Author Archives: Roxanne Torres

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About Roxanne Torres

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“Deadly Choices at Memorial”

In the article, “Deadly Choices at Memorial,” writer, Sheri Fink unveils the events behind the tragedy of Hurricane Katrina that led to the neglect of many hospital patients, which are namely the old, the declining and the most vulnerable. Despite the blame on Anna Pou and the hospital’s decisions, Fink revealed the topic to be a lot more complicated than expected. In details, Fink describes the lack of preparation the hospital had during the tragedy that led to Pou’s controversial decisions. However, despite not clearly placing the blame on Pou, Fink implies that she disagree with the decisions made. Fink had given Pou enough voice in the article to support her argument, but she did not whitewash the horrific results of the dead, helpless corpses that did not deserve to die with neglect. This especially hits hard in the following sentence uttered by one of the doctors:

‘”‘We spend too much on these turkeys,’’ he said some would say. ‘We ought to let them go.’’’

This casual conversation that refers to the patients as “turkeys” waiting to be let go is a harsh portrait of how the decision came to be. It wasn’t a decision that arrived in their minds during the hurricane, but a decision that was looming over their heads.

The eighth paragraph describes Fink’s motivation behind writing the article and the importance of discussing Pou’s decisions despite not fully knowing the full details behind it. And Fink’s motivation is that Pou’s controversial and “agonizing decisions” would arise again. This paragraph immediately shows Fink’s intentions of not simply writing an article that points finger at those she believes were to blame. Instead, Fink wanted to focus the discussion on the events that led to Pou’s decisions so that if ever it arises again, Pou’s argument of lack of preparation would not be tolerated.

Fink does not organize her story chronologically. Instead, she breaks it down by topic that helps the reader analyze the details. By not arranging the story chronologically, Pou is given the chance to voice out her argument without any clear bias against her. Fink finalizes the article with the trial and a profound quote from one of the panelist in the jury:

“‘As bad as disasters are,’’ he said, ‘even worse is survivors who don’t trust each other.'”

By using this quote, Fink shows that the effects of Pou’s decisions goes beyond the death tolls and the families of the patients who were neglected. Her decision led to breaking the crucial bond between survivors, patients and doctors.

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Mama Meena’s Family Restaurant

By Roxanne Torres

Mama Meena's Family Restaurant at Woodhaven and Jamaica Ave.

Under the train tracks, Mama Meena’s Family Restaurant stands at a corner in Jamaica Avenue.

Like artworks in a museum, photographs of Filipino dishes are displayed proudly outside the glass window of the small family restaurant, Mama Meena’s. Seduced by the giant “A” inspection grade posted in the middle of the photographs and perhaps, by the foreign and the unfamiliar names of the dishes—“Pancit Bihon, Adobo, Lumpia Prito”—a young man walked inside the restaurant with a cell phone at hand. A glance at his cell phone screen revealed the Yelp page that most likely drew his attention to the restaurant in the first place. He grabbed the menu and pored over the names one more time.

Wilhelmina Prego or as she likes to be called, Mama Meena walked out of the kitchen, wearing her black apron and a forced smile. She greeted the obviously new customer. “Hello, do you know what you want to order?” she asked. The man looked up and said, “I’ll just come back.” Prego watched the man close the door and smiled. “By the time he comes back, Mama Meena will no longer be here!”

Mama Meena’s Family Restaurant was always a dream of Prego ever since she started her catering business. For the fifty-four-year-old mother of five, the restaurant is a passionate hobby and an extension of her culture, roots and her home. This restaurant dream is not large enough to accommodate the rent expenses and the stress she endures from customers six days a week. After five years of nearly twelve hours in the kitchen, Prego is closing the small Filipino family restaurant on October 25th.

 

The usual empty seats at Mama Meena's restaurant during weekday mornings.

Prego decorates the restaurant as an extension of her home.

Located at the corner of 95th Street in Jamaica Ave., under the noisy and busy train station, Mama Meena’s maintained its popularity for five years within the diverse community of Hispanic, Latin American, European, and Asian residents.

A small percentage of the community are Filipinos, Mama Meena’s targeted demographic. Roughly 12.7% of the neighborhood’s population are Filipinos, which are about 896 possible consumers to fill the restaurant’s twenty-eight wooden seats.  This is not an issue for Prego, who longs to promote the Filipino culture to mainly Hispanic, Latin American and Caucasian community.

“You wouldn’t believe the amount of Caucasian people eating bagoong!” she exclaimed. With its salty, fishy smell and dark brown hue, bagoong is not always a familiar condiment to those who are used to consuming ketchup and mustard.

