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Category Archives: Music
Singer/ songwriter Brooke Campbell Shares Her Talent at the 92nd Street Y
There she was- with her black hair in a ponytail wearing a black shirt covered by a white sweater and blackish-gray denim jeans. Her wardrobe was accessorized by her brown six-string guitar.
As folk singer/songwriter Brooke Campbell readied herself for her performance at the 92nd Street Y Tribeca she walked on and off the black mini stage, which should rightly be described as a small square in the corner where naughty children would be placed for time-outs, placing candles on a table to add to the ambiance and illuminate the small stage.
Campbell is originally from North Carolina and although her primary residence now is Nashville Tennessee she is residing in New York until this summer.
Campbell, although she would sing songs such as harmonies, Christmas songs and songs from the fifties with her mom in the car growing up, did not really commit to becoming a musician until she attended college. As for picking up a guitar she did not do so until she was 21. Campbell, in an interview for the website thehighcalling.org, said that she began taking her talent seriously the same time she began to for a relationship with God.
When it comes to writing and sharing her music she feels, as she told the website, that it is “a great responsibility to tell the truth before God.”
As she walked on the stage again to do her mic-check, and fiddle with her strings to make sure they were properly tuned, just a couple of inches from her stood a four foot stool, the color of dirty grey, which had a coffee and a glass of wine placed on top of it. As she finished preparing she would take sips of each one.
The couple of people who were there prior to her showcase where busy talking either on their phones or to each other to notice that the singer/songwriter was there.
As she began her set at 8:15 PM, 15 minutes prior to starting time, she announced to the small group and those who were still getting themselves seated, with a smile on her face, who she was and that she would play for them for a while.
As soon as she began to sing it felt as if you were transported into the early to mid 90’s. Closing your eyes you would’ve believed that it was singer/ songwriter Jewel up there; both having a soft melodic folksy sound to their voice. The kind of sound that is appropriate for a coffee house style venue. The sort of music that when song the amount of people in the crowd becomes irrelevant because no matter who you happen to be that song, no matter how long it is, is about you and is being song for you. The type of music that causes you to connect with a complete stranger.
The title track from her album Sugar Spoon is a 3 minute 5 second version of ‘Alice in Wonderland’. In the upbeat folk track Campbell sings about locking herself “inside the house and melting down the key turned it to a sugar spoon to talk to my coffee.” Later in her lyrics she mentions climbing into a bottle and going down a rabbit hole.
A connection to Jewel can also be made there. In her 1995 album ‘Pieces of You’ in her song ‘You Were Meant for Me’ Jewel sings about breaking the yolks to make a smiley face and consoling a cup of coffee that didn’t want to talk. The huge difference in both tracks in both tracks was the topic; whereas Campbell’s song was upbeat Jewel’s concentrated on a breakup.
Unlike the album’s title track where Campbell’s lyrics suggest that she welcomes the confusion, ‘Why?’ is a song that speaks about the confusion brought on when it comes to love and her emotions surrounding it.:“I slam doors close and even I don’t know why love scares me so.”
Listening carefully it becomes apparent that Campbell makes a transition from feeling love in her relationship to feeling ignored. Some of the most poignant of the lyrics were: “I am full of bullet holes through my back and through my soul as I bring you your beer/ You don’t even know my name you look pass me to the game.”
As she kept playing her songs, every once and a while stopping to adjust her guitar to the tune appropriate to the next track or remove her sweater, she would tap her foot to keep along with the beat. She was wearing black shoes that seemed to have a weaved overlapping zigzag design to them.
Every once and a while the people would clap and she would respond with a “thank you” and a smile to the small gathering. Over the course of the performance there were people still coming in to sit down, and even though it was not a pack house she appreciated those who were there.
Kari Pulizzano, who did not attend the showcase but did listen to Campbell’s tracks feels that although she has “the upmost respect for self-made musicians” in her view Campbell was “an average chick with an acoustic guitar, singing little bits of her life to strangers in a small bar with a brick backdrop.”
Pulizzano did say that Campbell “appears to have a great passion for what she’s doing” and that she would not mind hearing her on a weeknight out having drinks and dinner, but that Campbell’s voice seemed “strained and nasally” and that her guitar playing was average and that she, Pulizzano, wouldn’t go out of her way to catch the singer/ songwriter’s set.
She also preformed covers in her set. One of them was for her brother who, she informed the crowd, had just returned from a tour in the army. The song had no title but she explained that it was found in a church a long time ago and was written about soldiers who died in war.
Another cover was Patty Griffin’s song “Long Ride Home.”
