Remery Camacho, a 20-year-old film student at St. Johns’ University has always had dreams of being a filmmaker. A native of the Bronx, Camacho comes from humble beginnings but has accomplished a lot through hard work and determination.
“I love storytelling; I’ve always loved being told stories and telling them as well,” Camacho says. “Film is just a crazy form of storytelling. All these aspects are working together and they all serve different devices through the storytelling.”
As a film student, Camacho does acknowledge to an extent that one does not need to go to school in order to become a successful filmmaker. “You can learn whatever you want to learn about online or writing; if you want to learn how to write, just keep writing,” he says.
But Camacho also agrees that going to school for film does have its benefits. “Film school is very helpful and necessary if you want to rent equipment and shoot your own stuff.” Studying film has also allowed Camacho to learn more about the camera, lighting and cinematography.
Camacho realized how passionate he was about film through his father. Starting at the age of 10, him and his father would watch films every Saturday night. “He introduced me to movies that I didn’t even know existed, Genres that I would never even bother to enjoy,” he says. “I just thought there was comedy, horror and action. But my dad introduced me to dramas and dark comedies, real stuff about the human condition and very accurate stuff about people and how they act.”
Camacho got to perfect his cinematic skills a bit more when he joined the Ghetto Film School at the age of 17. A non-profit organization in the Bronx, the Ghetto Film School helps young, aspiring filmmakers get a head start in their careers. Camacho was originally put off by the school’s name but later learned that the school actually had immense connections to the film industry. David O. Russell, Spike Jonze and Jason Reitman have all given lectures there.
At the Ghetto Film School is where Camacho directed his first short film, Former Self. “It was a great experience but also very overwhelming to be a 17-year-old and have a camera put in your hands and then being told ‘This is what we expect of you.’”
Camacho made Former Self a family affair by casting his parents and his two best friends in the story about a family man whose criminal past comes back to haunt him. Former Self was inspired by Camacho’s love of crime films directed by the likes of Sidney Lumet and Quentin Tarantino.
Former Self was selected as one of ten films from Camacho’s class to screen at the Walter Reed Theatre at Lincoln Center. The top three short films won a one thousand dollar prize from Google. Camacho’s film was one of them. “I got to get up on stage and give a speech and thank my friends and family. It was such an Oscar moment,” he laughs. “It’s one of my favorite memories ever.”
For the future, Camacho hopes to get an internship as a production assistant on a professional shoot in order to learn in depth the ins and outs of a film set. After college, Camacho plans to write and direct more short films and perhaps have them submitted to film festivals. “I want to make something so good so I can prove myself to others and say ‘Hey, I can make a film, I’m ready. I’ll pitch my idea right now and you’re going to produce it,’ that’s basically where I want to be after college.”
Entries Tagged as 'new york'
“Former Self”: A Bronx kid does good
December 17th, 2014 Written by JUAN RAMIREZ | Comments Off on “Former Self”: A Bronx kid does good
“Former Self”: A Bronx kid does good
December 17th, 2014 Written by JUAN RAMIREZ | Comments Off on “Former Self”: A Bronx kid does good
Remery Camacho, a 20-year-old film student at St. Johns’ University has always had dreams of being a filmmaker. A native of the Bronx, Camacho comes from humble beginnings but has accomplished a lot through hard work and determination.
“I love storytelling; I’ve always loved being told stories and telling them as well,” Camacho says. “Film is just a crazy form of storytelling. All these aspects are working together and they all serve different devices through the storytelling.”
As a film student, Camacho does acknowledge to an extent that one does not need to go to school in order to become a successful filmmaker. “You can learn whatever you want to learn about online or writing; if you want to learn how to write, just keep writing,” he says.
But Camacho also agrees that going to school for film does have its benefits. “Film school is very helpful and necessary if you want to rent equipment and shoot your own stuff.” Studying film has also allowed Camacho to learn more about the camera, lighting and cinematography.
Camacho realized how passionate he was about film through his father. Starting at the age of 10, him and his father would watch films every Saturday night. “He introduced me to movies that I didn’t even know existed, Genres that I would never even bother to enjoy,” he says. “I just thought there was comedy, horror and action. But my dad introduced me to dramas and dark comedies, real stuff about the human condition and very accurate stuff about people and how they act.”
Camacho got to perfect his cinematic skills a bit more when he joined the Ghetto Film School at the age of 17. A non-profit organization in the Bronx, the Ghetto Film School helps young, aspiring filmmakers get a head start in their careers. Camacho was originally put off by the school’s name but later learned that the school actually had immense connections to the film industry. David O. Russell, Spike Jonze and Jason Reitman have all given lectures there.
At the Ghetto Film School is where Camacho directed his first short film, Former Self. “It was a great experience but also very overwhelming to be a 17-year-old and have a camera put in your hands and then being told ‘This is what we expect of you.’”
Camacho made Former Self a family affair by casting his parents and his two best friends in the story about a family man whose criminal past comes back to haunt him. Former Self was inspired by Camacho’s love of crime films directed by the likes of Sidney Lumet and Quentin Tarantino.
Former Self was selected as one of ten films from Camacho’s class to screen at the Walter Reed Theatre at Lincoln Center. The top three short films won a one thousand dollar prize from Google. Camacho’s film was one of them. “I got to get up on stage and give a speech and thank my friends and family. It was such an Oscar moment,” he laughs. “It’s one of my favorite memories ever.”