While Caucasians and other customers of various ethnicities enjoy the newfound discovery of Mama Meena’s cooking, they are still one of Prego’s reasons for closing the business. “The thing is people would come here one day, and they won’t come back the next.” Prego blames the modest number of loyal customers to the recession that started the very year she opened the restaurant.

During the recession of 2008, the U.S. market experienced a drop in sales and profits that had an impact on chain restaurants and independent restaurants, like Mama Meena’s. As a result, Prego and many restaurant owners began raising menu prices, which then led to a drop of roughly 10% in customers.

Eventually, Prego recovered some of her loss from her first year of starting a restaurant business. “Before I worked here, there really weren’t many customers coming in,” said Marilou Clemente, Prego’s trusted assistant and waitress.

Clemente was a regular customer at Mama Meena’s until she found herself unemployed after her accounting firm laid her off. In 2010, she began working at the restaurant and immediately noticed a change a few years later. “The restaurant was mentioned by Eyewitness News, so all of a sudden more people started coming in!” Clemente said.

2011 was the year Prego finally found a reason to continue cultivating her dream. More people started coming from all parts of the country to the small, cozy single-floor restaurant. “People from Los Angeles or Connecticut would come here because of Yelp,” Prego said, as she arranged the empty chairs.

Eduardo Joquico, a local and loyal customer constantly raves about Prego's cooking to the neighborhood locals.

“I go here for coffee almost every week,” said Eduardo Joquico, a local and loyal customer.

Yelp, the website that collected ratings for all types of businesses in an area, helped garner new faces to the lone Filipino restaurant in Woodhaven. This sudden popularity by word of mouth helped Prego lower the cost for advertising. Merely days before the restaurant’s closing date, the website is still under construction.

Three years after her glory year, Prego found herself exhausted and unsatisfied. “I’d go home every day and I’d be like, ‘I spent so many hours there and this is all I got?’” she said. Prego learned from watching the Food Network that to maintain a restaurant business, one must earn three times the cost of starting it.

She started with a total cost of $150,000; this included buying the lease from a previous Mexican restaurant owner, renovating, buying  new appliances, and like many new restaurant owners, paying the Health Department inspection fines. Prego paid $8,000 to earn the large “A” grade printed and displayed on the restaurant window.

Wilhelma Prego's pride and joy over the years: her dishes and the large grade "A" inspection grade,

Wilhelmina Prego’s pride and joy over the years: her dishes and the large grade “A” inspection grade.

Prego refused to disclose her actual earnings, the money required to keep her restaurant, her dream alive.  She relied on her sixty-year-old husband, John to fix and worry about the business’s financial crisis. John is an engineer who, like his wife, always dreamed of owning a restaurant business. Coming from the Philippines, the expectations were low.

“He owned a restaurant back in the Philippines and it was much easier because we didn’t have to deal with the government,” Prego said, “and oh God, the rent!”

Despite buying the lease from the previous restaurant owner, Prego still faced the challenge of the increasing rent prices for the building. In 2008, the three-floor apartment building that she currently owned a single floor of, had a total market value of $966,000 and a total assessed value of merely $37,013.

Four years later, the market value decreased to $512,000. The cost of renovating the restaurant floor led to an increase in the assessed value, which is at $46,621. These calculations further led Prego to decide that the stress she was enduring was not paying off.

“She came in one day with her arm in massive pain, and she couldn’t move it at all,” Clemento said. She watched her boss experience the physical and emotional pain of being the only chef in the restaurant.

Prego once hired a chef, but due to the rising cost of the rent and her mistrust of the chef’s ability to cook and prepare authentic Filipino cuisine, the chef was fired. In addition to Clemento as the assistant and waitress, there are two workers in charge of frying, grilling and cleaning, a small number when one considers that the average number of employees working in family-operated restaurants in the country is fifteen. It is obvious from Prego’s exhausted smile and burn marks that working as the single chef with three employees nearly twelve hours a day is probably not worth the dream.

Wilhelmina Prego, also known as Mama Meena, preparing for the closing of her restaurant.

Wilhelmina Prego, also known as Mama Meena, preparing for the closing of her restaurant.

After noticing her dream decay in the last five years, Prego is still surprisingly hopeful. Mama Meena is still planning on cooking. This time, in the comforts of her actual home, a few blocks away from the second one she is leaving.

“I watched my employees cry after I told them we’re closing,” Prego said. “Those five years, they were my family and Mama Meena’s was their home, their bread and butter,” she said, as she turned the lights off in the kitchen.