Brooke Campbell-Long Ride Home
When she finished her set she walked up to the people sitting in the front tables (those who seemed to be really paying attention to her) and said “thank you for coming” and smiled.
Brooke Campbell’s album ‘Sugar Spoon’ can be found on iTunes.
Posted in music reviews
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Music Converting On Screen
Movies aren’t all about horror, fiction, action, or romance anymore, these days documentaries are starting to become a new hit. Artists have taken over the movie theatres, not only with their songs but also by appearing on screen and giving us a glimpse of their musical journey.
I have cousins that are big fans of Justin Bieber, and although I don’t see what the big hype about him is, I was forced to take them to see his first movie, Justin Bieber: Never Say Never. I rolled my eyes when I walked in and anticipated the dreadful 105 minutes that I had to go through. Surprisingly, I didn’t find it as horrifying sitting through it as I did for the Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour movie.
I came out appreciating the artists for taking us into a part of their world. It provided a version of what it is like shadowing them through the camera lens as well as getting to know the artist’s unseen private life.
Some artists try to kill two birds with one stone by allowing the making of the documentary to help bring up revenues as well as letting their fans get the satisfying end of getting up close to them. I find it smart and a bit too easy.
I can’t say that I love these documentaries as a movie but I do appreciate the effort especially Michael Jackson’s This Is It. But documentaries like the Jonas Brothers: The 3D Concert Experience movie was just getting too much for my taste.
Posted in Music, Music Rant/ love song
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Turn That Noise Down!
Within the haziness that hovered over a crowd that filled the capacity of Webster Hall’s Grand Ballroom, electronic musician Boys Noize was performing, which should not be noised about.
Using Twitter as a reference, Boys Noize has no less than 75,000 fans and has accumulated his following since merging on the scene in 2005 with his launch of BNR, BoysNoize Records, which allowed him to release his music the way he wanted it.
In front of Webster Hall, there was a sizable group of loyal electro fans standing outside in the misty rain by 10 p.m., when the doors were scheduled to open. It was the night of Good Friday, but the German native Boys Noize, real name Alex Ridha, would not hit the stage till early Saturday. Still, the long wait was not to build anticipation since he tweeted that his performance would begin at 2 a.m. ahead of time.
This was not a regular concert, for, every Friday at Webster Hall, the popular Girls & Boys Electro Party is thrown; Boys Noize was just headlining. There were festivities going on in The Studio, which was more enjoyable than Ridha’s show in the Grand Ballroom. Though the music played by The Studio’s disc jockey was outdated hip-hop songs for the most part, it was actual music with lyrics.
After partying at The Studio, Boy Noize’s performance became less painful to one’s eardrums and more bearable to one’s upbeat mood. If not for The Studio, one would be burdened to listen to the Boys Noize’s annoying noises that echo the sound of one’s doorbell being rung at a supersonic frequency at one end and a neighbor pounding one’s thin wall at the other. Even so, some managed to enjoy it, including MTV’s reputable Sway who was there and tweeted to Ridha, “Man I had a great time! Lmk know when ur back in NY!”
Aside from Sway, the timing appeared inopportune for Ridha’s performance in New York. The show was the 22nd of April, and Brooklyn rapper Fabolous released The Soul Tape April 21st. The record is brimful of peerless lyrics rapped over nothing but soulful instrumentals. The following day, Boys Noize performed his overbearing electronic sounds that are meant to compliment his toneless bass, and, after listening to The Soul Tape the day before and on the way to the show, Ridha was prejudged as disappointing.
One agreeable thing about Boys Noize is that the alias gives the indication that he produces noise rather than music, which is rational and beneficial. The benefit was for that particular Friday audience. Since it is noise and not music, they did not have to dance, which they could not. Their best moves included: moving their heads, in haste, in one direction with their lower body moving in the opposite direction, jumping jacks, and fist pumping. All the same, they had fun.
Within the electro fan base, Boys Noize is someone to noise about, yet people have voiced outlandish opinions before.
Posted in Music, music reviews
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We had a time, at 92Y Tribeca
Shops, outdoor dining, cigarette smoke and pavement were all the sights which made a constant appearance during the destination trip. Late evening was swiftly approaching as Alex and I traveled to the cafe event at 92Y Tribeca. I was filled with regret after my earlier mishap of forgetting to print out visual aids to pair with my poor hop stop directions. Surprisingly, it was not the subway that failed us this time around; however our trip to the establishment was prolonged by the neglect and narrow-minded walking instructions given to us by several supposed NY natives. Alex dressed to impress in a fierce blazer and dazzling accessories kept us at bay as we walked despite the evident time bearing its mocking face as we continued without progress in reaching the location on 200 W Hudson Street.
