Monthly Archives: February 2016

Critical question #3

Through the reading, in early centuries asia countries like China and Japan, their theatric performance was derived from religious pratice for gods like an encient Greek. Why religious performance was important in China and Japan,  and did it have same purpose like ancient greek that hope to maintain the world or other purpose?

Early Indian Theater

In the reading on early Indian theater it explain that theres an emphasis on body movement, vocal expression, inner expressivity,and external aspects. This can be sen in both videos in which the actors really seem to have perfected their craft, and the performance focuses on facial expressions, the costume, and the hand gestures.

The source of this information is provided by the Natyasastra, but what is the basis for the categorization of “movement, gesture, and the internal methods of acting the moods and of being of characters”? How does one create a system in which specific body movement has a specific meaning?

Critical Question #3

After reading this article, i tought the ancient Indian theatre is like the ancient Greek theatre such a form of ritual ceremony to God. When i watch the Balywood movie, there are bunch of music, chorus, sing and dance. It is exactly same structure with Greek theatre, just without adudiences. Is it possible to think the Balywood movie is a kind of classic Greek theatre even though the Balywood movie has a movie form?

blog response #1

although the translation made it harder to read it was a boost of intensity.the story seems to represent a king if you would  say some sort of hierarchy whom power was giving to him/her by a “divine” source unexplained to the people being ruled nor agreed upon. this story seems to be how the people will react and take action against such a force