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Apology for Breathing by A. J. Liebling

A.J. Liebling digs deeper into New York’s essence by honoring the modern people of the city. Liebling viewed New York not through its history, but through the quirks that makes it a haven to so many people coming from different areas of the world today. One particular passage that really showcases this is his vivid description of the characters he meet in the city:

“I like to think of all the city microcosms so nicely synchronized through unaware of one another: the worlds of the weight-lifters, yodelers, tugboat captains and sideshow barkers, of the book-dutchers, sparring partners, song pluggers, sporting girls and religious painters, of the dealers in rhesus monkeys and the bishops of churches that they establish themselves under the religious corporations of law.”

The view of the city as a microcosm, as a tiny world full of thriving lives oblivious of each other’s existence is a very familiar thought that Liebling shares with many New Yorkers today. This microcosm of various faces and can be seen during commutes on the train, where people avoid others’ gazes despite being merely inches away from each other. There is a sense of freedom in the city that lets this people be—whether they’re religious painters or song pluggers. It’s a kind of freedom attained from New Yorkers who simply cannot care about anything else beyond what is on their daily agenda. As Liebling mentions, there are New Yorkers who die oblivious of their surroundings and history, and there are New Yorkers who rather ignore what they are aware of. Either way, it’s a paradox that defines New York City as the liveliest and loneliest sanctuary in the world.

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Reverend John Francis of Woodhaven

The warm light coming from antique lamps illuminates the church, as people slowly staparish trickle in through the entrance. Mothers hush their children as the fathers make the sign of the cross. Old men and women with their canes, slowly make their way to empty seats, as others kneel silently in prayer. A young girl with a soft, eloquent voice gets up from the front pew and makes her way up the small stairs to welcome the people to the Sunday Mass at St. Thomas the Apostle Church. Led by two young boys in white gowns, each holding a tall post, Reverend John Francis makes his way down the aisle towards the brightly lit altar. The parishioners stand and look on, as the Reverend, in his green gown and golden staff, slowly marches to the sound of the church organ. Within three minutes, the Reverend reaches the altar to the rising tremor of the organ and in his thick foreign accent, announces the most common words to every faithful Christian, “In the name of the Father, the Son, and the Holy Spirit.”

Sunday mornings of celebrating Mass have been the essence that unites the small neighborhood of Woodhaven. Since 1910, St. Thomas is the only Catholic Church in Woodhaven, Queens. But what was once a community of Italian and Irish Americans is now noticeably more racially diverse. No longer are the Sunday Masses spoken in English; a separate Mass is held in Spanish for the growing Latin American and Hispanic community. Coming from a Pakistani background, Rev. Francis himself is part of the growing diversity in the Woodhaven community. In his fourteen years of serving as a Catholic priest, he has been a member of the St. Thomas Parish for the last five years.

During these years, the Reverend is not only seen serving Masses and shaking hands with parishioners, but he also contributes as a writer to the local paper, The Reporter. With a glance at his name printed below on one of his articles, one wouldn’t think twice about his involvement in the large Catholic community in Woodhaven. However, the distinctive, heavy accent laced through the words of his homily paints a different image.

The resonance of his voice, however, was lost upon meeting him in person in the privacy of his office. Small religious oil paintings of Jesus Christ and the Virgin Mary are hanging behind his wooden desk. He gave a nervous smile, took a deep breath and sat on the black, leather chair. Against the frantic phone calls and the opening and closing of the office door, the Reverend quietly told his story.

“When I was a student, I saw in my hometown many priests, missionaries from different countries,” Rev. Francis said. The Reverend never thought of living in America—let alone, a mainly Caucasian neighborhood—but his mind was always set on sharing his faith with the community. “These senior priests were trying their best to convey their message and I [thought] why can’t I do the same job?” Rev. Francis said. From this point on, he began his journey in becoming a priest through out his high school and college years.

The Reverend’s determination outshines his quiet demeanor. This determination brought him from his hometown in Pakistan to the city of Rome to pursue his career as a Catholic priest. While in Rome, the Reverend received a calling. “They were looking for someone like me, who can speak Pakistani,” Rev. Francis said. It was in Rome that Rev. Francis decided to accept a job as a parochial vicar, a job that consists of speaking not only to the Pakistani community, but to the rest of the thriving community in Woodhaven, Queens, as well.

