Greene Streets. SoHo wasn’t always a conglomerate of tour buses and boutique stores that have drawn in hoards of tourists from all over the globe, though.
“The area has totally changed since we moved here in 1974,” said Judy Blum Reddy, an artist and longtime SoHo resident. She lives on Wooster Street. In the 1980’s and 90’s, SoHo was full of bars and clubs, recalled Reddy, who mentioned it was a lot like the neighborhood of Chelsea. When the noisy bars and clubs disappeared, the neighborhood became quieter and had less nightlife. Since then, walking tours and other daytime activities have become the predominant leisure.
Reddy, a Queens native, returned to New York in the 1970’s with her husband, printmaker and artist Krishna Reddy, after living in Paris, France for some time. She believes SoHo is practically “unrecognizable” and a “destination, not a neighborhood.” Reddy mentioned the irony of finding it difficult to walk her dog on congested SoHo streets when she sees hired dog walkers with eight or nine dogs at one time. So overrun by tourists in crowds on walking tours (which she likes because they promote the history of the neighborhood), Reddy rarely frequents stores and eateries in SoHo.
“My daughter moved to Carroll Gardens,” said Reddy, “they have more room there. [My husband and I] don’t eat in this neighborhood. We go to Brooklyn! They’ve got the Fairway, Trader Joe’s, Italian food and bread and cheese stores. We don’t.”
In 2011, the city’s Department of Transportation released a “pedestrian volume index,” showcasing that the sidewalks of Manhattan are indeed becoming more crowded. In an elaborate chart, the department highlighted fifty of the city’s busiest intersections. Although a SoHo intersection is not explicitly noted in the list, lower Manhattan intersections such as Broad Street between Beaver and South William Streets are noted with growing pedestrian volume. Overall, the city’s index grew exponentially between 2007 and 2011: from 367,935 pedestrians at the fifty select intersections at select hours in 2007, to 416,648 pedestrians in 2011.
Ron Smyth, who works in media, has an office in SoHo. He believes that SoHo is “delightful” to walk through in the morning, “…around 8, 9, 10:30 in the morning.” Smyth pointed out that we have a growing number of hotels in SoHo, naturally attracting tourists and crowds. He mentioned the Crosby Street Hotel and the Mondrian SoHo Hotel, both on Crosby Streets, with roughly three blocks between them.
“SoHo is crowded, of course, because SoHo is where the world comes to shop. It’s delightful in the morning, but gets crowded in the afternoon,” said Smyth, 61, a graduate of the City University of New York and New York University Stern School of Business. He believes crowds and tourism is “great” and promotes commerce.
Vince Prezioso, a New York native, is co-founder of The Access Organization, a health and lifestyle group who matches members with doctor visits, pharmacies, and general care plans at discounted rates. The Access Organization’s office is located in the Chelsea neighborhood of Manhattan, but Prezioso often holds meetings throughout the city.
“We like to keep our meetings out of SoHo,” said Prezioso, “because it’s just so crowded. It’s not easy for trucks to get through the narrow streets and there are always lots of people around Lafayette [Street].”
Prezioso used to drive in from Yonkers to Manhattan for work, but finds it more difficult than he did when he began working in Manhattan in 2005. “It’s a little tighter to walk through, a little more difficult,” he said of the streets of SoHo.
“I’m not sure what the solution will be,” Gormley said of the crowding of SoHo, “maybe restricting vendors on any given street. The [sidewalk] space is there. But for now, I don’t know.”
Protected: God’s Love We Deliver… to a Different Borough
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Gish Jen Profile
A small Chinese woman took the stage on the sixth floor of the Baruch College library building after several faculty members introduced themselves and the college’s Harman Writer-In-Residence Program. The woman had thick shoulder-length black hair and a face so alive, so animated, without a spot of makeup.
Author Gish Jen was so enlivened and so charmingly awake for her conversation at the Harman Writer-In-Residence semi-annual event this Tuesday night. Once a semester, the designated Harman Writer-In-Resident is featured at a conversational event, the public is invited, and the writer can choose to speak about their work, their life, and then answer questions from the audience. Gish Jen chose to feature a slideshow during a talk about her latest novel (and first non-fiction novel) called Tiger Writing about the rich and winding history of her family in China.
As I have not had her as a professor but had read excerpts of her writing both fiction and non-fiction, I wasn’t sure what kind of speaker she was going to be. She absolutely blew me away. To a student’s question she was asked about the Chinese culture and what it had been like when she visited, Jen replied with gumption, including, “We don’t need anymore misinformation in this world, honestly.”
