The Deadly Choices at Memorial

Shari Fink tells the story of the choices made by the hospital in a balanced fashion. It is clear that Fink does not agree completely with the choices Anna Pou and Dr. Ewing Cook made in deciding who to save and who to let die. She knew that the reader would be disgusted with the circumstances of the situation and the decisions that were made. Fink strategically includes commentary from families who loved ones were declared least likely to survive. She shows the reader the stress the hospital staff is experiencing and the reasoning for their decision making. Fink’s descriptive ability further makes the anxiety and mass death seem like the walking dead without the zombies. Fink is able to win the reader’s heart and ethical mind into thinking how can we better handle disaster situations.

Fink’s bias is fully spelled out in the eighth paragraph. The hyphenated part of the first sentence beginning with that and ending in deserve closer attention shows that Fink does not agree with the legislation Pou is trying to pass. It is made clearer in the second sentence of the paragraph when she says, “health officials are now weighing, with little public discussion and insufficient scientific evidence.” The key word is insufficient because it shows Fink’s disagreement with the ideology. If not why use the word it could have stopped at public discussion. Throughout the rest of the story Fink seems to raise ethical questions along every stop in the story making the reader think in a situation such as this, what is the right decision?

Fink’s story is in chronological order starting in the section “A Shelter from the Storm.” The introduction to the story begins with a descriptive scene of the make shift morgue in Memorial Medical Center. The nutgraf jumps ahead in time to July of 2006 to explain the legal repercussions of decisions made by nurses and doctors at the hospital during hurricane Katrina. At this point, the story follows Anna Pou’s journey on passing legislation in Louisiana. The organization of the story is brilliant for the topic and effective in keeping the reader’s attention.

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Deadly choices at Memorial

Sheri Fink does not reveal a biased story to her readers in “Deadly choice at Memorial”. Fink includes herself in the story based on how she obtained her interviewees but not on how she feels towards each of them. She allows the story to tell itself and for each person she interviews to tell their own story through her. She remains neutral throughout this piece to have a story based of facts which is more valid that a story based in someone’s opinion.

The role that ““The full details of what Pou did, and why, may never be known… arise again.” Is important because it leads way into what the story is about. Thus can be seen as a nut Graf. From this Fink, builds on Pou’s character as an individual being under pressure during an unfortunate disaster.

Fink organizes her story as a timeline narrative way. It’s readable and she focuses on Anna Pou, to be portrayed as a character in a novel. This helps to contribute to a much more interesting story. It is very detailed and helps give the reader a sense of what order the disaster occurred.

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‘The Deadly Choices at Memorial’

The investigation of allegations against Dr. Anna Pou of deliberately and lethally injecting patients in the aftermath of Hurricane Katrina is one of enormous significance. In her piece, Sheri Fink explores through over a dozen sources and two years, the reasons the events tragically unfolded at Memorial Hospital, with 45 corpses being carried out by workers afterwards. Despite the gravity of such an occurrence, and seemingly undeniable firsthand testimonies against Pou, Sheri Fink remains a decisively neutral journalist. It seems evident that in this incredibly sensitive topic, Fink wished to avoid taking a side in the story at all costs.

In the eighth paragraph, Fink displays the nutgraf of her article, whereby she implores that whether or not Anna Pou was guilty or not takes a back seat to the potential consequences that may arise from the turnout of events. These are the questionable decision to leave the most ill patients as the last to be evacuated, and the notion that “Medical workers should be virtually immune from prosecution for good-faith work during devastating events…” Both questions, according to Fink, “deserve closer attention”, and seem to be the main point of her article.

Throughout the piece, Sheri Fink remains as neutral as possible. It would be easy for Fink to barrage Dr. Pou with allegations and testimonies, yet she adeptly juxtaposed each negative aspect with another positive, explaining Pou’s position and painting her as a sweet, respected, and capable woman placed into an unbearable and inescapable situation.

