Notes from Underground Check-In Part 3: Book Mock Up

We are very pleased to introduce you to our BAB group project, Notes from US, based on the Great Work we are reading throughout this semester, Notes from Underground.

 

 

Book Modeling Runway Show

Front:

Back:

Inner Cover Pages:

Pages:

Our body of work:

 

Detailed Outline

Content Materials
  • Introduction to our book, where you will gather all the information you need as a reader first get around to this decently sophisticated book. It will include intro part about the original book, Notes from Underground, the analysis that dissects Dostoyevsky’s ideology and his attitude towards prevailing philosophical theories in the eighteenth century, the themes lying in our book, and how we are going to expand out.
  • A few, extremely brief poems inspired by the Underground Man
  • Formulas, Drawings of the Underground Man and other scenes contained in the original book
  • Essay-like analyses, which include the nuances of the character’s thoughts that happened in a repetitive pattern, our interpretive conversations within ourselves answering questions like why is this NFU great, what makes NFU a great work. These analyses arrive as a result of the thinking process associated in the above sections.
Formal Details
  • We will hand write every single letter for the first sample of our book, then scan copy and print out pages for the rest of the 9 copies. The handwriting will mimic the style back in the eighteenth century.
  • We will glue the parchment-pattern paper and the oak tag paper together once we finish handwriting on the parchment-pattern paper as a way to make the parchment-pattern paper durable and amplify the old paper texture, which eventually helps elevate readers’ haptic experience during their interaction with our books.
  • We will bind the book by using the linen threads which will make our books come off as fuzzy, messy, and disorganized as if it visualizes the Underground Man’s personalities. The binding method will also create a sense of vintage through which our readers will be transferred back to the European society back in the eighteenth century.
  • Some hand drawings will also be added to our books as part of the content.
  • We will play with the order to make each book has a completely different layout but the same content. We treat each book as an individual and show our respect to each of them. The purpose of doing so is to make it lively and fun! More importantly, we want to show readers the order of content matters because those pick different books will harvest different reading experience. By doing so, we will also create a distinguishing persona for each book thus providing high-quality and phenomenal experience for readers.

 

Important Dates

5/9  Cover Decorations Done for 10 Copies

Finish glueing and making title decorations for each copy. Cut oak tag paper and ancient-looking paper to prepare for the next step.

5/10 Content and Drawing Draft

Mark will give us the black and white drawings he has worked on. Media will give us black paint he obtained from his super and also the draft introduction.

5/10 Meeting with Prof. Curseen for Feedback

If we can find a good time to meet that works for all of us, we can meet the professor for feedback on Wednesday.

5/12 Content and Drawing Finalization

Handwrite the words onto each ancient paper and photocopy these handwritten pages to be used for the other 9 copies.

5/12 Bookbinding

Finish binding all the layers of the book together.

5/17  Show Time!

 

One thought on “Notes from Underground Check-In Part 3: Book Mock Up

  1. These prototypes look great! I’m wondering about your essay like analysis section. Can you say more about how you envision this section? Will you be dropping in sections of your papers randomly? OR will you weave portions of your paper into one new analysis? Or something different? Where will your analysis or content come from? How will it be presented both aesthetically and logically?

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