A theme that seemed to develop in some of her replies during the Q and A portion of the evening was that of a literature-less childhood. It was the story of a poor Chinese immigrant family who couldn’t afford books for the children. Of her childhood, Jen said, “I grew up in New York! I knew more Yiddish than I did Chinese!”
We learned that Jen dropped out of Stanford’s business school and pursued creative writing at the prestigious Iowa Writing Workshop at the University of Iowa.
Jen’s demeanor was proud, but not too proud, laughing so humbly and warmly that it felt as if we were all out to dinner with her, and we were all her guests. Dressed in a dark velvet blouse that draped over her arms, Jen’s graceful motions and course of speaking were without flaw. She reminded me of a woman wading through water and silk with her hands, the rest of us in the room simply gasping for air around her figure.
Gish Jen spoke about her writing process, which she essentially described as haphazard and without order. She described a beautiful ideal situation for her writing to flourish: in a cabin in Vermont, alone, not to leave for hours at a time, or until her writing for the day is done.
As people began trickling out during the Q and A session, Jen remained patient and answered thoughtfully to the queries asked. To each question, she began her reply with, “Very good question,” with such sincerity that nobody seemed to notice the repetition.
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Protected: Community Service Pitch: GLWD
Posted in Community Services, Story Queries
Tagged god's love we deliver, Rebecca Ungarino
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An Experimental Gift Shop in Flux
A SoHo gift store packaged inside a two-story building is the home of the Canadian-made clothesline pulley setup for $62. It is home to the $90 powder-coated steel toolbox made in Osaka, Japan and the $6 aluminum hooks crafted in Portugal. Trinkets, heavy and light, collected from countries far and states near, create an “experimental retail” space between Mercer Street and Broadway on Spring Street. Its name is Kiosk.
Opened in 2005 by married couple, travel companions and business partners Alisa Grifo and Marco ter Haar Romeny, Kiosk houses trinkets – airing on the side of souvenirs-turned-gifts – on a legless table in the center of the loft-like space hanging from the ceiling, on shelf-lined walls, and artfully displayed in cubbies along the ground.
However warmly and meticulously curated, the second-floor store is in a state of dramatic transformation, and the four-to-six-person Kiosk team has been aware of the change for months: Kiosk is being evicted.
529 Broadway, built in 1936, is being torn down in early 2014. The building was bought in 2012 for $147.9 million. Plans began in July.
“We already knew the building had been bought,” said Honora Dunham of Kiosk. Dunham, 28, has worked with Kiosk for about a year. Dunham is one of two-four (depending on the time of year) Kiosk employees beside owners Grifo and ter Haar Romeny.
“We’re sad to leave, we’ve been here for eight years,” said Dunham of the eviction, “and it’s kind of all up in the air right now. We’re looking for another place now. We’re open to Manhattan and Brooklyn, it’s just a matter of finding the right space.”
Investors, including big-time broker Bobby Cayre of Aurora Capital Associates, plan to turn the building into a six-story retail space reminiscent of its predecessor: the 1853 hotel Prescott House, demolished during the Great Depression.
Ms. Dunham, in a baby blue shirt and wild brunette curls, mentioned her background in art and design. She received her bachelor’s degree in art history from Bowdoin College in Brunswick, Maine and has since worked with various design firms. She lives in Williamsburg, working with Kiosk about four days a week. Dunham says the charm of the space will be difficult to recreate in another retail setting.
“It’s a unique, unorthodox space, with the stairwell, and being on the second floor,” said Dunham, “and it’s kind of what’s happening with SoHo. We’re sad that it seems impossible for [stores like Kiosk] without becoming a corporate endeavor.
She is referring to “the stairwell” that leads up to the second floor of the building entrance on Spring Street. Covered in colorful graffiti tags and complete with a handrail strung with festive lights, the stairwell is as elusive and colorful as the space it leads to. A neon pink arrow points downward to the stairwell, wedged in between Sabon, a luxury fragrance store, and Teno, a jeweler. “KIOSK” is painted in bright orange letters on the sidewalk on Spring Street guiding the public into the door, up the stairwell, to the right two steps, and into Kiosk.