Sometime within 8:40p.m. -8:55p.m., we had finally arrived at the coveted venue for an evening of sophistication and entertainment. At first glance, the wide building held no glamour or welcome sign fit for a social event, but once inside, an intimate setting was in play for a live audience set. The café was furnished with window seating, medium-sized communal tables and countertop refreshments matching the usual coffee- house standard menu. With the exception of a kosher-coated menu that included bagels, oatmeal cookies, house-made pan pizza, flat-bread hummus sandwiches and the usual brewed pot of coffee & tea. Tonight was one of many scheduled live musical performances hosted in the center’s cafe, known as the Live at Cafe 92Y Tribeca.

Singer and Songwriter Brooke Campbell
Independent singer Brooke Campbell was the chosen, spirited artist who stood center stage appearing at ease playing her guitar and songs for the audience. At times, she would begin a song with her eyes closed, voice put into drive and lyrics ringing out at will. With each song, she held her guitar closely while strumming the chords with an old- fashioned pick. Despite the small crowd, Brooke was an excellent singer, during the performance her voice never waivers but was consistently soft, and strong. Throughout the night, she proceeded to cater to the audience by singing the heartbroken tunes of her original written songs as well as a few cover songs by beloved country artists.
However, I overly enjoyed her original songs because they appeared to be inspired by her own experiences of love, loss and happiness. Overall, her songs were sweet and simple which reminded me of the work of one of my favorite artist Norah Jones. After she finished her final set of the night, Brooke came over to our table and greeted us. I found her to be so down-to earth, and a nice country girl next door. We both happen to have family in South Carolina and personally it gave way to a pleasant feeling that life and music is one big party, and it’s pretty great to be invited.
Posted in Music, music reviews
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The Artist and the Listener: An Unspoken Connection
I love music. I have loved music since I was a zygote. I listen to at least one song everyday and I’m not exaggerating! The choice of songs I listen to has in large part to do with the way I might be feeling for the day. One day I might listen to one song repeatedly another day I might listen to a mixture of artists. Take note that I wrote artist, not singer.
The Merriam-Webster Online Dictionary defines a singer as someone who sings which is defined as a person who produces “musical tones by means of the voice.” That same dictionary defines an artist as “one skilled or versed in learned arts.”
I see an artist as someone who sits with their thoughts and then links them together like a chain that is made heavy not by metal, but by the emotions and time spent crafting it together. Each lyric acts as one link in the making of the chain. When the chain is complete the writer has gotten used to its weight and although it might still be somewhat heavy the person can carry it, and they carry it with pride.
Singer/songwriters Jewel, Sara Barilles, and The Script (Danny O’Donoghue, Mark Sheehan, and Glen Power) are several people who come to mind.
Barilles, when it came to writing new songs for her album Kaleidoscope Heart, said on her website it felt “like pulling teeth to write them.”
While writing for their self-titled debut album Sheehan’s mother became terminally ill. This had a tremendous affect on the band’s writing: “That was pulling on my heart strings in a big way. Lyrically it was pouring out of me” said band member O’Donoghue whose father also passed away during the album’s creation. “But then amidst all this travesty and disaster, these songs have risen out of it. That was the time when it finally came home to me how important music was to me, cos in my darkest moments that’s what got me through.”
What O’Donoghue and Barilles said on their websites proves my point. Every word, lyric and chorus that the artist writes is an outward expression of an inner emotion. Time after time when pen hits paper or finger hits keyboard that person is acting as their own therapist.
Every time someone decides to listen to a music track they are giving themselves permission to feel something and they assume the risk that the emotion they feel may not always be positive.
I have an unspoken deal with the artists I listen to. Since they have put a lot of themselves in to their music they have earn some privilege to co-exist with my emotions. If I don’t want to share my emotions with them, be it happiness, sadness or anger, I simply change the track.
Every time I listen to a singer who didn’t write their own lyrics I am not connecting with them I am connecting with the songwriter.
Songs are called tracks for a reason. Songs are placed in order on an album because the artist wants to create a journey for their listeners. Tracks are laid down so that a train may ride on them. As a listener you are a passenger on that train and you can decide to take the entire journey are only make a couple of stops.
In today’s music industry anyone can be a singer, but not everyone is an artist.
Posted in Music Rant/ love song
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A Separation of Fashion and Music, Please?
It started off innocently enough.
