Monthly Archives: April 2015

Discussion Leader

The shining Genji: it was almost too grand a name. Yet he did not escape criticism for numerous little adventures. It seemed indeed that his indiscretions might give him a name for frivolity, and he did what he could to hide them. But his most secret affairs (such is the malicious work of the gossips) became common talk. If, on the other hand, he were to go through life concerned only for his name and avoid all these interesting and amusing little affairs, then he would be laughed to shame by the likes of the lieutenant of Katano. The Broom Tree: Page 34)

 

 

This passage explains something essential about The Tale of Genji and how people respond to the protagonist and the kind of reputation he is trying to uphold. The name Genji is known by, Hikaru, which means “shining,” is indicative of his unusual qualities. Because of his handsome appearance and uncommon charisma, people are naturally drawn to him and women are strongly attracted to him. His name, while fitting, also causes certain difficulties. “…it was almost too grand a name” suggests someone destined for great things. This puts a certain pressure on Genji to live up to his name. It also leaves him open to criticism when he engages in “numerous little adventures,” referring to his affairs with various women.

 

This passage also reveals that Genji’s many affairs were common knowledge. Even affairs he wants to keep secret are exposed because of “the malicious work of the gossips.” This phrase seems intent on making the reader sympathetic go Genji, as it doesn’t criticize him for his actions but the people who gossip about him. There is also the fact that Genji actually wants to maintain his reputation as a lover in certain circles. He clearly does not want to be seen as a cautious individual “concerned only for his name.” This is made obvious by the quote that if he were to “avoid all these interesting and amusing little affairs, then he would be laughed to shame by the likes of the lieutenant of Katano.”

 

Genji is a complicated character who is trying to accomplish at least two different things, which are in some ways contradictory. On the one hand, he tries to be discrete about some of his affairs as “his indiscretions might give him a name for frivolity, and he did what he could to hide them.” Yet, since he also wants to be respected by reckless men such as the lieutenant of Katano. So, while Genji wants to   have the public image of someone who is noble and “shining,” he also likes to be considered a kind of rogue in certain circles. How he wants to be perceived depends on the company he is keeping at the moment.

 

Since Genji has ambitions to improve his station in life, he wants to be taken seriously. At the same time, he enjoys having fun and pursuing women, and he doesn’t want to ignore this side of his nature. This passage reflects his attempts to find a balance between these two sides of his personality.

 

 

 

 

 

 

 

 

 

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Discussion Leader

“As long as a girl has looks and youth enough, she avoids anything that might soil her name.  Even when composing a letter, she takes her time to choose her words and writes in ink faint enough to leave you bemused and longing for something clear;then, when at last you get near enough to catch her faint voice, she speaks under her breath, says next to nothing, and proves to be an expert at keeping herself hidden away.  Take this for sweetly feminine wiles, and passion will lure you into playing up to her, at which point she turns coy.  This, I think, is the worst flaw a girl can have.” – Chief Equerry, p 24

 

This quote is taken from a dialogue between Genji, the Chief, and To no Chujo.  The conversation is basically the other two parading Genji with stories and personal ideas of how women should be.  The excerpt is an objectification of women in which the Chief is saying the best kind of woman is young, pretty, and soft spoken.  When he says “[she] proves to be an expert at keeping herself hidden away”, he literally means for the woman to be hidden away, as if to keep herself away in shame.  In his last line, he says women’s worst flaw is to seduce men into doing what they want by pretending to be shy.

How would someone of the modern century react to such an individual’s ideas and beliefs?

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Close Reading Passage Options

Options:

The Odyssey:

  1. Book 22, lines 461 – 476 (page 3, Beginning “Now the thoughtful Telemachus began speaking..” ending: “…lopped off his hands and feet, in fury of anger”)
  2. Any section of the bed scene (pages 339-341, Book 22 lines 150- 295 – don’t do the whole thing, choose a portion)
  3. Passage of your choosing from Books 20 – end

The Penelopiad:

  1. Pages 81-82 (Beginning of chapter “Waiting”)
  2. Page 89 beginning “Despite all this busyness…” through page 90 to “he got home again”
  3. Page 139 beginning “The songs claim…” to page 140, “unending sorrow” (in Yelp of Joy)

The Tale of Genji:

-Passage of your choosing

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Discussion Leader

One of the quotes that stood out to me the most is, “Grumbling, she set to work, not suspecting the booby trap I’d placed ready for her. “Soon she found the long scar familiar to her from the many, many times she performed the same servive for Odysseus” (140). It was suprising to find out that Penelope had acually planned Eurycleia to wash Odysseus. She used Eurycleia to find out about Odysseus identity. This quote is also suprising because Penelope has been innocent all along but in this quote she sounds deceiving.