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Deadly Choices at Memorial

In her article about Anna Pou’s decisions at Memorial Hospital, Sheri Fink takes the side of Ms. Pou in the sense that she is portrayed as a woman that ultimately made unfortunate decisions due to her extreme circumstances. She is detailed in the sense that she was trying to do her job to the best of her ability, and adamantly stands by her decisions. The introduction for the feature establishes the perspective on Ms. Pou to demonstrate her as one of many doctors faced with difficult decisions, and thus attempts to humanize her actions when they seem most inhumane.

The paragraph about Pou’s decisions and their impact on the medical world is important due to the fact that it establishes the event as a pivotal moment, with a lasting impact on the way others may prepare for disasters in the future. The paragraph fits into the rest of the story as a reminder to make a mental note of the weight of her actions, and how they are continuously brought up throughout the progression of the feature. This brings in a perspective of the consequences and events that followed the actions made in the midst of Hurricane Katrina.

Fink organizes her story with an introduction explaining who Ms. Pou is and the background of the decisions she had to make, and then goes into a deeply detailed retelling of the events that unfolded within the hospital, from the perspective of the people that worked there. The feature wraps up with a jump forward to Pou’s trial, bringing the story to a close with her quote on the decisions made during a natural disaster.

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A Powerful Yet Tragic Story ‘The Deadly Choices at Memorial’

Sheri Fink does take the side of an investigative journalist in her story chronicling the decision made by Anna Pou and other doctors at Memorial Medical Center in New Orleans to categorize intensive care patients as those with “terminal and irreversible conditions” who are not worth saving in times of disasters.

By reflecting how “stunned” morgue workers were at the number of dead bodies they received from the hospital and by mentioning her role as a journalist, interviewing Ms. Pou at length though she declined to comment on any patient deaths, Fink proves her credibility as a reporter and writer.

Fink implies that the eventual death of intensive care patients was wrong, but maintains her status as an objective journalist by including that although the Life Care staff members asked on Tuesday for their 52 patients be added to the transport plans, Tenet Healthcare, the hospital’s main healthcare provider, said that Life Care staff members turned down several opportunities to receive evacuation assistance the same day.

What is important to Fink’s storytelling technique is her ability to create Anna Pou as a character in a novel. She does not go into the personal details of Anna, simply that she has a tiny build, is passionate, and likes to wear pearls. But yet despite her calm demeanor, she was able to make such an important decision that cost numerous lives. “The full details of what Pou did, and why, may never be known,” Fink wrote. This statement lends itself to a more insightful portrayal of Ms. Pou as an individual.

Fink organizes her story from the most current news of Ms. Pou trying to save herself from three suits through advocacy of her decision, to the lack of public awareness of her idea on what doctors should due in the sake of “disaster preparedness,” then to leading up to the days handled by tiers of medical workers left with the aftermath of a bad decision, and finally to the inevitable deaths of so many intensive care patients, and the angry relatives they left behind in confusion.

 

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Gish Jen Profile

A small Chinese woman took the stage on the sixth floor of the Baruch College library building after several faculty members introduced themselves and the college’s Harman Writer-In-Residence Program. The woman had thick shoulder-length black hair and a face so alive, so animated, without a spot of makeup.

Author Gish Jen was so enlivened and so charmingly awake for her conversation at the Harman Writer-In-Residence semi-annual event this Tuesday night. Once a semester, the designated Harman Writer-In-Resident is featured at a conversational event, the public is invited, and the writer can choose to speak about their work, their life, and then answer questions from the audience. Gish Jen chose to feature a slideshow during a talk about her latest novel (and first non-fiction novel) called Tiger Writing about the rich and winding history of her family in China.

As I have not had her as a professor but had read excerpts of her writing both fiction and non-fiction, I wasn’t sure what kind of speaker she was going to be. She absolutely blew me away. To a student’s question she was asked about the Chinese culture and what it had been like when she visited, Jen replied with gumption, including, “We don’t need anymore misinformation in this world, honestly.”

A theme that seemed to develop in some of her replies during the Q and A portion of the evening was that of a literature-less childhood. It was the story of a poor Chinese immigrant family who couldn’t afford books for the children. Of her childhood, Jen said, “I grew up in New York! I knew more Yiddish than I did Chinese!”