First, there were baby tees — you know, the kinds with Beatles song lyrics imprinted on the front next to photographs of Abbey Road or of John Lennon’s somber stare. Then, the revolution started — t-shirt makers (and hoodie, sweatpant, and bag) makers across the world cashed in on making merchandise with popular bands as a selling tool. The Strokes, the Smiths…heck, I can get Lady Gaga’s (hopefully, sans the prosthetic horns) on an otherwise plain shirt from Zara for under $25 bucks.

Okay, so it's KIND OF cute.
Don’t get me wrong, I always thought fashion and music worked off one another for inspiration (anyone remember that scene from Clueless where Cher got dressed to David Bowie’s Fashion? No? Well, I do!) but when does music become fashion and fashion become music? When the two combine, it’s hard to make the distinction, yet there should be some sort of line…right?
Case in point: one of my dearest friends, who I shall call Jelly Bean for the sake of her identity, and I decided to go shopping. While on our quest to find a pair of espadrilles that didn’t look like grandma shoes, we somehow ended up in Hot Topic (purely for the laugh factor, I assure you). While browsing the dimly-lit and somewhat dingy store (if you’ve been to the one in Staten Island Mall, you know what I’m talking about), I heard an over-excited shriek that sounded far too inhuman to be emitting itself from an all-too-human body. I immediately flounced over to examine the cause for such alarm to myself, and then she held up a shirt that, frankly, I don’t have the words to describe accurately: black, save for the neon imprint of a face that looked like a cross between a kitty and an alien, with the words “KE$HA” in metallic blue scrawled over the cat/alien/person’s eyes. The shirt itself was shapeless and made of a thick fabric.
In all meanings of the word, it was hideous.
“So, do you like it? Isn’t it awesome?” Jelly Bean exclaimed, holding the shirt up proudly.
“Um, do you even like Ke$ha?” I refrained from stating the obvious — that I’d rather wear a plastic bag than get near that thing.
“No, but I like the shirt! What does it matter if I listen to her or not?” was J.B.’s ever-so sensible reply.
Let’s assume that the shirt was, indeed, not horrendous-looking. Was it right, though, that Jelly Bean wanted to buy a so-called “band shirt” (the cashier at Hot Topic’s words, not mine) of a band that she doesn’t even listen to? Doesn’t that destroy the whole point, then, to walk around like a walking billboard? Hypothetically, if you don’t make the distinction between “good” music and “bad” music, it still shouldn’t matter — band shirts are only meant to be worn by fans of the band, not by someone that randomly decided that they like the shirt. False advertising, people.
For the record, Jelly Bean didn’t buy the shirt. The $20.50 price tag for essentially a printed Hanes undershirt deterred her.
Thank God.
Posted in Music Rant/ love song
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Too Many Labels Can Cause Clutter
Genres, in today’s music world, there are over a hundred different ways to categorize music. How some music listeners may label one form of music, others would label those forms differently.
Why can’t there just be basic universal genres such as rock, alternative, metal, hip-hop, R&B and Jazz for some. But no, there’s death metal, hardcore, gothic, alternative metal and the list goes on.
Some may wonder, why waste the time to debate the music classifications when all that needs to be done is to change the genre to your liking on computer. However, this is a nuisance in itself. We find ourselves driven at times, compelled by unique and catchy sounds of beats and heart felt lyrics to purchase songs on the spot, such as in the itunes app.
But after the well deserved download, so that inspiring music can be replayed to its maximum enjoyment, often we discover the annoyance. If you’re not looking for the song in the purchase list, you’re attempting to run a vigorous and irritating search through you 30,000 song filled 120GB MP3 device.
When the song is finally discovered, it is realized the melody you had become love stricken with was well hidden somewhere in the punk genre that’s just been added to your device without you even knowing about it. What nerve to have your own personal MP3 device, that you have taken great pride and care to order, be modified just to correspond with the genre as labeled by someone else. I mean how rude.
What defines the certain music to be labeled with such complexity? Who gave those people the right to dictate how we perceive the intricate sounds and moving words in a given song. Personally felt, why can’t the decision of labels be left to the individuals. Many music artists throughout the years formulated their unique sounds and words with the intent to separate themselves from the society and the masses. Therefore, why put a label on yourself and your music, why can’t it be the individual listener’s brand just as it belongs to the artist.
Perhaps there a bunch of policies and rules to go along with some secret chamber of music listeners who sit around and justify how music is labeled and why. If there is such a chamber, I would question how this confusion is resolved? What is looked at in songs to determine whether a song is rock, metal, alternative, gothic, etc?
Whatever the case maybe, too many genres makes for a big headache and unnecessary time scanning for a song, when you could be reaching ecstasy with the uplifting ear orgasms of a fine song.
So You’re In A Band Too?