For the future, Camacho hopes to get an internship as a production assistant on a professional shoot in order to learn in depth the ins and outs of a film set. After college, Camacho plans to write and direct more short films and perhaps have them submitted to film festivals. “I want to make something so good so I can prove myself to others and say ‘Hey, I can make a film, I’m ready. I’ll pitch my idea right now and you’re going to produce it,’ that’s basically where I want to be after college.”
Link Round-up
November 19th, 2014 Written by JUAN RAMIREZ | Comments Off on Link Round-up
–The Oscar-winning director of 12 years a Slave, who began his career as an indie filmmaker, has lined up his next film project. The Film Experience
–Actress Susan Sarandon writes a post on how documentary films are absolutely vital in contributing to social change and activism in general. Indiewire
–Snowpiercer is now available on Netflix. The author explains why the film does a great job showing the systematic class oppression faced by minorities and the poor. Shadow and Act
–Author explains how indie films like Birdman, The Imitation Game and Boyhood are making a big splash on this years Oscar race. Variety
–Interview with indie cinematographer Bradford Young (Pariah, All Them Bodies Saints) on what it’s like to be an African American in a predominantly white profession. Huffington Post
–Film critic Stephen Holden lists his most anticipated films from the DOC NYC Film Festival, which began this past Thursday. The New York Times
Tags: Films · Links · new york
Indie cinema around the web: A link round-up
November 19th, 2014 Written by JUAN RAMIREZ | Comments Off on Indie cinema around the web: A link round-up
–The Oscar-winning director of 12 years a Slave, who began his career as an indie filmmaker, has lined up his next film project. The Film Experience
–Actress Susan Sarandon writes a post on how documentary films are absolutely vital in contributing to social change and activism in general. Indiewire
–Snowpiercer is now available on Netflix. The author explains why the film does a great job showing the systematic class oppression faced by minorities and the poor. Shadow and Act
–Author explains how indie films like Birdman, The Imitation Game and Boyhood are making a big splash on this years Oscar race. Variety
–Interview with indie cinematographer Bradford Young (Pariah, All Them Bodies Saints) on what it’s like to be an African American in a predominantly white profession. Huffington Post
–Film critic Stephen Holden lists his most anticipated films from the DOC NYC Film Festival, which began this past Thursday. The New York Times
Tags: Films · Links · new york
Indie cinema around the web: A link round-up
November 19th, 2014 Written by JUAN RAMIREZ | Comments Off on Indie cinema around the web: A link round-up
–The Oscar-winning director of 12 years a Slave, who began his career as an indie filmmaker, has lined up his next film project. The Film Experience
–Actress Susan Sarandon writes a post on how documentary films are absolutely vital in contributing to social change and activism in general. Indiewire
–Snowpiercer is now available on Netflix. The author explains why the film does a great job showing the systematic class oppression faced by minorities and the poor. Shadow and Act
–Author explains how indie films like Birdman, The Imitation Game and Boyhood are making a big splash on this years Oscar race. Variety
–Interview with indie cinematographer Bradford Young (Pariah, All Them Bodies Saints) on what it’s like to be an African American in a predominantly white profession. Huffington Post
–Film critic Stephen Holden lists his most anticipated films from the DOC NYC Film Festival, which began this past Thursday. The New York Times
Tags: Films · Links · new york
Indie cinema around the web: A link round-up
November 19th, 2014 Written by JUAN RAMIREZ | Comments Off on Indie cinema around the web: A link round-up
–The Oscar-winning director of 12 years a Slave, who began his career as an indie filmmaker, has lined up his next film project. The Film Experience
–Actress Susan Sarandon writes a post on how documentary films are absolutely vital in contributing to social change and activism in general. Indiewire
–Snowpiercer is now available on Netflix. The author explains why the film does a great job showing the systematic class oppression faced by minorities and the poor. Shadow and Act
–Author explains how indie films like Birdman, The Imitation Game and Boyhood are making a big splash on this years Oscar race. Variety
–Interview with indie cinematographer Bradford Young (Pariah, All Them Bodies Saints) on what it’s like to be an African American in a predominantly white profession. Huffington Post
–Film critic Stephen Holden lists his most anticipated films from the DOC NYC Film Festival, which began this past Thursday. The New York Times
Tags: Films · Links · new york
“A Victim, A Target”: One on one with an independent filmmaker
November 12th, 2014 Written by JUAN RAMIREZ | Comments Off on “A Victim, A Target”: One on one with an independent filmmaker
Jonathan Rigler, a film major at Brooklyn College sat down with me to speak about his experience as a film student in New York City, his love of cinema, his short film “A Victim, A Target” and what lies ahead for him as an up and coming independent filmmaker.
“A Victim, A Target”: One on one with an independent filmmaker
November 12th, 2014 Written by JUAN RAMIREZ | Comments Off on “A Victim, A Target”: One on one with an independent filmmaker
Jonathan Rigler, a film major at Brooklyn College sat down with me to speak about his experience as a film student in New York City, his love of cinema, his short film “A Victim, A Target” and what lies ahead for him as an up and coming independent filmmaker.
A Victim, A Target from Jonathan Rigler on Vimeo.