Each item in Kiosk has either been hand-selected by the owners on their travels – “[Kiosk] is sort of like a travel story,” said Dunham – or rotated throughout different Kiosk-affiliated locations throughout the world, including Gravel and Gold in San Francisco and Postalco in Tokyo. The $21 natural cat toy made of matatabi, a silver vine grown in the Fukushima region of Japan, sits next to the $6 Indian copper and brass jewelry. Each item is carefully documented for customers: the dominant material of the item for sale, the price on a dime-sized black-and-white display, and a colorful description.

Kiosk’s lighting is warm once patrons walk in the second-floor door, artwork and festive lights adorning the walls
Of a Yelp.com review that criticized Kiosk’s selling of marked-up “kitschy” foreign items to manipulate tourists and the clientele, Dunham was flip in return. “I’m sure this guy hasn’t even been here,” said Dunham, “and we wouldn’t call our things ‘kitschy.’”
Best-selling items in Kiosk include simpler ornaments that carry great visual appeal: a birdcall whistle, colorful fountain pens, fold-out scissors, and hotel key tags.
Dunham mentioned that for staying a small business in SoHo, it’s all about “staying afloat,” and Kiosk has taken up social media to keep up with their clientele, who Dunham include “many Japanese, European, and New York creative types.” Kiosk is fairly new to Instagram, having opened their account just this past August, but has a “great big mailing list.” “We’re not social media mavens,” Dunham joked.
Many loyal Kiosk customers have shown interest in following the store to their next location, and Honora Dunham has high hopes. “We’re sad to go, like I said,” said Dunham, “and it’s really all up in the air right now.”
Professor Seagull
Put simply, I love Joe Gould’s Secret by Joseph Mitchell. It’s easy to see, now, why it is held in such high regard. However, I couldn’t help but think the entire time, ‘Lucky for Mitchell, he was profiling a writer.’
Mitchell obtained great quotes and colorful banter out of Gould not only because of his eccentric nature, but also because Gould was also a writer and a master (arguably) of words and journalism himself. No wonder all of the quotes are so playful and fit for a great profile. I would have loved to see the actual interactions between the two men. How can you so accurately profile a man or woman who is a master of the same field? Is there such truth in interviewing and profiling a character who knows exactly what you’re trying to get at, ultimately?
On the subject of dating himself, Mitchell dabbles in the kind of text that we are not accustomed to reading every day in 2013, but cannot be dubbed as “old fashioned” or “out of date” by any means.
On page 9, Mitchell writes, “…once a madam and once a dealer in narcotics…” The reader can understand that a “madam” is a prostitute, and a “dealer in narcotics” is a drug dealer in our lexicon, but he doesn’t use such outlandish words that we are left confused.
On page 27, Mitchell writes, “…enrolled a score or so of dues-paying members…” about Gould’s Friends of Albanian Independence. “Score,” meaning 20, is something that can be attributed to the text originally published in 1942 and not 2013.
Other words and phrases that Mitchell might use to date the text include, “A.B.” when referring to Gould’s degree from Harvard, “per cent” when referring to inaccurate numbers Gould spoke of, and “bareheaded” to describe Gould’s eccentric look when Mitchell first met him.
I liked, in particular, one great phrase.
Page 29, Gould describing the Oral History and what it means to him, “…my wound and the salt on it, my whiskey and my aspirin, and my rock and my salvation.”
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Nancy Stark
A gaunt woman sits in a corner of 180 Prince Street in SoHo. Her unruly silver hair hasn’t surrendered all its ebony, her black shirt is adorned with golden buttons. A black choker lines her neck. Her bony hands shuffle a set of tarot cards. Above her head hangs one of her husband’s artworks: an orange-washed painting of a man in a turban.
There is only one table on the second floor of 180 Prince Street. It is reserved for Nancy Stark, the restaurant’s resident tarot card-reader. Stark, 77, has been conducting tarot card and palm readings over the heads of Raoul’s Restaurant patrons for 24 years. She has watched SoHo evolve. Her lens has been her perch above the restaurant.
She finishes up a reading with a young woman who had come to see her from the bar below. They exchange a handshake-ridden “thank you.”
“But I’m not good with dates,” Stark said over the light of a single votive sitting on her table large enough for a dinner party of one.
Raoul’s, a famed French bistro to the businessman and a cherished local niche to the SoHo resident, recently celebrated their 43rd anniversary.
“I have been married over 30 years. I don’t know exactly how many years, but it’s been over 30,” said Stark of her husband, Barry. He is a retired architect, now a painter and poet.
Nancy Stark emigrated to from Chile to New York at age 13. Her father was already in Manhattan, prompting her family to follow. Her family is full of “spiritualists,” says Stark.