The Pakistani community makes up less than 10% of the neighborhood’s population, and not all of them are Catholics. The Reverend, however, does not neglect the rest of the congregation despite the racial disparity. “He celebrates Spanish Mass here twice a month,” said Natalie, the St. Thomas Parish secretary and office manager. The Latin American and Hispanic community makes up more than half of Woodhaven’s population at 55.7%. To accommodate this expanding community, Rev. Francis studied the Spanish language and speaks it almost as well as he speaks the English language.

The Reverend’s service goes beyond the church’s walls and into people’s homes. During his years as a parochial vicar, Rev. Francis visited senior citizens’ homes to provide them spiritual direction in the form of the Holy Communion. “He was a very quiet, but he did a great thing for my parents,” Rose Chia said. Rose Chia’s eighty-six-year-old parents are devout Catholics who are unable to attend Mass due to their old age. “He came here and prayed with them even if they haven’t met before,” Rose said.

Despite his guarded personality, Rev. Francis communicated words that inspired many parishioners. “He repeats things over because he wants us to understand,” said Angel, a local catechist and administer of the Holy Communion during Mass. The heavy accent is not a hindrance to Rev. Francis, but a way to earnestly connect to the local people, regardless of their ethnicity or even the language they speak. “Father Francis would take his time to do anything for you […] because he wants you to remember his words,” Angel said.

Religious education and diversity are what drives the Reverend to continue his service in Woodhaven. He longs for pews in the church to be filled during Sunday mornings and for more strangers to shake hands with and remember. He longs to see more faces of different races and ages. “Indians from Ghana, from Bangladesh, and of course, from Pakistan, they come with all these issues,” Rev. Francis said, as he glanced out the office to see the coming parishioners. “I want to really feed them with the word of God because this is our community; we are one Church,” he said.

By Roxanne Torres

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Joe Gould’s Secret

Joe Mitchell’s account of the eccentric man that is Joe Gould is a trip to read. The writer’s writing style is very modern, easygoing and thoroughly detailed. An example of this is evident in his first profile of Joe Gould, Professor Sea Gull:

“Gould is a night wanderer, and he has put down descriptions of dreadful things he has seen on dark New York streets—descriptions, for example, of the herds of big gray rats that come out in the hours before dawn in some neighborhoods of the lower east Side and Harlem and unconcernedly walk the sidewalks”

Mitchell’s long sentence is a journey to Gould’s world, full of details and whimsies that not only describe the man’s environment, but the man’s personality, as well. Despite his long sentences, Mitchell has control. He doesn’t leave the reader astray and lost, but instead, he keeps them interested and immersed.

I wouldn’t refer to Mitchell’s writing as dated, but it is timeless. It is an interesting type of writing that takes both from journalistic and literary style. The journalistic writing comes from his detailed descriptions of Gould’s appearance, history, and the place he resides in. Mitchell’s literary voice comes through the way he lays down these descriptions in a style that almost reads like a novel. Joe Gould almost seems like a character from a fictional story, and a very interesting one at that. The story could be considered as feature writing if it weren’t for the overly specific details that somewhat leads me to question Mitchell’s approach in obtaining them.

Mitchell’s two profiles show Gould in two different lights. In the first profile, Professor Sea Gull, Mitchell describes Gould through the surface, such as his physical appearance, the tone of his voice, his attitude towards others and the details that Mitchell took from Gould as truth. Mitchell is also absent from this first profile. In the second profile, Joe Gould’s Secret, Mitchell digs further down the surface of the eccentric man through his own eyes. For the first time, Mitchell used the word, “I” to refer to his own personal experience of being with Gould. It puts not only Gould’s true personality into perspective, but his relationship to the writer, as well. His second profile, oddly enough, made Joe Gould a real person, as opposed to a legendary character in a fictional story.

The fictional “oral history” that Gould had made up to create his own identity is not a surprise to me. It almost reminds me of Jay Gatsby from The Great Gatsby, with the impressive way he tried to recreate himself through lies. It is heartbreaking on Mitchell’s part to have his trust broken, but it does show clear-cut honesty in his writing.

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Woodhaven Backgrounder

As of 2010, the Woodhaven has a total population of 39,684 according to the Census.  There is a slight increase from the average 2005-2009 total populations of 39,518 residents.

As of 2010, there are a total of 12,149 households. The highest households make up 21.8% (2,684 households). One of these households is made up of one husband, one wife and no children under 18 years of age.

Regarding its population, the neighborhood is made up of mostly the Hispanics and/or Latinos (55.7%), Caucasians (44.7%), and the Asians (16.5%). Other races such as, Blacks and Native Americans only make up less than 10% of the population.

