Author Archives: Justin Milano

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Number of Posts: 2
Number of Comments: 3

About Justin Milano

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Preview – Mozart and Shostakovich at Alexander String Quartet (4/25)

Pieces:

  • W.A. Mozart, String Quartet No. 23 in F major, K. 590
  • Dmitri Shostakovich, String Quartet No. 7 in F sharp major, Opus 108

Venue: Engelman Recital Hall, Baruch Preforming Arts Center, Manhattan, NY

Performers: Alexander String Quartet; Zakarias Grafilo, first violin; Fredrick Lifsitz, second violin; Pauly Yarbrough, viola; Sandy Wilson, cello

http://www.youtube.com/watch?feature=player_embedded&v=yJ6tkNcRn4Y

W.A. Mozart’s String Quartet No. 23 in F major, K 590 is one of three quartets that he composed under the commission of Frederick William II of Prussia. It was the last one of the three and was composed in June 1790. “This was a time of bitter care and poverty, which made it a painful effort to work at the quartets, but there is even less trace of effort in them than in the earlier ones (Jahn 16).”

Mozart brings the violoncello to the front since this is the instrument that his patron plays. This forces the viola to take the bass part and sets all of the instruments higher than usual. The first violin also alternates a lot with the violoncello. I will look for this when I listen to this piece live as I believe that this will affect how this will sound. This will make it unusual as compared to other quartets since the viola will take the bass part instead of the cello, and the cello will be emphasized.

Dmitri Shostakovich’s String Quartet No. 7 in F sharp major, Opus 108 was written in 1960. “An interesting point is that both the first and last movements are divided into two halves, duple and triple. Where the first movement’s motif has a falling line, the finale’s rises, but the switch to triple time half way through is the same in both movements. Another factor shared by these outer movements is their fluency of line, taking in its stride the various rhythmic irregularities that are used (Kay 53).” This seems unusual compared to other quartets and I will listen for this at the quartet.

I’m looking forward to the quartet as I heard nothing but great things about The Alexander String Quartet.

Jahn, Otto. Life of Mozart. New York: Cooper Square Publishers, Inc., 1970. Print.

Kay, Norman. Shostakovich. London: Oxford University Press, 1971. Print.

Sister Nancy – “Bam Bam”

http://www.youtube.com/watch?v=Vi_n2G8Ie90&feature=player_embedded

This song has a duple meter with an andante to moderato tempo. There is syncopation used with a quick saxophone note played between beats.

When it comes to the melody and dynamics of this song, Sister Nancy starts at a low pitch with a soft dynamic. She sings at a high pitch at 0:50 with a loud dynamic and then sings the rest of the song at different pitches with a louder dynamic.

The harmony seems to have consonance. The key is minor.

The instruments used in this song sound like a saxophone, a guitar or two, and drums. Sister Nancy voice is also echoed.

The texture is homophonic and the form is ternary. The second statement which starts at 0:50 is contrasting and then repetition brings us back at the third section at 1:04.

Sister Nancy she a one in a three million.

 

 

 



Comments:

"It is a duple meter but the tempo seems presto. I love the trumpet sound in the background. Great choice!"
posted on Feb 23, 2013, on the post SHAKIRA- “Hips Don’t Lie” ft Wyclef Jean

"That's a good song. It has a presto tempo. I'm not sure if there is syncopation since the clapping seems to occur on the 2nd beat and the downbeat and not between beats or on a weak beat. Good song!"
posted on Feb 23, 2013, on the post Lupe Fiasco – “Hip-Hop Saved My Life”

"I love that song. The video used to be one of the most popular videos on MTV in the 90s and reminds my of those days. It sounds homophonic. The tempo sounds andante to andantino. Great choice!"
posted on Feb 23, 2013, on the post Sound Garden- “Black Hole Sun”