A graduate of Cooper Union in the East Village, wife and mother of one son, Stark has been reading palms and conducting tarot card readings for 48 years. Keep in mind her “dates” disclaimer.
On the recently implemented hike in Cooper Union tuition for students entering in 2014, Stark expressed grief. “It’s criminal. It was one of the last schools that you could enter based on merit alone. It’s ridiculous,” she said.
Another change has struck Stark as an astrologist. Her clientele has shifted in the past two and a half decades.
“It’s funny,” said Stark. Her hands dance atop the white tablecloth, never still.
“I used to get a lot of young women. Now I get a lot more mothers and men asking questions about business, their personal life. We’re all human. Without love, we are nothing. Love, health, and material security.”
The employees of Raoul’s, especially the longtime staff, know Nancy.
“She is a cat lover, and she’s a longtime vegetarian,” said server Catherine.
Working late on a Monday night, Catherine described Nancy’s quirks.
“She’ll greet me like this,” Catherine said before throwing her palms up in the air like that of a kitten and clasping her fingers up and down, meowing.
On SoHo, Nancy is blunt about the decline of what was once a vibrant neighborhood. Although a resident of Chelsea, Stark travels down to SoHo Sunday through Wednesday to settle at her table up the winding staircase of Raoul’s.
“In the 90’s, [Raoul’s] was popping. Jumping. The parties were everywhere. When the money was plentiful, the neighborhood was wild. There were so many personalities, so many celebrities. I met some,” said Stark. “There was a lot of action. It was all very exciting… very, very exciting. A lot of that joie de vivre.”
“Now,” Stark said as her hands dance downward in the air, “it’s not as wild. I think after September 11th, that was the demarcation. It was a very sobering time. Since then, it’s just been a sobering time. But it has been for the whole economy, hasn’t it been?”
Stark believes that SoHo has gone through a maturation that may be a depression, reflected largely in the economy.
Nancy spends Thursday afternoons at a yoga class in Central Park, and Friday nights out to dinner with her grandchildren.
At 11:30, Nancy packs up and goes home. She will usually finish at 11 o’clock, making exceptions only when a customer calls in advance.
“I take a cab,” Nancy said, her folder of fliers in hand. The fliers are full of previous customers’ testimonies and positive claims about Nancy’s readings.
“Coming down here is one thing, but I take a cab when I go home.”
First Draft: Neighborhood Faces: Astrologist tells the time of SoHo’s Evolution
A gaunt woman sits in a corner on the second story of 180 Prince Street in SoHo. Her unruly silver hair hasn’t surrendered all its ebony. Her black shirt is adorned with golden buttons, a black choker lines her neck. Her bony hands gloss over a set of tarot cards set before her. Above her head hangs one of her husbands pieces; a large painting of an orange man in a turban.
There is only one table on the second floor. It is reserved for the restaurant’s resident tarot card-reader, Nancy Stark. Stark, 77, has been conducting tarot card and palm readings over the heads of Raoul’s Restaurant patrons for 24 years. She has watched SoHo evolve. Her lens through which she has watched has been from across a small table on the second floor of Raoul’s.
She finishes up a reading with a young woman who had come to see her from the bar below. They exchange a handshake-ridden “thank you.”
“But I’m not good with dates,” Stark says over the light of a single votive sitting on her table large enough for a dinner party of one.
Raoul’s, a famed French bistro to the businessman and a cherished local niche to the SoHo resident, recently celebrated their 43rd anniversary.
“I have been married over 30 years. I don’t know exactly how many years, but it’s been over 30,” says Stark of her husband, Barry.
Barry is a retired architect, now a painter and poet.
A graduate of Cooper Union in the East Village, wife and mother of one son, Stark has been reading palms and conducting tarot card readings for 48 years. Keep in mind her “dates” disclaimer.
Nancy Stark emigrated to from Chile to New York at age 13. Her father was already in Manhattan, prompting her family to follow. Her family is full of “spiritualists,” says Stark.
On the recently implemented hike in Cooper Union tuition for students entering in 2014, Stark says, “It’s criminal. It was one of the last schools that you could enter based on merit alone. It’s ridiculous.”
“It’s funny,” says Stark. Her hands dance atop the white tablecloth.
“I used to get a lot of young women. Now I get a lot more mothers and men asking questions about business, their personal life. We’re all human. Without love, we are nothing. Love, health, and material security.”