The current demographic had shifted since the 1990s. Woodhaven was predominantly white, making 82.5% of the roughly 29,122 people that lived in the neighborhood. This may have led to racial tension between the white residents and the incoming Hispanic and/or Latino community.

In terms of gender, the population is split quite evenly as of 2010. The male residents make up 49.4% of the population, and the female residents make up 50.6% of the population.

The population is made up of residents in their early and late 40s (roughly 5.2%), late 20s (5.2%), 30s (roughly 4.9%), and children up to 14 years old (roughly 4.3%).

The highest peak of immigrants that came to Woodhaven was in 1993. During this year, 8.6% (538 people) of the population was immigrants.  From then, the immigrant population slowly decreased until 1993, where it rose again to 8.3% (523 people). Again the percentage of immigration decreased until 2001, when it rose back to 8.3%. As of 2002, the immigrant percentage is 7.8% (490 people), which is roughly the same amount.

As of 2003, the total number of business establishments is 408. The total annual payroll is $92,910. The total employment amounts to 2,335. The highest business establishments are held by 1-4 employees. These establishments make up to 74% the total establishments. These business establishments are most likely private owned stores and salons (i.e. 99 Cents/Dollar stores, nail salons, hair salons, etc.).

As of 2003, the highest business sector is retail trade establishments, which makes up 21.4% (87) of the total establishments.

As of 2003, the highest type of dwelling is one-family which makes up 41.9% (2,592) of total land use. Two-family dwelling comes second at 39.4% (2,4,34). The highest number of residential units is 1-4 units (single family), which makes up 99% (5,880) of the total residential units used.

Woodhaven has seen its school enrollment lower throughout the age groups. Comparing census data from 2005-2009 and 2006-2010, the only increases in enrollment in the recent data occur in the 5th-8th grade demographic, and the college demographic. Part of this decrease in enrollment can be attributed to a population trend, as there has been an increase of over 100 10-14 year olds in the recent five-year average, and over 600 more people in the demographic ranges of 18-24.

Another factor to the lower enrollment in primary education in Woodhaven is the lack of adequate schools. In total, there are three public schools, PS 60, PS 97, and the New York City Academy for Discovery, and only one private school, St. Thomas the Apostle.

There is one public library, Queens Public Library located in Forest Parkway. There is one firehouse left in Woodhaven (Engine 293). Last year, Engine 294 had closed despite the neighborhood protests against it. Forest Park is also located in Woodhaven. Forest Park is a popular recreational center made up of roughly 500 acres of land. It was built about 20,000 years ago.

There are currently roughly 126 houses on sale in Woodhaven. The highest priced home is a 5-bedroom, 2.5-bathroom house priced at $999,000. The lowest is priced at $35,000. Of the 126 houses, 6 are in foreclosures.

Regarding community issues, there are plenty in the neighborhood. One is illegal conversion, which consists residents adding extra housing units to a building. This is especially prominent due to the many small businesses cropping up. Another issue is noise pollution. A section of the neighborhood by Jamaica Ave. suffers from the daily comings and goings of the J and Z trains. In addition to that, noises coming from cars and homes are nuisance to the neighborhood, especially to the schools located nearby.

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Amanda Burden

In the article, “Amanda Burden Wants to Remake New York, She Has 19 Months Left,” Julie Satow portrayed Burden’s personality and city developments fairly. It is interesting how Satow describes her posh appearance during a meeting in the introduction:

AMANDA M. BURDEN, in a sheath dress, impossibly thin and with a blond bob reminiscent of the “Mad Men” ’60s, wore a serene smile as she oversaw a recent public hearing in a drab hearing room near City Hall.

The small details immediately paint an unexpected image of Burden as a city planner. It also hints at her past as a socialite and an “it girl,” which Satow briefly touched on. Her past, along with her appearance adds an interesting aspect to Burden’s profile. But it’s an aspect that barely defines the main points of the article.

Satow further describes the developments and the impact that Burden made in the city. It’s quite amusing how Burden use “economic development” for what critics viewed as gentrification. The critics of Burden’s plans brought up issues of the local communities not gaining any benefits from the projects, aside from an increase in tourist attractions. In her defense, Burden claims that her projects are “pro-development” and and a form of “necessary growth.” Her intentions are to improve the city and provide more jobs.

Throughout the article, Satow gives both the negative and positive perceptions of Amanda Burden. It is an image that illustrates Burden’s rise to political leadership and highlights her ambitious plans of improving New York through rezoning. She could have easily made a sensational story out of Burden’s socialite past and somehow use it against her, but Satow chose a more realistic and balanced view nto the city planner’s job.

 

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