We learned that Jen dropped out of Stanford’s business school and pursued creative writing at the prestigious Iowa Writing Workshop at the University of Iowa.

Jen’s demeanor was proud, but not too proud, laughing so humbly and warmly that it felt as if we were all out to dinner with her, and we were all her guests. Dressed in a dark velvet blouse that draped over her arms, Jen’s graceful motions and course of speaking were without flaw. She reminded me of a woman wading through water and silk with her hands, the rest of us in the room simply gasping for air around her figure.

Gish Jen spoke about her writing process, which she essentially described as haphazard and without order. She described a beautiful ideal situation for her writing to flourish: in a cabin in Vermont, alone, not to leave for hours at a time, or until her writing for the day is done.

As people began trickling out during the Q and A session, Jen remained patient and answered thoughtfully to the queries asked. To each question, she began her reply with, “Very good question,” with such sincerity that nobody seemed to notice the repetition.

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Fink Chooses Sides But Acknowledges Issues

Sheri Fink’s “The Deadly Choices at Memorial” depicts the fallout from Hurricane Katrina at Memorial Medical Center in Uptown New Orleans. Due to isolation, limited resources, and insufficient preparation for disaster on the government’s part, the hospital was forced to triage their patients, sorting them according to their medical conditions. The healthiest patients were given priority evacuation status, while the sickest patients were left at the bottom of the list. Fink’s narrative of the events during this catastrophe, explained in chronological order, sometimes abandoning chronology for topical arrangement, illustrate what may have led to some patients allegedly being euthanized by nurses and doctors. The piece focuses on Dr. Ann Pou’s involvement in the alleged acts, her indictment, and the discussion about triage medicine.

Though a very fair, well reported article, readers can determine Fink opposes Dr. Pou’s actions. Before exploring Dr. Pou’s involvement at Memorial Medical Center after Hurricane Katrina, Fink quotes Dr. Ewing Cook, who explained why he “hastened the demise” of a patient. “I gave her medicine so I could get rid of her faster… get the nurses off the floor.” Dr. Cook acknowledges consulting with Dr. Pou regarding prescriptions that would “hasten” the death of patients. Placing this, rather blunt, explanation of the situation before Dr. Pou’s side of the story (though much is expressed through her lawyers), makes the doctor’s actions look questionable. Not to mention, Fink spends a lot of time (deservedly) reporting why Emmett Everett, a nearly four hundred pound quadriplegic, “was given something for his dizziness” by Dr. Pou and ended up passing away shortly after.

Still, Fink doesn’t depict the doctor as an evil mastermind, but as a medical professional struggling under extreme conditions and little rest to provide care to patients and evacuate a hospital. At one point, Fink illustrates Dr. Pou sitting on a bench, exhausted with “less than an hour’s sleep.”

Most importantly, Fink acknowledges that it will never be known what Dr. Pou actually did or why, and that the arguments the doctor makes regarding emergency situation (triage) protocol are worth looking at. Fink writes, “This is particularly important as health officials are now weighing, with little public discussion and insufficient scientific evidence, protocols for making the kind of agonizing decisions that will, no doubt, arise again.”

All things considered, Fink sympathizes with Dr. Pou’s predicament but believes the doctor went too far. But the writer can only report the information, much of which as Fink indicates, we will never know. Her beliefs are merely speculatory, and she does a good job masking them.

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Blog Assignment for “The Deadly Choices at Memorial” by Sheri Fink

Before you answer these questions, please click on the ProPublica link (on the syllabus) and read the entire STORY. There are five parts, with extensive public commentary. I only distributed Part 1.

After you read, this material, please upload a post, answering the following questions:

1. Does the reporter, Sheri Fink, take sides in the story and, if so, where and how? If not, how does she avoid doing so?

2. What is the importance of the paragraph that begins with the sentence: “The full details of what Pou did, and why, may never be known.  (Paragraph ends with words, “arise again.” This is an important para. What role does it play in the story?

3. How does Fink organize her story?

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