The employees of Raoul’s, especially the longtime staff, know Nancy.
“She is a cat lover, and she’s a longtime vegetarian,” says server Catherine.
Working late on a Monday night, Catherine describes Nancy’s quirks.
“She’ll greet me like this,” Catherine says before throwing her palms up in the air like that of a kitten and clasping her fingers up and down, meowing.
On SoHo, Nancy is blunt about the decline of what was once a vibrant neighborhood. Although a resident of Chelsea, Stark travels down to SoHo Sunday through Wednesday to set up her table up the winding staircase of Raoul’s.
“In the 90’s, [Raoul’s] was popping. Jumping. The parties were everywhere. When the money was plentiful, the neighborhood was wild. There were so many personalities, so many celebrities. I met some,” says Stark. “There was a lot of action. It was all very exciting… very, very exciting. A lot of that joie de vivre.”
“Now,” Stark says as her hands dance downward from the air toward the table, “it’s not as wild. I think after September 11th, that was the demarcation. It was a very sobering time. Since then, it’s just been a sobering time. But it has been for the whole economy, hasn’t it been?”
Stark believes that SoHo has gone through a maturation that may be a depression, reflected largely in the economy.
At 11:30, Nancy packs up and goes home. She will usually finish at 11 o’clock, making exceptions only when a customer calls in advance.
“I take a cab,” Nancy says, her folder of fliers in hand.
“Coming down here is one thing, but I take a cab when I go home.”
Posted in Profiles, ProfilesDRAFTS
Tagged Faces, Rebecca Ungarino, SoHo
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Amanda Burden Response
My favorite part of this profile by Ms. Satow was a short transition paragraph that clarified who Amanda Burden is:
“But critics say that the sum total of Ms. Burden’s ambitions will be a gentrified city that no longer has a place for working-class New Yorkers.”
This short and sweet summation of Amanda Burden’s “critics” with a hot-button word that everyone loves to hate, “gentrification,” this really broke into the story and where the sides seem to switch by the reporter.
I like that Satow made Burden appear as though she is some kind of modern day Jackie O-esque superwoman with her fashion sense, ties to big names on the social ladder, but great attention to detail.
I thought the use of the word “balked” when describing Burden’s reaction to a presentation before her was funny. “Balk” has such a negative connotation, and this sentence made it seem like she was a bit elitist. Satow’s harsh quotes from the president of the tenant’s association at public housing about the Highline really illuminated the difference between Burden and her constituents: rich and poor.
I also think the article largely highlighted how her rezoning has negatively affected the city.
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Neighborhood faces – SoHo
SoHo is rich in old establishments. Old galleries, old cobblestone streets that contrast with the paved roads of midtown, old buildings converted from factories into luxury apartment buildings, and old restaurants. The restaurant I work in has been at its Spring Street and 6th Avenue location for 17 years, and emulates the stuck-in-time vibe of SoHo.
A woman named Michelle, between 60 and 70 years old, is a retired longtime server at the restaurant I have been with for almost one year. She has also lived in SoHo her entire life. Michelle worked at Aquagrill from their opening in 1996 until about 2008, and places a twist on the classic female New York City server persona: bubbly and friendly, with a touch of feisty quirk and jaded warmth. She has that “I know what I’m doing” way about her. I will be interviewing Michelle as the face of SoHo, for I believe she embodies the SoHo that many older longtime residents recall: stylish and artistic and less crowded than what the neighborhood today.
As she has agreed to speak with me, although we have yet to set up an interview, I will be asking Michelle what she believes the future of SoHo holds, how she believes the neighborhood has changed, and ask about anecdotes she may have of the neighborhood over the years. I would love to ask her where she was during 9/11, for SoHo is in close proximity to the Towers. The angle I’d like to take is asking Michelle about “old SoHo vs. New SoHo” with a focus on the “cronut” phenomenon as a metaphor for the overcrowding of the neighborhood. As a retiree from the food industry, she has to have some opinion about the craze over a $5 pastry. She has no children, but she has been married to her husband for many years, so I will ask to speak to him as well about Michelle. She has friends in the area who I will also ask to speak with, and I have the feeling she takes classes or lessons of some kind, so I will ask to speak with her instructors about Michelle and perhaps their encounters with her in SoHo.
I will definitely be asking to take a few pictures, as she is a beautiful older woman with very thin features and an interesting way about her that I am eager to explore. I would love to get some shots of her in her apartment, perhaps.