The first couple of times it sounded charming. “I am in a band,” “I play guitar,” “I am a musician.” But then I grew older, reality hit me, and today hearing these lines makes me amused, at the most. “Oh, really? Is there anything else to know about you?”
I cannot deny that I may be a bitter ex. girlfriend of a musician or two, but the story that follows is based on purely true events.
“I am in a band.” Oh yes, I’m sure these words still works to pick up girls with, or to be straight – I know it from experience. It is not too long ago when I was a naive teenager, and whoever mentioned “in a band” could probably catch my heart at that instant moment. But I have lived and learned and today I know, that a musician does not always equal a good date.
I love music, I mean, who doesn’t? But I do believe that music is to be enjoyed on a non-personal level, as a listener or spectator. Musicians can be charming, yes, and who has not dreamed about walking to a show saying “”I am with the band.” But just think about it, really. How many of those sitting down next to you at a coffee shop, taking of their sunglasses and proudly announcing “I am a musician,” does much more than play guitar in their friends basement, or write songs they never finish? Yes, exactly – not many. And the rare ones who really does live for their music, well, they live for their music. You got it – the music, not you or anything else. As my friend, himself a struggling musician, once told me: “Never date a musician.” I laughed, ignored it, and got charmed. But that was once, or twice. Now, I need more than a cheesy love song.
Today, when approached by that unfamiliar young man, I am the one taking of my sunglasses, smiling and asking: “So, are you a musician too?” Suddenly, not many wants to brag about their musical talents, but looks a little lost, thinks for a while, and says: “Well, I am an artist!”
Here we go again…
Posted in Music Rant/ love song
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Turn Those Volumes Down!
Even great music can become noise.
Do you ever have those times when you feel like wringing someone’s neck out of pure annoyance? Well, believe it or not, despite my usually calm temperament, I’ve had those feelings plenty.
Whenever I’m on the 7 train going back home, I’m usually exhausted– tired from a long, stressful day at school. Sometimes, because of headaches, I don’t like listening to my ipod, not even when I could drown out the sounds of the train with my favorite bands and musicians (ie. Bright Eyes, City and Colour, Death Cab for Cutie, Laura Marling, Aloe Blacc, and Local Natives).
So imagine what thoughts are running through my head when I hear music blasting out of headphones. Now, don’t get me wrong, I love good music, I respect other people’s preferences in music, but in public spaces, when everyone is tired and getting home from school or work, the blaring sounds of music traveling BEYOND the listener’s headphone is just plain rude and inexcusable.
It might just be that the person doesn’t quite realize that his or her music is on so high, so sometimes, when I try to be more forgiving and rational, I do tap them on the shoulder and I ask them politely, “Would you mind lowering your music?” They usually comply, so just like that, the volume is lowered, and I can enjoy a more restful ride on the train.
But most times, I don’t say anything. You might ask me why I do this– why I choose to walk away so that my mood doesn’t become more foul– when I could just tap them on the shoulder and get it over with. My reason is simple. It’s common courtesy to check if your music is blasting out of your headphones, because I’m certain that you (and your beat up ears) can tell when the volume is way up there or higher than usual.
We have more than enough noise pollution in the world. Need we add more?
Posted in Music Rant/ love song
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Rising from the underground but staying true to the people that sent you there.
A few weeks ago, on a brisk Monday evening, young adults–anywhere from the ages of 16 to 25– gathered up in the small clothing store Prohibit NYC. It got so crowded to the point where I had to stand on a chair, which would end up being abnormally convenient. After about an hour and a half of waiting, in walks Dom Kennedy, the underground rapper who will very soon be joining the company of famous rappers such as J.Cole, Big Krit, Kanye West, and more. After giving his motivation speech and a little background on himself, he came around and personally met every person in the audience, keeping a smile on his face the entire time. It was a beautiful thing.
There is something about an underground artist that I love. Don’t get me wrong, mainstream artists cannot help their amount of fame, and I have love for them too. But, when you are able to go see an underground artist, one you feel is on the brink of stardom, you feel a certain rush. And many underground artists, especially underground rappers I’ve found, will talk to you no matter the occasion, even giving you a motivation speech on how you can reach your potential.
The ability for an artist not to forget the people that allowed them to reach stardom is inspiring.
Two friends that were with me at the Dom Kennedy event, who happen to want to be rappers, got to not only shake his hand and take a picture with him, but actually talk to him and his producer on how to make it in this industry.
So, for all the underground artists that are getting that “big break,” don’t forget the little people who always knew you. Because when you recognize we were there, it’s a beautiful thing.
Posted in Music Rant/ love song
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