In this article, published by Nathan Pugh, Pugh talks about the play ‘A Strange Loop’ and how code switch has influenced the theater world. The musical is written by Michael R. Jackson and it follows a black, queer man who is making an attempt to write a play about a black, queer man. Pugh mentions the “uncomfortable racial dynamics” in the theater world, explaining that some plays have predominantly white audiences, one example being Hamilton. Pugh goes on to explain how ‘A Strange Loop’ is “breaking ground by restaging and subverting popular representations of Blackness.” Following the play itself, Usher, the main character of the story, is having trouble with his thoughts of having to conform his play to best suit the ideals of being black and queer to the point where it is acceptable. This is a form of code switch itself, as Usher is making an attempt to submit to societal expectations.
From a personal view point, I find this very interesting and relatable in a broad manner. I grew up in a predominantly white area and went to predominantly white schools my whole life. As an Asian American, I remember being embarrassed for what I was and making attempts to conform to what society wanted. It was interesting finding out that code switching even takes place in the theater world. This just means that code switching takes place anywhere, even in situations you would never expect.
I never thought about how code switching could take place in theatres in this form. It’s very interesting to read about. I liked that you added personal insight because it makes it more real and shows that it happens all the time.