Tag Archives: Heart

Sadness and Pablo Neruda

When I was reading Pablo Neruda I couldn’t help but feel that he was not a happy man. All three of the poems I read by him tend to have negative and sad feelings. In “Walking Around” he talks about how he is tired of being a man and everything that comes with living. He wants so much to be wild and alive and not be a regular man and maybe he feels he has to do this by being crazy and out of his mind, “It would be beautiful / to go through the streets with a green knife / shouting until I died of cold” (lines 14-16). He further states that he does not want to be a “root in the dark” kind of person, “I do not want to go on being a root in the dark, / hesitating, stretched out, shivering with dreams, / downwards, in the wet tripe of the earth, / soaking it up and thinking, eating everyday”(lines 18-21). These lines show how he doesn’t even want to go on living life regularly, with dreams that wont come to life, and overthinking as regular humans do. He wants to be free and stretched out and not just be a root that stays in one place and is stuck there helplessly till someone rips him out.

I thought his poem “Tonight I Can Write…” was also very interesting. He chooses to write “…the saddest lines”(line 1). He can choose to write about anything he does not need to write about sadness, however he chooses to which I found odd. He mourns a relationship he lost with a woman who simply couldn’t love him as he loved her. He repeats the line, “Tonight I can write the saddest lines”, I think to remind the reader constantly that he is sad and to ensure the reader that this poem is not to be read lightly, that it should give off a sad feeling. When you lose a love it is so hard to explain how you feel to anyone, I think this was his way of trying to explain. He also uses the word “saddest”, not just sad, as though there is absolutely nothing sadder than what he went through when losing his loved one. Perhaps he had to put this all down as a form of therapy to finally let go of this pain. “Though this be the last pain that she makes me suffer / and these the last verses that I write for her” (lines 11-12). He notes that this will be the last time he writes of her, almost like he is giving himself this last moment to remember her and that after this, she will be gone to him forever, both physically and mentally. Not in a bad way but in a healthy way, that he needs to move on from her.

Betrayal in Literature

In both stories, “Punishment” by Rabindranath Tagore and “Separate Ways” by Higuchi Ichiyo, the ending outcome for the main characters was betrayal, or the sense that they had been betrayed. Even if the offence was not intended to hurt them, they still took it to heart.

In “Punishment” by Rabindranath Tagore, Chandara, the wife of Chidam was told to take the blame for a crime that she did not commit, the death of her sister in law, Radah. She received these orders from Chidam, who was only trying to save the real killer, his brother, Dukhiram. As soon as she was told to take the blame by her husband Chandara changed. She immediately disconnected from him and everyone else, as though they showed their true colors and now she had no reason to stay alive anyway. “When her husband asked her to admit to the murder, Chandara stared at him stunned; … Chandara paid no attention—sat like a wooden statue whenever he spoke”(Tagore 896). Even when her husband had formulated a way for her to escape the blame, she did not waiver from the fact that he still cast her aside and was alright with her taking the original blame, so she didn’t even consider his alternate plan, she was persistent in her story because she was ready to die. Even in her final moments when she was asked who she wanted to see before she was hung, she said this,

“I’d like to see my mother” she replied.

“Your husband wants to see you,” said the doctor. “Shall I call him?”

“To hell with him,” said Chandara. (Tagore 899)

As it can clearly be seen, Chandara did not want anything to do with her husband after he betrayed her. No matter what the circumstances were, after the betrayal he was dead to her and she thought of no reason she should continue living.

In “Separate Ways” by Higuchi Ichiyo betrayal is scene in a less dramatic way. Kichizo, a young man who was about 16 years old was growing up with no family and no sense of identity. He was trying to get by working at an umbrella shop, oiling umbrellas. He became very fond of a seamstress named Okyo, who was twenty and like an older sister to him. Because he had no family or friends Okyo was very important to him. It should also be known that there have been people that Kichizo was fond of in the past have also left him and for this reason he believes everything in his life leads to disappointment. Unfortunately, as expected, Okyo received an offer to become a mistress so that she could stop slaving away as a seamstress, and so she naturally took that opportunity. “First Granny dies of palsy. Then Kinu goes and throws herself into the well… Now you’re going off. I’m always disappointed in the end”(Ichiyo 913). When Kichizo heard that Okyo was going to be leaving him he was devastated and felt betrayed that someone who had been like family to him would be leaving him again. It felt all too familiar to him. He didn’t want anything to do with Okyo once he heard her news. He was cold and cruel to her, even when she said that she wouldn’t lose all contact with him he did not care. To him Okyo had already betrayed him and he wanted nothing more to do with her. “He stared at her with tears in his eyes. “Take your hands off me, Okyo”(Ichiyo 913). Kichizo felt betrayed because he was finally close to someone again and they were leaving him as they usually did. He felt the familiarity of this and concluded once again that his life always lead to unhappy conclusions.