 

Question:

Penelope suspects that Eurycleia chose the twelve girls to die because she wanted to keep her position with Odysseus and the maids were a spy for Penelope.

In your opinion, what is the reason Eurycleia chose the twelve girls to die?

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Discussion leaders

As I read “the Penalopaid”, one thing stood out to me is that Penelope is being sarcastic when she talks about her family in law. “My mother- in- low died, wrinkled up like drying mud and sickened by an excess of waiting, convinced that Odysseus would never return. In her mind this was my fault, not Helen’s; if only I hadn’t carried the baby to the ploughing ground! Old Eurycleia got even older. So did my father- in- low, Laertes. He lost interest in palace life, and went off to the countryside to rummage around on one of his farms, where he could be spotted shambling here and there in grubby clothing and muttering about pear trees. I suspected he was going soft in the head.” (85)

Why do you think she is acting that way?
I think it because she doesn’t have anyone to relay on and she is stressed out doing works she has never asked for.
Also, I think if a wife has to live with her parents- in- low, it always gives her some problems especially her husband is not there to help her.

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The Tale of Genji Background Information

Take a look at this background info. You’ll need it to answer the next discussion question (posted under assignments). It’s a great, interactive and generally non-boring website! You can watch a brief film, explore the map, read background info, etc. My discussion question asks that you relate this background information to any portion of the assigned reading (like I said – more details under ‘course assignments’).

Take a look!

http://www.learner.org/courses/worldlit/the-tale-of-genji/

Genji

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Close Reading Re-Write Policy

Here’s how to go about re-writing your close reading if you want to do so. The deadline is strict and no re-writes will be accepted after it (no exceptions will be made on this) so be sure to get it done by then if you would like. You are under no obligation to re-write!

1. Anyone (no matter what grade you received) can re-write. Grades can only go up (or stay the same) , they won’t go down.

2. You may re-write one or both of the close readings (it’s up to you).

3. In order to re-write you MUST come meet with me at some point BEFORE the submission day. If you do not meet with me then I will not accept your re-write. The meeting can be at any point in your writing process (you may even have the whole re-write completed) just be sure to bring it with you. We will just spend about 10 minutes discussing the comments I gave you, the reason for the grade, the changes you’ve made, etc. It’ll make the re-write better, I promise.

4. If you submitted your paper late you may still re-write however the late paper “penalty” will still apply.

5. Submission Guidelines: Re-writes are due IN CLASS Monday, May 4 in hardcopy form (note: re-writes will not be accepted by email. No exceptions). **You must staple the re-write to the original (this means, if you received comments by email, you need to print out my version with comments).** All these components must be in place for the re-write to be accepted. In other words, if your commented version is not attached then you will not receive credit for your re-write.  

I strongly recommend everyone who is re-writing visit the writing center! If I asked you to do so in your paper comments then I especially urge you to!

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The Penelopiad

When I was reading The Penelopiad something get my attention was the part where Penelope said “They always sang the noblest versions in my presence—the ones in which Odysseus was clever, brave, and resourceful, and battling supernatural monsters, and beloved of goddesses” (pg. 84). This demonstrates that minstrels only took the good parts of the rumors about Odysseus, he was the great guy that save people, and tried to protect them. But in their themes or songs the minstrels never talk about the women   with the ones Odysseus make love, or find pleasure. I felt like Penelope is trying to say so through this quote.

What do you think about Odysseus after reading The Penelopiad? Do you think Penelope is trying to not put attention to Odysseus’ unfaithful act?

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Background info on The Penelopiad

You’re reading an excerpt from Margaret Atwood’s The Penelopiad for the Monday class after break. It is a modern (published in 2005) adaptation of The Odyssey, told from Penelope’s perspective (a voice we don’t hear much of in The Odyssey).

Info on the text (from the link below): in the text, Penelope tells her personal story and also her feelings about her husband and his famous exploits. The maids also get a voice in Atwood’s play — telling of their unfair treatment. Throughout the play, the maids act as the chorus, explaining their situation and “pleading their case.”

Atwood’s style is very different than that of The Odyssey. She chose to call the play a Cabaret because, as she explains, “it isn’t a play in the usual way, nor is it a ‘Musical’ in the usual way.”

More Info here! 

And here’s an interview with Atwood

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