Rhythm: This song is in duple meter. The tempo alternates between moderato (Roger Daltry singing), and andante (Keith Moon singing). Melody: Both vocalists sing with a medium-pitch, without much variation, with the exception of the vocal harmonization during the “Bell Boy” section. The majority of song is in major key, because of the upbeat feeling, but goes into minor key during the Keith Moon sections. The melodic structure is broken into two main, repetitive phrases: the first is when Roger Daltry is singing with instrumental accompaniment (see timbre), and the second is when Keith Moon is singing, with less prominent instrumental accompaniment (see timbre). Harmony: The harmony is found in the instrumental accompaniment. Some sections sound dissonant, probably because of the theatric qualities intermixed with classic rock ones, but for the most part, the song remains consonant. Timbre: The musical instruments accompanying the tenor voices are: electric guitar, electric bass guitar, drums and synthesizer. The timbre is specifically: cheery, bright, playful, theatric, and happy. Dynamics: The song is forte (f), or loud, mainly because of the electric instruments, and it is The Who…one of the loudest rock bands in history. Form: The song is in ternary form (ABA’). A = instrumentation, without vocals, B = Roger Daltry vocal section, A’ = Keith Moon vocal section. This pattern repeats itself throughout the entire song. Texture: There is only one main melody occurring with backing instrumentation, therefore the song is monophonic.