Bodoni is one of my favorite typefaces beside Helvetica. The typeface is more refined with unbracketted serifs, and it has an extreme contrast between thick and thin strokes. The x-height is small and the vertical stress is strong. During the process of drawing my name “Natalie” and tracing the words “the gentle”, I noticed some other characteristics of Bodoni that made it more difficult for me to draw. First of all, the curved parts of lowercase letters “a”, “e”, “h”, “g”, “n”, and “t” as well as of uppercase “G” go slightly over the meanline and baseline. Also, the right side of uppercase “N” extends over the baseline while the top of uppercase “A” overshoots the capline compared to other uppercase letters. Moreover, the strokes of uppercase “T” are slightly angled on the two sides; the head serifs of lowercase letters “h”, “t”, and “l” are a little bit slanted.
I also realized that in order to draw and trace more accurately, especially due to the great contrast between thickness and thinness within each letter, I needed to use well-sharpened 4H pencils. Even when I filled the letters, I had to keep sharpening my pencils so that I could keep the hairlines as thin as the actual Bodoni.
While focusing too much on getting each letter right, I forgot that letterspacing and word spacing are as important. At first, I made some mistakes when I left too much space between “the” and “gentle” for both uppercase and lowercase versions. Also, the word gentle was so crowded that it needed a lit bit more space. I tried to kern letters “T” and “A” so they would look more appealing. If I did not, they would look too awkward together in terms of spacing.
Overall, through this project, I learned more about Bodoni, the basic steps of drawing a typeface, typographic terminology, letterspacing, and word spacing as well. Although my tracing and drawing are not totally accurate, I am glad that I have learned a lot through my mistakes.